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Meandering tale of a wealthy family embroiled in a murder scandal with hot shot reporter Stoltz becoming enamoured by the sultry, enigmatic daughter (Connelly) in his obsessive pursuit of landing the big scoop to feed his ambitions of fame and fortune.

Tries for a film noir feel, but doesn't make the grade wasting a whole lot of talent in the process. Most of star-billed Hopper's role is seen in flashbacks, whilst fellow veterans Price and Dillman have only relatively small contributions to a rather muddled mystery. I preferred the Stoltz-Connelly mind games that were maturing, alas they were overtaken midway by Mulroney's bizarre social handicap whose delusional behaviour becomes progressively more paranoid as the climax approaches.

But despite the potential, the movie is really no more than a feature-length episode of a Murder She Wrote or similar whodunit, with too much telegraphed and consequently, very few surprises to entertain any armchair sleuth who might be hoping for something more mysterious.

A writer is murdered out in the open, and the killer then offs himself. The question is what happened? The man he killed wrote something scandalous about his family. The man was ticked off by his latest book. He was so unhinged. His sister was shocked by his behavior. So when he stalked him, he caught the interest in a reporter. So the reporter got closer to his sister.

It's a interesting movie to watch. With an all-star cast to boot. It's like a puzzle game to solve, but it's also a game of cat and mouse. With the puzzle been solved, but the game of cat and mouse results with the mouse getting away.

Eric Stoltz, Jennifer Connelly, William H. Macy makes the movie good. It's a shame that it was Vincent Price's last film.

3 out of 5 stars.

Austin Blair (Dennis Hopper) is a successful writer that is shot outside of a restaurant after a meeting with Reggie Shaw (Vincent Price). David Leader (Eric Stoltz) is a hot shot reporter that is assigned of finding the truth and suspects of Elliott Burgess. David will also go to the Burgess family for investigating, only for falling for the gorgeous daughter (Jennifer Connelly) which carries a mystery and he will end in the spiral as well.

I have to agree that is a bit confusing (like most TV movies of the 1990s) but for the rest is good. Eric Stoltz gives a nice performance as a young journalist that often goes to his mentor (William Macy) and ends involved with gorgeous Jennifer Connelly. I found the soundtrack chilling and added a lot to the thriller atmosphere.

Don't believe the few reviews here because if you are in the right mood you might like it.

A very good cast in a quite good TV movie directed by Bruno Barreto, "The Heart of Justice" presents Eric Stoltz as a popular reporter investigating the murder of a famous writer (Dennis Hopper) on the hands of a wealthy young man (Dermot Mulroney) who committed suicide after the fact. What could possibly link those two individuals?

Making his research and digging up some dirt, the reporter finds that the young man's sister (Jennifer Connelly) might be part of the issue which revolves on some family secrets.

Despite some cliches and with its one-dimensional characters of which is easily to predict their next moves, the movie manages to create a nice mystery, with several complex layers that instigates viewers though it's quite easy to figure the mystery related with the family with skeletons in the closet due to the lack of characters who could have an interest in killing the popular author.

The movie succeeds with good performances from practically everybody involved - specially with William H. Macy playing the humored mentor of Stoltz character, and there's also Vincent Price on his final film performance - but it's quite hard to relate with the cockiness coming from our heroic reporter, and I believe some viewers will probably hate him as the story progresses. Stoltz is pretty good, an actor you can depend on very easily but this character didn't suit him all that way because it's too heartless at some points. Yet he's the main reason why this movie becomes a point of curious interest since it talks about the power of media in creating stories, developing a case as things move on with twists and turns, and there's plenty of time to talk about the importance of ethics in journalism along with the investigation conducted by the reporter. Nostalgia hit really hard when his sort of like idealistic manners spoke volumes by saying that a journalist cannot print lies. In the current times of fake news and stuff, if only the media had those valid notions like he tries to infuse.

For a mystery story, the film works quite well but the surprises are quite superficial and easy to predict but it does not spoil any kind of enjoyment. It's pretty decent and well acted. 8/10.

Half of 'The Heart of Justice' consists of a recurrent series of situations after a crime was committed.

Elliot Burgess (Dermot Mulroney) is an aristocratic youngster from the high society of New York, and he assassins a successful author of bestsellers, Austin Blair (Dennis Hopper), after the old man has been having an affair with his teenage sister, Emma Burgess (Jennifer Connelly), in the exclusive club, where all the Burgesses usually spend their summer.

Particularly, Blair's latest novel blatantly portrays all the Burgess in a satirical way, out of the pillow-talk from such an affair.

There also is incest suggested between both siblings as one of the motivations for the crime.

As usual with the 'Neo Noir' productions, 'The Heart of Justice' is almost flawless technically, exuding all the enthusiasm of a 100-percent American genre in plain Manhattan.

Similarly, the cast is awesome; Connelly perfectly takes up the role of the demolishing 'femme fatale' in this story, in this case being a teenage lady, just coming out from high school. This is HER movie, indubitably.

However, 'The Heart of Justice' skids in its approach to the story; the profile and the demeanor of its characters don't correspond to real 'yuppies' from the 'top of the world'.

The movie also fails managing the series of events; the extensive series of flashbacks usually turn uninteresting and awkward.

The success of the Columbo TV series had to do with the clown side of the weird detective; such a story-spoiler-style wouldn't fit in a 'Noir' (or 'Neo Noir') movie though, always so bleak and intellectual.