Lipstick on Your Collar

This TV series was simply wonderful, for me it's the best that I've seen of Dennis Potter. I wasn't born at the time that is depicted in the series (the year 1956), but it is all very convincing.

Never was boredom funnier than here. Rectal orifices, indeed! Waiting, waiting, waiting for Kim Philby's race forecast. Adhering to silly rituals to make the time pass and feeling that the country goes slowly downhill. Its really a relief the series has – under the circumstances - a happy and uplifting ending.

There are many great characters in this series, the whole cast excel themselves. Louise Germaine is very sexy and effective as Diana Dors lookalike, a pity she didn't continue her small or big screen career. The most interesting character for me was uncle Fred. I suspect there still are quite a few people like him out there. The whole set up at the house where he lives reminded me very much of 10 Rillington Place. I wouldn't be surprised if Potter created uncle Fred with Reginald Halliday Christie in mind.

I can highly recommend this series.

Like all of Dennis Potter's work, this shows us what film could & should be. It wakens all the old dormant brain cells. Yes, imagination & inspiration do still live & are still the main ingredients of REAL ART!!! Not necessarily compatible with democracy, tho, maybe, who knows?

In my view this is one of Potter's most impressive works. It has been years since I saw the series on television but I remember it became the highlight of my week. The unpredictable plot and the surreal use of day dreams and 50's music was masterful.

Louise Germaine was brilliantly cast as the stunningly beautiful Sylvia. She was beautiful that is until she spoke, revealing the most dreadful accent. A memorable performance. Even back in the early nineties it was clear that Ewan MrGegor was destined to go on to greater things.

Highly recommended viewing.

Super integration of songs and plot, superb acting by all. One of my favorite movies, although it's really too long to be a "movie." Giles Thomas is wonderful as private Francis Francis. I own this one and watch it at least once a year. It's that good. This is NOT a movie for children, as none of Potter's work is. One of the song and dance numbers is integrated into the plot in a most extraordinary way. It's the one in the military intelligence office about Egypt with the camel. The room is floor is full of balloons. When the number ends, and we get back to "reality," Col. Bernwood walks across the floor and kicks a final, pink balloon out of the way.

A tale of youthful lust, against a backdrop of the Suez crisis and national service. Interspersed with some great music of the era, which, for some reason the cast just start singing along to. Seems silly, and it is, but it works, and adds the right touch to the storyline, reflecting all those times when you wish life was a musical.