Héroe por accidente

This was one of my favorite movies. Its basic message is that no one is either 100% good or 100% sleazy, as Hoffman and Garcia's characters show. Hoffman plays a two-bit thief who rescues a bunch of people from a downed airplane (including news reporter Geena Davis), and Garcia, a seemingly noble Vietnam vet, winds up taking credit for it.

Basically, the movie shows the dangers of our need for a hero and the media's glorifying of such a need. I liked this movie a lot.

*** out of ****

Dustin H is at his brilliant best. Listen carefully to his closing speech to his son(delivered with passion in the zoo). Words of wisdom about the state of the human zoo we live in. The movie has humour, pathos and some great lines. One of my favourites.

Hero is the story of a not so nice man that performs an extra-ordinary act of courage. He rescues a crashed plane full of trapped passengers. And after he does, he disappears into the night, never to be seen again---that is until a T.V. station offers 1 million dollars for the man to come forward and identify himself. Someone else takes the credit through a funny series of events that should remain unsaid.

This film is a true treasure. It not only examines fragile human issues like family responsibility, love, our stigmas that we set upon heroes and morality, but it is a damn entertaining movie. It is also a tearjerker. Not many people gave this film a chance but now that it is out on video, check this one out. You will be glad you did.

HERO is a funny, smart, vastly underrated screwball comedy about mistaken identity, and what exactly it is that constitutes "heroism".

Dustin Hoffman plays Bernie Laplante, a small-time crook and generally unpleasant individual, who one rainy night is reluctantly drawn into helping rescue 54 passengers from a burning plane, after it has crashed into a Chicago bridge right in front of him! One of the survivors is Gale Gayley (Geena Davis), a glamorous news reporter, whose TV station decides to offer $1 million for an exclusive interview with the mysterious "Angel of Flight 104", who simply disappeared into the dark of the night before his act of bravery could be recognized, leaving one of his shoes behind amid the chaos.

However, the "Mr Cinderella" who subsequently steps forward to claim the reward, and thereafter becomes lionized by both the media and the public, is not Laplante (rather inconveniently locked up in jail at the time), but John Bubber (Andy Garcia), a handsome, charismatic, though destitute Vietnam veteran, who intends to share his new-found wealth with the city's homeless and other charitable causes. Bubber is able to convince as the real hero, because he gave Laplante a lift immediately after the accident (and is handed Laplante's second shoe as a thank-you, to "pay for the gas"), and thus heard the full story of Laplante's adventure firsthand.

British director Stephen Frears' third American outing (following 1988's DANGEROUS LIAISONS and 1990's THE GRIFTERS) was not a particular success at the box-office, and neither was it especially well-received critically. But I find that difficult to understand, as I think that HERO is probably the most downright enjoyable of all Frears' movies. The three leads are terrific - Davis looks sensational, Hoffman is suitably sleazy (and unexpectedly moving in scenes with his ex-wife, played by Joan Cusack, and his young son, James Madio), and Garcia injects his impostor role with warmth and credibility. The script (by the screenwriter of BLADE RUNNER and UNFORGIVEN) is bright and snappy, and there are fun, uncredited cameos from Chevy Chase (as Davis's pushy boss), Edward Herrmann (as a suicide victim - in a comedy? but yes it IS funny) and Fisher Stevens (as a film director, making a TV movie of the plane crash and using the real survivors as the actors).

HERO was known as ACCIDENTAL HERO (a more appropriate title, in my opinion) in various territories (including the UK), echoing, of course, one of Davis's earlier film triumphs, namely Lawrence Kasdan's splendid THE ACCIDENTAL TOURIST (1988). This was also where Davis reunited with Hoffman, 10 years after the former made her brief film debut in the latter's cross-dressing smash TOOTSIE. Finally, the excellent song played over the end credits is "Heart Of A Hero", written and performed by Luther Vandross.

I felt not only well entertained by this film, it also reinforced my disdain towards the way media makes heroes out of people with media flair, instead of the people who really deserve it. As Bubber, the imposter, played in the film by Garcia so emphatically puts it: "We're all heroes if you catch us at the right moment". The falseness of this otherwise bold and inspiring message brings out a seldom heard truth about the way lies have sold so well in this century. And how most people are willing to sell their souls for the supposed joy of being a celebrity.

The similarity with the fabulous "Fearless" (starring Jeff Bridges) is striking, in spite of the completely different realization and overall mood of the film.