Un grupo de veinte y tantos amigos, la mayoría de los cuales vive en el mismo complejo de apartamentos, busca el amor y el éxito en la Seattle de la era del grunge.Un grupo de veinte y tantos amigos, la mayoría de los cuales vive en el mismo complejo de apartamentos, busca el amor y el éxito en la Seattle de la era del grunge.Un grupo de veinte y tantos amigos, la mayoría de los cuales vive en el mismo complejo de apartamentos, busca el amor y el éxito en la Seattle de la era del grunge.
- Premios
- 1 premio y 3 nominaciones en total
Jim True-Frost
- David Bailey
- (as Jim True)
James Le Gros
- Andy
- (as James LeGros)
Christopher Masterson
- Steve at 10
- (as Christopher Kennedy Masterson)
Reseñas destacadas
SINGLES is a charming, romantic movie and one of Cameron Crowe's best.
An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.
More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.
Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.
Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.
An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.
More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.
Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.
Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.
Cameron Crowe is one of those directors that thrive on making the little moments in movies the most memorable ones you'll ever see in your life. In 'Almost Famous,' it was when everyone on the Stillwater tour bus was singing along to "Tiny Dancer." In 'Say Anything...' it was when Lloyd was driving around and proclaimed how his heart was exchanged for Diane's pen. Crowe also creates many memorable little moments in 'Singles,' which may not be the most famous movie he's made but it's one of the best.
Even though 'Singles' is about twenty-somethings in Seattle, everything rang true to me as I am now, a teenager. The film is honest and real in how couples become couples and how relationships can fall apart. 'Singles' isn't at all mean-spirited or depressing in its portrayal of relationships or the dating game, so it might turn some people off who want to see the extremely ugly confrontations (a la 'Closer'). But the moments in 'Singles' that make it worth watching are when Linda (Kyra Sedgewick) gets to know Steve (Campbell Scott) while going through his record collection in his apartment. Or when Janet (Bridget Fonda) sneezes and gets a "bless you" from someone she (and the audience) would least expect.
Everything about 'Singles' is great. The cast, the music and the truth behind the movie will bring a smile to your face.
Even though 'Singles' is about twenty-somethings in Seattle, everything rang true to me as I am now, a teenager. The film is honest and real in how couples become couples and how relationships can fall apart. 'Singles' isn't at all mean-spirited or depressing in its portrayal of relationships or the dating game, so it might turn some people off who want to see the extremely ugly confrontations (a la 'Closer'). But the moments in 'Singles' that make it worth watching are when Linda (Kyra Sedgewick) gets to know Steve (Campbell Scott) while going through his record collection in his apartment. Or when Janet (Bridget Fonda) sneezes and gets a "bless you" from someone she (and the audience) would least expect.
Everything about 'Singles' is great. The cast, the music and the truth behind the movie will bring a smile to your face.
This was a 90's version of all those high school films in the 80's some of us are old enough to remember.
We deliberately date the film and tap into the grunge era of Seattle. When done on purpose....it can be done very well. This was.
We see the baggy shorts and layered flannel on the guys, the leggings and quirky hats on the girls, and the disheveled hair on both. But funnily enough, this flick was in production BEFORE that scene took off. As a result what seemed like cashing in was actually foresight.
The relationships unfolding in the apartment complex were done realistically and the scenes involving the band will be enjoyed by anyone into that era's music. And Campbell Scott almost steals this film. His idea for the city was actually a good one.
And yes that is 3 members of Pearl Jam as Matt Dillons backup band. And see if you can spot Chris "Soundgarden" Cornell coming out to watch Matt show off his new car speakers.
So 90's. But very enjoyable.
We deliberately date the film and tap into the grunge era of Seattle. When done on purpose....it can be done very well. This was.
We see the baggy shorts and layered flannel on the guys, the leggings and quirky hats on the girls, and the disheveled hair on both. But funnily enough, this flick was in production BEFORE that scene took off. As a result what seemed like cashing in was actually foresight.
The relationships unfolding in the apartment complex were done realistically and the scenes involving the band will be enjoyed by anyone into that era's music. And Campbell Scott almost steals this film. His idea for the city was actually a good one.
And yes that is 3 members of Pearl Jam as Matt Dillons backup band. And see if you can spot Chris "Soundgarden" Cornell coming out to watch Matt show off his new car speakers.
So 90's. But very enjoyable.
What I liked most about Singles was that many of the characters you could identify with. Its not often in a film where you can look at characters and think - I know someone like that. Its actually very accurate in the way it depicts the attitudes of twenty somethings who have been through a series of less than successful relationships. There are some great, and very funny scenes in this film, and the actors all put in great performances. Setting it in Seattle- the home of the Grunge band was a fantastic idea as well.
If you lived it, you love it. If not, you try to appreciate and judge if not willing. This captures the magic of a time and a city, and mostly the magic that Nirvana brought forth.
¿Sabías que...?
- CuriosidadesBased on a script that Cameron Crowe originally wrote in 1984, which took place in Phoenix, Arizona. After Andrew Wood, the lead singer of Seattle bands Malfunkshun and Mother Love Bone, died of a drug overdose in March 1990, Crowe noticed the music community in Seattle coming together to process the loss. He rewrote his script with the incident in mind, changing its setting to Seattle, which had been the location of his previous movie, Un gran amor (1989), which featured a song from Mother Love Bone in the soundtrack, "Chloe Dancer/Crown of Thorns" - the same song is on the 'Singles' soundtrack.
- PifiasDebbie's frantic bike ride on her video date has her darting all over the city. She starts at the first restaurant at the end of lake union. To get to the second restaurant on first avenue downtown, she circles all the way around to Waterfront park on the Sound. After leaving the second restaurant, she crosses a draw bridge over the ship canal, only to suddenly end up back downtown near post alley and first avenue (where she just left the second restaurant). After getting a flat tire, she finally walks all the way home to the apartment on Capitol Hill (nearly 2 miles away).
- Citas
Steve Dunne: I just happened to be nowhere near your neighborhood.
- Créditos adicionalesOuttakes after credits on video version
- Versiones alternativasThe Blu-ray has the 2003 Warner Bros. Pictures logo at the beginning of the movie. The YouTube version retains the plaster but also included its accompanying fanfare which in-turn cut the first few seconds of the song "Waiting for Somebody".
- ConexionesFeatured in Paul Westerberg: Dyslexic Heart (1992)
- Banda sonoraWaiting for Somebody
Written and Produced by Paul Westerberg
Performed by Paul Westerberg
Courtesy of Sire Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Vida de solteros
- Localizaciones del rodaje
- 1820 E. Thomas St, Seattle, Washington, Estados Unidos(The apartment building where Cliff, Janet, Steve, and Debbie live.)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 18.471.850 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.184.875 US$
- 20 sept 1992
- Recaudación en todo el mundo
- 18.471.850 US$
- Duración
- 1h 39min(99 min)
- Color
- Relación de aspecto
- 1.85 : 1
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