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Flesh And Bone is not the glamorous pair up you'd expect from a matrimonial Dennis Quaid and Meg Ryan. It's a dark, grim and menacing tale of corrupted innocence, evil deeds and the sour fate that brings them full circle. Quaid plays Arlis Sweeney, a small time vending machine dealer with a dark past. His usual charm and appeal is gone here, a stormy, traumatized sheet on his face instead of that usual mile wide smile. Arlis harbors a troubling secret: He watched his no good criminal daddy murder an entire family when he was but a youngster, leaving him a haunted soul. His path crosses with rowdy, promiscuous Kay Davies (Meg Ryan) a girl with mysterious secrets of her own which eerily relate to Arlis's own past. When demon daddy re-enters his life, there's a thunderclap of portentous dread that mounts on the horizon like the ashen clouds of southern Texas where the film was shot. His name is Roy Sweeney, and he's played by a cackling James Caan, slithering into the skin of a character so unredeemable and nasty that we feel the slime emanating from the screen. He's a guy that danger follows around like a curse, and for better or for worse, Arlis must reconcile his own twisted mind and bring the legacy of bloodshed to a halt. Tagging along with Roy is a skanky and very young Gwyneth Paltrow, basically walking collateral damage. It's a heavy thriller with few breaks for breathing room, but it rolls with the violent, south western pulp we've come to love from artists like Cormac McCarthy and the like, adding it's own moody, laconic pace that heightens to unbearable tension with little notice and less flair, making it hit you all the harder. Supporting turns weigh in from Christopher Rydell, Barbara Alyn Woods, John Hawkes and character actor Scott Wilson as Arlis's dodgy business partner. Great stuff if you can shake the doom and gloom off after and hold onto the stark beauty and tragedy that it's laced with.

Once in a while you come across someone who is a little odd, or haunted, or unsociable, or all of the above, and you wonder to yourself how they might have gotten that way. What made them that way? Why are they so terminally sad? Steve Koves has brought us the back story to those questions. His script and handling of the story are stellar. This is not a happy film. But it is a fascinating one.

Everyone in this cast is at their best. But it is Dennis Quaid, who gives the best performance of his ample career, that breaths this story to life, or, death, as it were. He plays Arliss. Arliss has a nickel and dime vending machine business that takes him through the most desolate parts of Texas. His work is so lowly that he doesn't even handle paper money. Coins and dyed chickens are his stock and trade. He pours himself into his boring work as if he is trying to take his mind off of something. Something unpleasant. We know what that something is from the opening of the movie. What unfolds now is the picture of what a destroyed life looks like as it tries to outrun it's past. Quaid is brilliant at creating a haunted and wounded Arliss without making him pathetic. He is the obscure guy you might run across unexpectedly that makes you go, hmmm, what happened to him.

There is nothing about this film that isn't first rate. I am mystified by it's "average" rating here on this site. I suppose if you hate good scripts, skillful directing, brilliant performances, and haunting sound and cinematography, I guess I could see giving this movie a 5. It is certainly possible not to like this type of film. But it is negligent, as a viewer, not to acknowledge it's quality. It is an excellent piece of film making and Dennis Quaid shows just what a brilliant and understated actor he is. James Caan, Meg Ryan, and Gwyneth Paltrow are also up to Quaids level here. I highly recommend this movie. It's different. It's interesting. It's engrossing. And it's brilliantly done.

A friend gave me this tape a few weeks ago, it did not have a cover and I had never heard of it. I was surprised to see who starred in it. Meg Ryan is one of my favorite actresses. She did a real good job of making this part come alive. But I still think the biggest surprise was seeing James Caan play a role without any feeling. He really was evil in this role and was believable as this person. The movie itself really makes you think that whatever you do will eventually come back to haunt you no matter what you do. I also liked Gwyneth Paltrow in the role of a thief, but I wished that I knew why she did the things that she did. And why she would stay with a man that was pure evil. I guess that is what makes the movie so thought provoking. I'm glad that a friend gave this to me to watch, because if I had seen the title I would have thought it was a horror movie. I have since talked other friends into watching it and all have liked it. I would recommend this movie to anyone.

This is not a film where everything appears obvious. It is dark and complicated. It is about how the past haunts you and affects your life in the present. It is the stuff that Freud would have fun dealing with.

The stars in this film give performances that are among the best in their careers.

Dennis Quaid (Frequency, Far From Heaven) is clearly the lead in this picture as the son of a soulless murderer and thief (James Caan). He carries the devil with him through his life and it affects his relationships with women. He runs into an abused housewife (Meg Ryan, in a non-romantic role), and they travel the back-roads of Texas together. Gwyneth Paltrow (Shakesphere in Love) is a thief that plays Caan's companion, even if he is old enough to be her grandfather.

This is written and directed by the Oscar nominated (Wonder Boys) writer of all of the Harry Potter movies, Steve Kloves. He does a fabulous job.

Definitely a movie to watch when you get a chance.

Very few false moments in this Sydney Pollack ensembled film. Steven Kloves shows skilled insight as both writer and director here, putting fine oblique touches to his dialogue, applying a steady observant eye (with DP Phillipe Rousselot's help) to the blocking and shooting, and using Thomas Newman's music to optimum effect. His sparse and well-placed music cues highlight the great writing by Tom Newman here, which is of a quality equal to Newman's later score for Horse Whisperer. TN is truly one of the most evocative composers working in film this decade.

Flesh and Bone features the best acting I've ever seen Meg Ryan do, though she won't probably cite it herself, any more than Sarandon cites Lorenzo's Oil. Disregard the flack. Serious character work going on here if you want to see what Ryan can really do.

Her hubby Dennis Quaid antes up too, combining sullen, well modulated internal work with a wry vocal tone and a great understanding of his character's moment to moment decision making. No rakish charm here.

Paltrow is surprisingly edgy and cynical, although mostly a foil for Ryan and Caan. Caan is workman-like, effective, but a hair hammier than the rest. Luckily the script and director don't give Jimmy too much rein; he's done better (For fine Caan see Chapter Two or Thief). Overall, Flesh and Bone is a solid nine drama, well worth renting, and graced with a few story surprises. Real film buffs will be gratified.