Freejack: Sin identidad

You know, one thing that really bothers me is the amount of people who just refuse to relax and watch a move without having to consider whether it should win an Oscar. I don't think Freejack was ever intended to be made for serious viewing - I think every actor in it at one time during the movie has got their tongue in their cheek.

What you do get in this movie are some spectacular effects, and I'm not talking about the end when you could just as soon go get a sandwich rather than watch the 2001-type slideshow.

It's just downright funny. Mick Jagger as the villain giving Emilio Estevez a "headstart" by counting 1-Mississippi, 2-Mississippi is priceless. David Johanson shines as the shyster in any timeframe. Rene Russo gives us an early indication of screen presence. So just relax and have fun with it.

OK, I'm a sci-fi movie buff. So I'm the type of person who'd like this film.

But I do have some basic standards, and Freejack is just the right sort of campy flick, sort of a "Blade Runner" gone slumming. It's bad, but it's a good bad, if you're into cult classics.

Who should see this film:

-- sci-fi movie buffs, but don't go out of your way, oh and see Demolition Man too which is similar but better

-- nobody else

I enjoyed the film, but campy special effects and silly plot mean I can only give it a 6 out of 10.

There are good films and there are bad films, but my favourite 'genre' seems to simply be 'entertaining' films. I'm sure most people won't be putting 1992's 'Freejack' up there with 'The Godfather' and 'Empire Strikes Back' and there are probably those (mainly professional film critics with no sense of fun!) who would describe it as 'bad.' However, I totally disagree. I enjoyed it so much back when I was a teen and I still smile at it now.

Emilio Estevez plays 'Alex' - a racecar driver who dies in an explosion during a lap in 1992, only to wake up in the (at the time!) 'far flung future' of 2009 where he's been plucked from his own time a split second before his death and now someone wants to use his body for, er, some nefarious purpose.

What follows could probably fall into the 'sci-fi/chase' movie where Alex in on the run in his new surroundings while being pursued by shady forces. Now, I should mention that Sir Anthony Hopkins is on the cast list. But don't get ideas of some great 'Hannibal Lecter' performance. He's pretty much just an extended cameo. We also have Rene Russo as the 'love interest' and, like so many roles, she is only really there for the romantic element and doesn't really get much in the way of character development. However, the best 'actor' is not one of these heavyweights.

The ever awesome Mick Jagger (yes, not really known for his 'acting') is the black leather-clad henchman, in charge of a small private army of futuristic goons hell-bent on brining Alex's body in for... you'll find out what. Now, he's no actor. And it shows. I'm not going to say his performance is 'fantastic,' only that you're guaranteed to remember it for all time. The film may actually be 'average' to most, but Jagger's swagger as the henchmen is pure cinematic gold. He steals every scene - sometimes menacing, sometimes comical, always brilliant and is worth the film's run-time alone.

Nowadays, I've seen 'Freejack' has developed a small cult following in the sci-fi community and many have put it in the 'so-bad-it's-good' category. That may be true to a degree (especially when discussing Mr Jagger!), but I think it's actually a good little action, sci-fi B-movie.

Don't be too hard on it and just enjoy the ride as it's very well put together and covers quite a few sci-fi concepts that are actually quite original. Plus, when I watch it now I also realise that I've been watching 'Mike' from 'Breaking Bad/Better Call Saul' in this film for all these years and I never realised.

"Freejack" is a frustrating film. It starts off well and has an excellent premise. But then, well, it all falls apart after that.

When the story begins, Alex (Emelio Estevez) is starting an auto race. However, something extraordinary takes place. As his car flies out of control and he is about to die, his body is stolen from the future. Why? Because in the future, it's not illegal to retrieve bodies from the past just before they'd die anyway. And what do they do with these retrieved bodies? Well, the rich and powerful pay fortunes to have them for organ transplants and even entire body transplants where the consciousness of the dying rich person is implanted into these retrieved bodies....and someone wants Alex's body.

The problem with this procedure is that normally they electrically lobotomize these people....but an attack on the truck that retrieved Alex enables him to escape. Now, lots of bounty hunters are looking to capture him...alive. And Alex has no idea WHAT is going on here!

So why did it fall apart after Alex arrives in the future? Well, there are MANY reasons. First, he is transported from 1991 to 2009 and simply too much has happened during the interim...way too much. Folks in the future drive cars, retrieve folks from the past, and fire phasers that might work if it was the year 2100. Second, there really isn't a lot of story...just action, action, action....making the film a bit mindless. A few things about this future also make no sense...such as the shotgun wielding and cursing nun (Amanda Plummer)! What?! And, finally, the central premise makes no sense. After all, if the retrievers lose Alex...why not just retrieve some other guy from the past?!?! Why is HE so important?! With many millions of deaths between 1991 and 2009, they surely could have found someone else!

I actually saw this on cable back about 1993 and thought it was a pretty cool movie. Well, I just rewatched it in 2021 and think it's pretty dumb. Times do change as do people. Hmmm....1993 and 2021...kinda like 1991 and 2009!

Veteran writer & producer Ronald Shusett scripted this one (along with Steven Pressfield and Dan Gilroy), inspired by the novel "Immortality, Inc." by Robert Sheckley. It's a far cry from the heights attained by "Alien", which Shusett had concocted with Dan O'Bannon, but at the very least it's mildly amusing, the kind of movie for which the phrase "mindless diversion" was invented. It's silly stuff, but delivers a lot of gunfire and a lot of chases, not to mention a tacky visual approach (Joe Alves, production designer on the first two "Jaws" films and director of the third, was the p.d. here). Most of the cast have been better utilized in other projects, but it's still nice to see a bunch of familiar faces here.

Emilio Estevez, not anybody's image of the ideal action hero but reasonably likeable, is race car driver Alex Furlong. Moments before he would have met his maker in a fiery crash, his body is snatched and transported into the "future" year of 2009. Now, for all the other characters, 17 years have passed, but for him the trip is instantaneous. And now he has to run, run, run, since his body is a prized possession for the person who sponsored his "trip", and he's being pursued by relentless "bone jackers", led by legendary rock star Mick Jagger in a blatant case of stunt casting.

Emilio is ably supported by lovely leading lady Rene Russo (who married Gilroy shortly after the movie was released), a slumming Anthony Hopkins (who literally "phones in" his performance), a highly animated and amusing David Johansen as Alex's shameless "friend" Brad, Jonathan Banks of later 'Breaking Bad' and 'Better Call Saul' fame (at his cold-eyed, contemptuous best), Amanda Plummer (a hoot as a gun-packing, computer-savvy nun), Grand L. Bush, Frankie Faison, Esai Morales, John Shea, and Jerry Hall. But, alas, Jagger is one of those classic "don't give up your day job" type of deals: he's simply boring as the antagonist.

Overall, "Freejack" is plenty dumb, but it's dumb enough, noisy enough, and energetic enough to rate as a true "guilty pleasure". The director is the late, talented Kiwi filmmaker Geoff Murphy, who'd previously guided Emilio in "Young Guns II"; in the 80s he did a picture called "The Quiet Earth" that is much more interesting than this junk.

Kicking off the closing credits with a solid Scorpions tune, "Hit Between the Eyes", was one good idea, in any event.

Five out of 10.