Miss Marple: El espejo que se rasga de un lado a otro

The village is all of a buzz at the news that the Hall has been bought by American film star Marina Greg and her husband Jason Rudd. When Greg throws a garden party of the locals it ends badly whenever a local woman from the St John's suddenly falls ill and dies. The autopsy finds that she has been poisoned and that it most likely came from a drink – a drink intended for Marina Greg. With such a high profile murder on his hands, Superintendent Slack calls for help in the form of DI Craddock, who also happens to be the nephew of one Miss Marple. With her insightful mind and his detective work the future is bright but the ongoing threats against Greg shows that time is not on their side.

It is ironic that some fans of the BBC's Miss Marple don't rate this film as highly as some others because personally I think this is one of the more enjoyable ones I have seen recently, probably for the same reasons that others don't. It might be the presence of American accents, or the use of the film world as a backdrop or the use of humour within the plot and characters but somehow this film had more life and energy to it than some of the other films. The plot moves along quickly and we have the death within thirty minutes rather than the usual hour; this means we spent little time dawdling before the story starts. After this point it keeps up a good pace and is enjoyable from start to finish. The mystery itself benefits from the pace and avoids the trap of being deadly dull, becoming something that feels a bit lighter and more entertaining – although fans of CSI will still struggle with the rather sedentary pace it still has in common with the rest of the series.

The addition of comedy to the character of Miss Marple is welcome, as is the way she is a bit edgy and rude at times (well, by comparison anyway). Hickson takes to this well – playing off her housekeeper well and having a frustration that I hadn't seen before. Castle works well as her nephew and leads the investigation well as a sort of sidekick to her. The presence of Bloom and Newman add a bit of class to proceedings and by virtue of being American help to loosen the rather tight corset that this series always wore. I thought Gregory's (Fenn) accent was awful but when I found out he was American I realised that it must just be an all round bad performance rather a problem with accents. Support is roundly good and all do their bit to keep the film moving by never being too stiff or "English".

Overall this is not the film that will win fans of the MTV mystery series (CSI etc) but it is one of the lively films from the BBC Miss Marple series. The story, characters and tone all work together to produce a rather flowing story that has more interest and pace to it than I have seen in other Marple films and it made it more fun than usual.

This adaptation respects its material, and is overall a solid adaptation of the book. The book, I will admit isn't Christie's best, but what made it so interesting was the victim Heather Badcock, and I felt that the adaptation could have developed her more. The adaptation is also overlong but maintains interest, thanks to the way it was filmed, the pace and the acting. The adaptation is beautifully filmed, and the music is fantastic. It also moves along at a much more reasonable pace than say They Do It With Mirrors (that was good but i had a real problem with the pace). And the acting is very good, as is the case with the Joan Hickson Marple adaptations. Hickson is indeed terrific as Miss Marple, and Claire Bloom, Barry Newman and Norman Rodway are a fine supporting cast. Gwen Watford is the standout in a hilarious performance. The adaptation which further benefits from good plotting is fairly faithful save a couple of questionable liberties, and the Ella Zeilinsky murder was quite a disturbing scene for me I will admit. All in all, solid adaptation and well worth the look. 8/10 Bethany Cox

It may not be the best of the bunch but it's still a good TV movie. A nice touch is the fact that we see several faces that we saw in Murder At The Vicarage an earlier movie of this series. There is Dolly Bantrey ( now a widow), there is the vicar ( he was not the vicar in Murder at the vicarage but seems to have made a promotion) and some more characters. This one is surely better than the movie with Liz Taylor and Angela Lansbury. This was the last one of the series and it's a shame they did not continue it with movies of some of the Miss Marple short stories. Hickson was - up till now - the best Miss Marple. Let's hope they 'll find another person just as good and still use the short stories!

And so the fabulous BBC productions of the Miss Marple stories draw to a close... perhaps not the best of Christie's stories, but it still offers many delights as a piece of television, including the reappearance of a host of familiar characters from previous outings. It would appear this was Watford's last screen appearance before her death in 1994, and watching her recreate Dolly Bantry is therefore bittersweet. The timing, intonations and tiny details she brings to the part are delicious (as they were in The Body In The Library), and all her scenes with Hickson are quite wonderful. The story is probably a tad convoluted, yet it really is the small details that make it another triumph - Dolly and friends' reaction to the marble bathrooms; Mrs. Brogan's hilarious 'buttering' (totally authentic); Hickson's disapproval of Miss Knight's fussing. Slightly confusing that Castle's clever depiction of D.I. Craddock has now become another of Jane Marple's nephews (they weren't related in A Murder Is Announced), but it's still a joy to see him return in another cloud of cigarette smoke.

So, all this and one last brilliant, expertly crafted portrayal of "the Marple woman" by Joan Hickson. Now all we need is for someone to revisit Ms. Hickson's career and issue some of the many films she appeared in on DVD.

I can hardly believe that three British people above have referred to the beautiful Claire Bloom as and American actress. One of them credited her being American with having enlivened the proceedings, and one blamed her being American for faults in the production.

Can it be that British people don't know that she is regarded in the United States as one of the most distinguished English actresses? She made her debut in Charlie Chaplin's LIMELIGHT. And could anyone seeing her as Lady Marchmain in BRIDESHEAD REVISITED imagine that she was anything but English? She also appeared on British television as Joy Davidman in SHADOWLANDS.