Un trabajador agrícola cuida de su amigo tonto y gentil durante la Gran Depresión.Un trabajador agrícola cuida de su amigo tonto y gentil durante la Gran Depresión.Un trabajador agrícola cuida de su amigo tonto y gentil durante la Gran Depresión.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Moira Sinise
- Girl in Red Dress
- (as Moira Harris)
Diane McGee
- Prostitute
- (sin acreditar)
Donna Persico
- Prostitute
- (sin acreditar)
Lori Romero
- Prostitute
- (sin acreditar)
Reseñas destacadas
10bradencn
If you are looking for a movie that has every scene, every character, and every part of the plot that is exactly accurate to the book, you have found it in this film. It was absolutely incredible to watch one of my favorite books come to life.
Well, well done.
Well, well done.
10tesscat
How often are we forced to endure the uninsightful changes that are made to American classics in the process of turning them into feature films? The 1939 version of this movie is a prime example. It, very simply, was not the story that Steinbeck wrote. The changes that were made were too sweeping to be seen as anything other than some ego thinking that Steinbeck could be improved upon.
Now, anyone who is truly familiar with Steinbeck knows that this is just not true. Gary Sinise has proven this familiarity. I have rarely had the pleasure of watching a movie that stayed so completely true to the original text. Not only does this movie not add or subtract from the book, the characters themselves are almost exactly how I had pictured them when I read this story for the first time.
If you are looking for overblown sex and violence, for spectacular special effects, or for unbelievable demonstrations raw physical strength, move on. This movie will not interest you in the slightest. However, if you are looking for a story of true love and true courage, if you are looking for a movie whose beauty stems from a raw sense of humanity, then find yourself a quiet place, where you won't be interrupted and watch this. You won't be let down.
Now, anyone who is truly familiar with Steinbeck knows that this is just not true. Gary Sinise has proven this familiarity. I have rarely had the pleasure of watching a movie that stayed so completely true to the original text. Not only does this movie not add or subtract from the book, the characters themselves are almost exactly how I had pictured them when I read this story for the first time.
If you are looking for overblown sex and violence, for spectacular special effects, or for unbelievable demonstrations raw physical strength, move on. This movie will not interest you in the slightest. However, if you are looking for a story of true love and true courage, if you are looking for a movie whose beauty stems from a raw sense of humanity, then find yourself a quiet place, where you won't be interrupted and watch this. You won't be let down.
First off, the acting in this movie is incredible. It's funny how someone as intellectual and bright as Malkovich can pull his role off so well. Gary Sinese was great too, effectively portraying George.
But if you really get into the book, the movie doesn't follow it too faithfully. Curely's wife is portrayed to be flirty, and a "tart," when in the book, she was just as lonely as everyone else on the ranch. She wasn't looking for sex, she was looking for companionship. The screenwriter didn't interpret the book quite as well as I had hoped.
Now I'm just nitpicking, but when when Lennie pulls the stunt by faking the puppy, it's just not like him. Lennie is not clever at all, and wouldn't think to do that.
But all in all, great movie, definitely great for comparing to the book in a lit. class or anywhere.
8/10
But if you really get into the book, the movie doesn't follow it too faithfully. Curely's wife is portrayed to be flirty, and a "tart," when in the book, she was just as lonely as everyone else on the ranch. She wasn't looking for sex, she was looking for companionship. The screenwriter didn't interpret the book quite as well as I had hoped.
Now I'm just nitpicking, but when when Lennie pulls the stunt by faking the puppy, it's just not like him. Lennie is not clever at all, and wouldn't think to do that.
But all in all, great movie, definitely great for comparing to the book in a lit. class or anywhere.
8/10
Often a movie is associated with its actors or its director. I would associate this film more with Horton Foote the brilliant scriptwriter, who sculpted the script from a great book by a formidable author, John Steinbeck.
When I read Steinbeck's book I was in awe of the author's powerful strokes of simplicity. Adapting the book into a screenplay can be formidable. Foote did it earlier with Harper Lee's novel "To kill a Mockingbird". He did it again in Beresford's "Tender Mercies". Some of the flashes of brilliance in the script are the opening sequence of the woman running scared into the camera, the opening and closing images of light falling on the dark insides of a train car, the empty bus ride that Steinbeck did not present. Director Gary Sinise and Foote made the adaptation of the novel on screen look easier by adding details just as scriptwriter Robert Bolt and director David Lean did the opposite by compressing the details with Pasternak's "Doctor Zhivago". Both "Dr Zhivago" and "Of Mice and Men" are great examples of adapting literary works for the screen.
This is not to discount the contribution of Gary Sinise. Director Sinise and Actor Sinise were admirable. The former brought out the finest in the latter. This is Sinise's finest performance.
Malkovich is a talented actor--he commands attention. Whether a more restrained performance was called for or not is debatable.
Equally stunning is the film's music by Mark Isham--the man who grabbed my attention in "Never Cry Wolf", "Mrs Soffel" and "A Midnight Clear". Sinise was wise using the music effectively when required and not overdoing it to evoke pathos. The music doesn't sooth you, it nudges you to reflect on life.
The film is a great essay on loneliness. Most importantly, it is a great example of how a literary work ought to be adapted without changing the author's vision. Remarkably, the film added more to Steinbeck's work with the train ride and the bus ride. That's Foote!
When I read Steinbeck's book I was in awe of the author's powerful strokes of simplicity. Adapting the book into a screenplay can be formidable. Foote did it earlier with Harper Lee's novel "To kill a Mockingbird". He did it again in Beresford's "Tender Mercies". Some of the flashes of brilliance in the script are the opening sequence of the woman running scared into the camera, the opening and closing images of light falling on the dark insides of a train car, the empty bus ride that Steinbeck did not present. Director Gary Sinise and Foote made the adaptation of the novel on screen look easier by adding details just as scriptwriter Robert Bolt and director David Lean did the opposite by compressing the details with Pasternak's "Doctor Zhivago". Both "Dr Zhivago" and "Of Mice and Men" are great examples of adapting literary works for the screen.
This is not to discount the contribution of Gary Sinise. Director Sinise and Actor Sinise were admirable. The former brought out the finest in the latter. This is Sinise's finest performance.
Malkovich is a talented actor--he commands attention. Whether a more restrained performance was called for or not is debatable.
Equally stunning is the film's music by Mark Isham--the man who grabbed my attention in "Never Cry Wolf", "Mrs Soffel" and "A Midnight Clear". Sinise was wise using the music effectively when required and not overdoing it to evoke pathos. The music doesn't sooth you, it nudges you to reflect on life.
The film is a great essay on loneliness. Most importantly, it is a great example of how a literary work ought to be adapted without changing the author's vision. Remarkably, the film added more to Steinbeck's work with the train ride and the bus ride. That's Foote!
I put off watching this movie for many years. I figured, what was the point? I had read the book "Of Mice and Men", watched earlier movie versions and seen it performed on stage. Why sit through yet another version? Finally one day at the video rental store I decided to take a chance and rent it. I am very, very glad I did.
So why sit through another version? Because it is extremely well done. Gary Sinise and John Malkovich are powerful in the leads, Sherilyn Fenn has never been more appealing and Ray Walston will break your heart.
This is just plain good storytelling and good movie making. I guess like Lennie never getting tired of hearing George talk about the rabbits, I'll never get tired of seeing a good version of this classic story.
So why sit through another version? Because it is extremely well done. Gary Sinise and John Malkovich are powerful in the leads, Sherilyn Fenn has never been more appealing and Ray Walston will break your heart.
This is just plain good storytelling and good movie making. I guess like Lennie never getting tired of hearing George talk about the rabbits, I'll never get tired of seeing a good version of this classic story.
¿Sabías que...?
- CuriosidadesThe girl in the red dress, running through the field at the beginning of the movie, was played by Moira Sinise, the wife of director/star Gary Sinise.
- PifiasAt various points in the movie, you can see Candy's clenched fist where there isn't supposed to be a hand.
- Citas
George: Guys like us that work on ranches are the loneliest guys in the world. They ain't got no family and they don't belong no place. They got nothin' to look ahead to...
Lennie: But not us George. Tell about us.
George: ...well, we ain't like that. We got a future. We got somebody to talk to that gives a damn about us. If them other guys gets in jail they can rot for all anybody cares.
Lennie: But not us, George, because I... see, I got you to look after me, but you got me to look after you.
- ConexionesEdited into Modern Classics Summarized: Of Mice and Men (2016)
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 5.471.088 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 97.851 US$
- 4 oct 1992
- Recaudación en todo el mundo
- 5.471.088 US$
- Duración
- 1h 55min(115 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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