Fortaleza infernal

In the Grim Future on 2017... When the planet is been overpopulated and crimes has been rising. One of the new laws states that a couple are allowed to have one child now, even if the new born baby dies at birth. When John Brenneck (Christopher Lambert) and his wife Karen (Loryn Locklin) broken the law, when his wife finds himself pregnant after losing their first child at birth. When John's wife escapes from the U.S. Border, John finds himself sent in Prison for over 30 years. But this "Fortress" is controlled by a cold hearted if odd Prison Warden Poe (Kurtwood Smith). This prison is very strict, inmate's are controlled by a small explosive devices that are blasted into the digestive system via the throat and robotic controlled security devices that could look into the inmates dreams. Now John and other prisoners (Clifton Collins Jr., Jeffery Combs, Lincoln Kilpartick & Tom Towles) tires to find other ways to escape the Fortress but John finds out that his pregnant wife is captured and is kept in Poe's working area.

Directed by Stuart Gordon (Edmond, Re-Animator, Stuck) made an entertaining high concept low-budget Science Fiction adventure. This is probably the biggest budget that the independent filmmaker Gordon had to work with at $12 Million. Which it was originally going to be a bigger budgeted movie if Arnold Schwarzenegger was cast in the lead but Schwarzenegger went on to do "True Lies" instead. The actors gives good performances (especially Smith) and the feature has some fascinating ideas.

This is update from March 25, 2013 for the Blu-ray. Blu-ray from Echo Bridge has an pretty good anamorphic Widescreen (1.78:1) transfer and an fine DTS 2.0 HD Sound. There is no special features from this Blu-ray.

"Fortress" was an box office disappointment, when it was first released in the fall of 1993. But the feature was an international success and the sequel was produced (It was watchable but poorly produced sequel). This is One of Gordon's best movies and it's certainly worth seeing. (****/*****).

I'll get this out of the way first: the budget of this film isn't fantastic. Nearly all of the action takes place in the titular Fortress, which consists of a handful of sets used two or three times over. There is also a truly awful make up job - a 'tattoo' that more resembles an enthusiastic black marker.

That aside...

Despite said bad make up, Fortress features some extremely good practical effects. While avoiding spoilers, some very messy deaths are involved with characters being literally blown apart. These look frankly fantastic, especially (as I'm sure you've heard from every other critic ever) compared to CGI deaths in PG-13 films today. There's something visceral and authentic about them...the idea that what you're seeing is really happening.

And despite being restricted to one location, Fortress certainly makes the most of what it has. The Fortress is very well designed, packed with containment systems that the protagonist turns against it. Granted, there is some silliness involved - apparently, there is only one non-lethal way to subdue prisoners, and after that it's straight on to 'blow-to-bits'. But -and this is important- all of it is for a reason. You don't get the sense that something is there just to facilitate someone using it to escape, and indeed the design appears to be based on a real-life idea from Britain - the Panopticon, emphasising prisoners' fear of being watched more than actual effort spent watching them.

Characters, then. Honestly, Christopher Lambert's acting is the worst part of the film. In fact, I get the impression that a certain sequence was made just for him, since all he needs to do is zone out for a few hours. It's as if his batteries ran out one day, but the crew had to keep filming so they quickly wrote in an in-story excuse. His character isn't that interesting either - ex-army, highly decorated, a typical 90s interchangeable backstory with little impact on the plot. However, this is more than made up for by the antagonist, Prison Director Poe.

Unlike normal villains of the genre, Poe isn't a cartoon character given form - indeed, Kurtwood Smith is rather subdued even by normal villain standards, contrasting with his earlier role as Clarence Boddicker. And also unlike Boddicker, Poe's actually a fairly interesting character - though an aloof, even sadistic Warden, we do see what little personal life he has, and are continually reminded in his scenes that he's still a person - he has tastes, even loves, and by the end of the film it's not even clear whether he's the real bad guy. The rest of the supporting cast do an okay job - I can't think of a stand out performance though everyone does their jobs well. Honourable mention goes to the writers and the director for giving a female character many good action scenes and half of a subplot, even when it would have been incredibly easy to neglect her as post-victory booty.

The setting, I should mention, has a very nice atmosphere. Too many films forget that these days, instead going for a more realistic, bland appearance - comparing the first and second of Nolan's Batman trilogy shows it blatantly. Fortress has a dark, smoky look, which helps greatly both to maintain an oppressive, cyberpunk feel, and hide bad FX which is a nice bonus.

This isn't a 'bad but fun film' in my opinion, though some may see it that way. It has that look, sure, and if the creators had cast Arnie in the role then it well may have turned out like that. But it has some depth - beyond the exploding bodies and in places absent acting there is thought. If anything, I'd liken it to a Paul Verhoeven film - entertaining, but still immersive, maybe even though provoking.

Who knew that watching Raw Deal and then Fortress would make a fantastic over the top action doubleheader. Well, movie nerds and action aficionados, but not me. In my attempt to go through movies I should have seen by now, I bring you Fortress. A Stuart Gordon Sci-Fi action movie about a private underground supermax prison in the future year of 2017.

It is scary that I felt like there are things in this that I felt could have very much come about in that year. Private prisons, population control, cops killing civilians, half-human half-machine prison wardens made from the non-aborted babies of the prisoners...well one of those things may be a stretch.

Plot-wise, after being caught at the Canadian border trying to escape America with his wife who is pregnant with their second child. Chris Lambert gets arrested and thrown in an underground supermax prison in the middle of the desert. Here he is fitted with a device called the "Intestinator" which, when he is misbehaving or moving outside of where he should be will make his intestines explode. After finding out that his wife is alive and still pregnant, Lambert begins a weirdly convoluted way escaping which includes, using a hidden intestinator out of someone else stomach, his pregnant wife shacking up with the warden, and having his mind melted in a machine they use at theme parks. In the end, while the exploding people filled with blue goo are fun to watch, the move isn't really a thinker.

Although, there are a lot of creepy ideas in this. Since abortion is illegal the prisons keep the babies birthed from the women prisoners and meld them with machines as well as things they find on the floor to make the perfect hybrid human. The warden is a successful attempt at it, while the guards on are not. It a nice add-on that keeps the goofiness at bay just a bit.

I really enjoyed this film. I know there are a ton of flaws to it, and it kinds of looks like a sad grey tower of bland. Fortress just has too much weird and goofy to not be fun. Add in some hardcore violence, and exploding people and it's hard not to enjoy yourself.

"Fortress" is mostly routine, but enjoyable, futuristic sci-fi from director Stuart Gordon (of "Re-Animator" and "From Beyond" fame). It has an excellent cast of familiar faces that make the most out of what they've got, especially Kurtwood Smith ("RoboCop", 'That 70s Show'). There are acceptable levels of violence and gore, the production design and lighting are adequate, and Gordon does a very fine job with pacing and energy level. The producers originally wanted Arnold Schwarzenegger as the star, but he went on to do "True Lies" instead (it was Ah-nuld that suggested Gordon as the director of this feature).

Some interesting ideas are present in this tale of a husband and wife, John and Karen (Christopher Lambert and Loryn Locklin) who are expecting their second child, despite the fact that the law now forbids couples from having more than one kid. (They tried again because the first child was born dead.) They're caught and sentenced to do time at the "Fortress", a massive, multi leveled high tech prison. It's run by your standard issue sadistic warden, a man named Poe (Mr. Smith). John, forced into an overcrowded cell, makes plans with his cellmates to escape, although this place is supposed to be escape-proof.

Lambert is no better or worse than he usually is. Locklin is reasonably appealing. The supporting cast is pretty eclectic: Lincoln Kilpatrick ("Chosen Survivors", Renny Harlins' "Prison") as Abraham, Jeffrey Combs of the "Re-Animator" series (rocking a shoulder length wig here) as D-Day, Clifton Collins Jr. ("Tigerland", "Pacific Rim") as Gomez, Tom Towles ("House of 1000 Corpses", "Henry: Portrait of a Serial Killer") as Stiggs, and Vernon Wells ("The Road Warrior", "Commando") as Maddox. That's Gordons' actress wife Carolyn supplying the voice of the computer intelligence Zed-10. Smith, whose character will have some surprises in store, is an effective and not completely one-dimensional antagonist.

"Fortress" hits the ground running, and offers decent entertainment for a fairly trim 95 minute run time.

Seven out of 10.

Well, it may not be everyone's cup of tea and it certainly has it's flaws - but for me at least, Fortress is one of the most fun B-movies released in the nineties, and that's no surprise considering it's helmed by the great Stuart Gordon! One of the main reasons why Fortress works so well is because it puts its focus in one place and every imaginative element of the film goes towards furthering the central plot. The title refers to the impregnable privately owned prison of the title. We are introduced to this penitentiary and its various pitfalls right from the start and while it's not hard to see where the film is going to go, it does at least make you wonder how it's going to get there. The central characters are John and Karen Brennick - a couple sent to the Fortress after she becomes pregnant with a second child, thus breaking a futuristic population control law. However, John isn't happy to just rot away in jail, and despite the numerous pitfalls that makes the Fortress escape proof - along with his fellow prisoners, he plots to escape with his wife.

The basis of Fortress is your classic prison escape movie, the only difference being the prison at the centre of the tale. The Fortress itself is certainly made good use of as the inventive methods in place to stop the prisoners escaping are constantly kept at the forefront of the audience's mind. The film really is never boring for a minute; if there isn't something directly going on in the movie then Gordon is using the time to build up the situation that the prisoners find themselves in. The film features a good B-movie cast, with 'Highlander' Christopher Lambert taking the lead role. Lambert is hardly a great actor, but he at least looks the part and his athleticism serves him well. Loryn Locklin isn't given much to do as the leading lady, but the rest of the support cast includes the likes of Lincoln Kilpatrick, Vernon Wells (who, coincidently, was also in the 1986 Australian movie of the same title!) and Jeffrey Combs, who is just great as always. Kurtwood Smith is probably the biggest standout, however, as the maniacal head of the Fortress. This film really features everything you could ever want from a B-movie - constant action, imagination and some hilarious performances. It all boils down to a suitably over the top climax and while this might not be the best film ever made - its one hell of a lot of fun and I certainly recommend it!