Juice

This is a hip-hop classic that I could definitely relate to being from NYC, and having been in a click of four friends since grade school. The film has a great pace and rhythm from start to finish, never a dull moment. Tupac displayed the raw talent and anger that resides in most inner city youth who simply want respect. Unfortunately respect came at a price, which the film was precisely able to convey, through strong performances by Tupac, and by Omar Epps, as the aspiring DJ, in their first featured roles. Samuel L. Jackson has a noticeable role as a pool hall owner, and young Queen Latifah does her thing as the Ruffhouse MC. Ernest Dickerson does an excellent job with capturing the energy of Harlem in an honest way, not dressed as a stereo-typical slum or focused on the historic 125th street, but neutral to lay the groundwork for the true challenges that living in Harlem has to offer these four young men. A classic!!

Juice is yet another hood film that presents itself honestly and with a good sense of realism. It doesn't capitalize on anything but the reality and the dangers of growing up in a city lead by gun violence and senseless murders. In the mix of it all are four Harlem boys all portrayed effectively by Omar Epps, Tupac Shakur, Jermaine "Huggy" Hopkins, and Khalil Kain.

The boys call themselves "The Wrecking Crew," and are trying to survive with what they have in a dangerous town. They spend most of their time at an arcade or a record shop when they cut school a little early, most of the time being harassed by the police or a gang in the process. One day, one of the boys named Bishop (Shakur) buys a gun, and convinces the other three members to come along in stickup. They rob the store, and from that moment on things go from bad to worse for the boys.

There is a subplot involving another one of the gang's members nicknamed "Q" (Epps) who is an aspiring DJ, and has a big DJ competition the night of the planned robbery.

Writer and Director Ernest R. Dickerson has worked as the cinematographer on various Spike Lee films, and this marks his very first shot behind the camera. While Juice is passable and well-made, it suffers by comparison with film's made by Lee like Do the Right Thing and School Daze. It also can be compared to Boyz N The Hood, another excellent hood film by John Singleton.

I believe because of Spike Lee films and works of John Singleton is the reason why Juice has slipped through the cracks. It has a following, but because of strong critical acclaim surrounding the other pictures and this one just having mixed reviews is the reason why this isn't remembered as well as the other films.

The moral of Juice is great about a psychological change one person can go through in a matter of time, the message about gun violence, and strong friendships being tested. However - this is taken in a more clichéd manner than any other hood film I've seen. We don't know a whole lot about the characters, and we don't know about they're raised. We don't get the parental backstory which is what Boyz N The Hood was cluttered with.

I'm recommending Juice for its morals, its sense of realism, and its subject matter. However, the delivery is a little askew, and the four boys aren't developed as well as they could be. This is still one more realistic hood film that many should make time to see, but this film only reaches the level of average to decent while all of Singleton's films surpassed the above average mark.

Starring: Omar Epps, Tupac Shakur, Jermaine "Huggy" Hopkins, Khalil Kain, Samuel L. Jackson. Directed by: Ernest R. Dickerson.

Wow, the memories. This is one of my favorite hip hop flicks. I'm also a Tupac fan and I can honestly say when I first saw this movie.. I hated Tupac because he made the "bishop" character so real... A little too real.. Some say Pac's problems started after he made this film...That he was living out the character... Looking back on it now as I'm older I think the character helped him release some of the darkness in his past. I miss Tupac.. When I look at these watered down rappers ... i.e. 50 Cent.. and how he's still around.. It tells me people are attempted to fill the Pac void.. There will NEVER be another Pac.. Please believe it.. Anyway...I watched the move again recently and it's great the music and the vibe and movement of the film is gritty and honest. It really shows how small situations in the hood can become a big problems.. Pac was excellent and raw. Omar Epps was excellent as well.. I love the movie...It never gets old.

LS MahoganyGirl.com

Top performances from Epps and Shakur make this film watchable, the story a fairly mundane one of street youth gangs drifting into crime in search of kicks, streetcred and "juice" (or power). Shakur is the nutter who leads the way on a downward spiral, eager to get involved in any crazy venture and leading his more cautious friends down with him, Epps the good kid hoping to escape the ghetto life through his DJing skills. Uniformly good acting especially from the two leads, cameos from Queen Latifah and Samuel L. Jackson, tense atmosphere and a funny, slang-heavy script all act in its favour, but a lack of originality and a rather mediocre ending bring it down a notch or two. Worth a look if it's your scene though.

Four teen friends grow up in a tough Harlem neighborhood. They skip school, hang out, steal music records for Q, and get harassed by the police and Radames' gang. Bishop (Tupac Shakur) has a chip on his shoulder and a drug addicted father. Q (Omar Epps) is an aspiring DJ. Steel is the chubby sidekick. Raheem has a baby and an angry baby mama. Bishop is angry for always running and losing a friend. He pushes the other three especially Q to rob a bodega. Bishop ends up killing the owner. In the aftermath, the boys argue and Bishop kills Raheem.

Tupac shows his acting chops and some real power with potential. Omar Epps shows his presence by providing a stable center for the movie. There are other newcomers but these two are the standouts. This is a small scale epic tragedy of angry young man in a difficult world. Their troubles are almost inevitable.