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Un horizonte muy lejano

Título original: Far and Away
  • 1992
  • 13
  • 2h 20min
PUNTUACIÓN EN IMDb
6,6/10
71 mil
TU PUNTUACIÓN
POPULARIDAD
4323
219
Tom Cruise and Nicole Kidman in Un horizonte muy lejano (1992)
AventurasDramaÉpica occidentalEpopeya románticaOccidentalRomance

Una joven pareja irlandesa huye a los Estados Unidos, donde luchará para obtener tierras y prosperar libremente.Una joven pareja irlandesa huye a los Estados Unidos, donde luchará para obtener tierras y prosperar libremente.Una joven pareja irlandesa huye a los Estados Unidos, donde luchará para obtener tierras y prosperar libremente.

  • Dirección
    • Ron Howard
  • Guión
    • Bob Dolman
    • Ron Howard
  • Reparto principal
    • Tom Cruise
    • Nicole Kidman
    • Thomas Gibson
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,6/10
    71 mil
    TU PUNTUACIÓN
    POPULARIDAD
    4323
    219
    • Dirección
      • Ron Howard
    • Guión
      • Bob Dolman
      • Ron Howard
    • Reparto principal
      • Tom Cruise
      • Nicole Kidman
      • Thomas Gibson
    • 163Reseñas de usuarios
    • 40Reseñas de críticos
    • 49Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Imágenes119

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    Reparto principal82

    Editar
    Tom Cruise
    Tom Cruise
    • Joseph Donnelly
    Nicole Kidman
    Nicole Kidman
    • Shannon Christie
    Thomas Gibson
    Thomas Gibson
    • Stephen Chase
    Robert Prosky
    Robert Prosky
    • Daniel Christie
    Barbara Babcock
    Barbara Babcock
    • Nora Christie
    Cyril Cusack
    Cyril Cusack
    • Danty Duff
    Eileen Pollock
    • Molly Kay
    Colm Meaney
    Colm Meaney
    • Kelly
    Douglas Gillison
    • Dermody
    Michelle Johnson
    Michelle Johnson
    • Grace
    Wayne Grace
    Wayne Grace
    • Bourke
    Niall Toibin
    Niall Toibin
    • Joe
    Barry McGovern
    • McGuire
    Gary Lee Davis
    • Gordon
    Jared Harris
    Jared Harris
    • Paddy
    Steven O'Donnell
    Steven O'Donnell
    • Colm
    Peadar Lamb
    • Farmer
    Mark Mulholland
    • Peasant #1
    • Dirección
      • Ron Howard
    • Guión
      • Bob Dolman
      • Ron Howard
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios163

    6,671K
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    Reseñas destacadas

    8bkoganbing

    The Frontier Thesis

    Back in Gone With the Wind Gerald O'Hara tried to tell Katie Scarlett the importance of the land, a lesson she took the entire film to learn. For Tom Cruise and Nicole Kidman it's the land, their own bit of land to work as they please and answer to no one.

    The story of Far and Away takes place in a very specific time period in the history of both Ireland and America. In Ireland the home rule movement had been dealt a stunning blow with the fall of Charles Stuart Parnell in scandal. Independence had been set back and the landlords were riding high, though not without opposition.

    Opposition in this case comes in the form of Tom Cruise and his family who are Irish tenant farmers about to be tossed off their land because they can't pay the exorbitant rents. Turns out the landlord's got a most fetching daughter in Nicole Kidman who's got her eye on the peasant lad.

    Far and Away is first and foremost a romance, the rich girl and the poor boy, two beautiful young people we all wish we were. Of course the real affair of Tom and Nicole and their eventual marriage is fairy tale storybook stuff on its own. It sure didn't hurt the film.

    They've got a rough road ahead though. In Boston they get exploited by their own people as badly as the English are doing in the old country. Of course their eventual salvation is the Oklahoma land rush where Tom can get his own land to work.

    Frederick Jackson Turner was a famous American historian who put forth the thesis that the reason America escaped the class struggles and revolutions of Europe was our frontier. It didn't work out so well for those Indians already there, but the proletarian masses instead of becoming a mob that agitators could stir to revolution just went west and made opportunities. Turner's thesis is still a widely respected paradigm in the study of American history and I think if he could have seen Far and Away, he'd say Ron Howard proved his point.

    Speaking of Ron Howard, it's pretty obvious he was influenced by both versions of the Oklahoma land rush previously made in the two films of Edna Ferber's classic Cimarron. He doesn't do badly in recreating Boston of the Gay Nineties and Ireland of the same period.

    And Tom and Nicole certainly look beautiful even when she's working in a factory and Tom's getting clobbered in a bare knuckle prize fight. Look for nice performances by Robert Prosky as Nicole's father, Thomas Gibson as Tom's rival for Nicole and Colm Meaney as the Irish political boss in Boston.

    Maybe the world needs a frontier to solve its problems.
    9ccthemovieman-1

    Involving, Old-Fashioned Epic

    This is a fairly long movie but one that keeps your interest - at least it did mine - all the way with an epic-type adventure tale of Irish immigrants back in the 1880s in the U.S.

    This movie is broken down into three distinct parts: 1 - Ireland (40 minutes, featuring some stunning scenery and good Irish music); 2 - Boston (one hour, featuring many brutal scenes of tough Irish immigrants and bare-knuckle fights); 3 - Oklahoma (the days on mining and the famous "land rush.")

    The story is very intense and involving. One well-known critic called it "old-fashioned" and meant it as an insult. Well, I think the opposite. I agree that it's old-fashioned, in that it's epic storytelling and that's a good thing. It features solid acting by Tom Cruise, Nicole Kidman and all the others, and Kidman isn't the only attractive thing in there. The photography is magnificent. I only wish the sound was better as there is almost nothing from the rear speakers.

    Cruise is very convincing as a good man, so much so I hated to see some of those beatings he took in the Boston segment. Then again, I'm old-fashioned: I don't like to see the bad guys win over the good guys.

    Overall, a memorable movie and one that you truly will care about the characters and the final outcome.
    9LynnK54

    Good, Underrated Movie

    I thought this movie was very well done. It is an overlooked treasure. Ron Howard is a great film maker and he deserves more credit for this film. I'm a huge Ron Howard fan and I felt that this film was no better than any of his work done thus far. The dialog was a bit hard to understand, but the plot, acting and directing are what make the movie so great. Nicole Kidman is so beautiful in the movie and she really carries the movie with her charisma. Tom Cruise plays his part very well. The scenery in the movie is some of the best I've ever seen. It is easy to lose yourself in this movie. I would recommend this movie to anyone I know.
    7kyle_793

    Who will deny Ron Howard his due?

    Tom Cruise may have the "worst-looking" Irish accent on the face of the planet, but it is undeniable that he and Nicole Kidman are sizzling on the silver screen together. Their intensity shines as well as their artistic ability to envelop a character and relate their thoughts to a viewer. Besides their very well done performance, the film is absolutely beautiful. Kudos to the set and costume designers that spent long hours on Far and Away. But he real story in this film is Ron Howard. It is simply a asthetic masterpiece. I spent most of my time wishing that he had just set his camera up on the prairie and filmed the grass growing. It was truly beautiful. Incidentally, sometimes one scene just makes a film. Brings it up from a good film into near 'masterpiece' status. This is one of those films. The music (the best soundtrack of the year thanks to Horner) combined with Ron Howard's vision made the "land race" scene of Far and Away and classic within itself. Put this scene up there with the chariot race in Ben Hur and the parting of the Red Sea in The Ten Commmandments, it is just that good. This is, far and away, one of the best films of the year.
    7cardsrock

    Tom and Nicole showcase their newfound love

    I must say that this was a lot more enjoyable than I expected. I read the synopsis and did not have high hopes for a Grapes of Wrath style melodrama. While there is plenty of melodrama, there is a lot more entertainment here than I would've guessed. The Boston fight scenes in particular were fun to watch. Cruise and Kidman bring some bona fide star power and keep you interested against the beautiful landscapes.. The land rush was another terrific sequence that gave the old-fashioned epic its worthwhile climax.

    Más del estilo

    Días de trueno
    6,1
    Días de trueno
    Nacido el cuatro de julio
    7,2
    Nacido el cuatro de julio
    La clave del éxito
    6,0
    La clave del éxito
    El color del dinero
    7,0
    El color del dinero
    The Firm (La tapadera)
    6,9
    The Firm (La tapadera)
    Risky Business
    6,8
    Risky Business
    Taps, más allá del honor
    6,8
    Taps, más allá del honor
    Arma joven
    6,8
    Arma joven
    Legend
    6,3
    Legend
    Leones por corderos
    6,2
    Leones por corderos
    Jerry Maguire
    7,3
    Jerry Maguire
    Algunos hombres buenos
    7,7
    Algunos hombres buenos

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The recreation of the Great Land Rush involved 800 extras, 400 horses and 200 wagons. The extras were all recruited from a re-enactment society called The Re-enactors.
    • Pifias
      When Joseph and Shannon step off the ship in America, vendors are selling American flags with 50 stars.
    • Citas

      [about Grace]

      Shannon Christie: She's got an awfully large chest to be goin' to church.

      Joseph Donnelly: Shannon, all chests are equal in the eyes of the Lord.

    • Créditos adicionales
      Near the end of the credits, special thanks are given to, among others, Fungi the Dingle Dolphin (although the correct spelling of the dolphin's name is Fungie).
    • Versiones alternativas
      Here's a detailed description of all the additional scenes in the Extended Version, Part 1 :
      • When Joseph's dad dies, there is some added material where the dad says, "I've given you nothing, you boys. A small mold cottage on a bit of rock that isn't even ours, full of hollow labor." Also, there is a bit where the priest there looks at the dying dad curiously as he says his last words.
      -During the funeral, there are some extra beats. The Priest talks to someone about being shot in the heart. Also included is a shot of the eviction notice being blown off the coffin after its placed down. A kid runs to get it but Joseph tells him to leave it. -When Joseph is getting his gun, there are some extra shots of the beach and more dialogue as Danty tries to be encouraging as Joseph mentions he doesn't know the landlord. -Extra shots during Joseph's journey as he drags the donkey along with him. There's a moment when he stops to see someone riding a horse and claims he will get one someday. -Extra bits in the bar scene as Daniel mentions how "love is the outcome of doom." Also, we actually see him leave the bar and fail on getting on his horse because of his drunken state. This explains why he walks his horse in the woods later. Also included is footage of Joseph preparing his gun and following close. -More footage is included of Joseph stalking Daniel in the woods as he sings. There's also a short shot before the mansion showing Joseph walking through the hedge entrance. -Before we see Joseph sleeping in the stable, we get a brief shot of Shannon riding her horse at dawn. -As Joseph spies on Shannon in the stable, we see extra shots of her removing her coat and unbuttoning the collar of her shirt. -The infamous bowl scene is slightly censored with the shot of Shannon looking underneath it removed along with the leg wound. The scene is slightly extended to have Shannon's mother ask her if there is "any sign of revival." -A new scene is added where some police show up on horses and talk to Daniel near the hedges. It's revealed Daniel hides liquor in the garden as he takes a sip from one of the hidden bottles. -More dialogue between Stephen and Shannon as he asks if she is "enjoying the peacocks." Shannon expresses how she feels "trapped in this stuffy house." Before Stephen insists she plays on the piano, Shannon tells her mother, "I'm not in a musical mood." -The scene where Shannon tells Joseph America is offering free land is extended. Before we see Joseph hobbling around in his room, we see an exterior of the mansion at night. During their talk, Joseph tells her "You'll never get to America. Look at you, you're nothing but ribbons." She replies, "It wasn't a ribbon that stabbed you in the leg." -When they are on the boat, Joseph complains how the ocean feels like a jail. Shannon tells him it's "a highway to the future." -Before the arrival in America, we a get a lengthy scene were Stephen is having a hard time writing letters to Shannon. Daniel tries to comfort him, but he keeps asking where she is. We also see Shannon has been secretly writing to Daniel as he reads on her letters privately. -When being hired, there is extra dialogue of Kelley introducing his "doomsday book" to Joseph. He explains those who get written in are his property. This explains a later deleted scene in Part II and why Joseph can't get work. -A new scene takes place before Kelley takes them to their apartment. Joseph discusses his previous boxing history and they witness a bunch of folks chasing after some Italians. Kelley remarks how "Boston is an Irish town." -After they get the apartment in the brothel, the scene extends as Joseph tries to calm Shannon down by mentioning that him and his brothers used to sleep in a barn. This doesn't comfort her as she heads out to a bathroom where she gets surprised by a customer in one of the bathtubs. -Before Daniel reveals the letters, there is added lines where he asks his wife what she is knitting. She replies, "I'm just passing the time until somebody cuts my throat." -After Shannon tells her boss off, a new scene takes place where Joseph tells her "You haven't the dimmest idea of how the world is run." Shannon doesn't care as she mentions how nice it would be to quit her job. They pass by some folks putting up electrical poles as a man on a horse passes by. To prove his point about how important her work is, Joseph mentions how hard it would have been to earn that horse. The man on the horse replies he actually stole it much to the surprise of Joseph.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: Sister Act/Encino Man/Alien³/Far and Away (1992)
    • Banda sonora
      Book of Days
      Music Composed and Performed by Enya

      Lyrics by Roma Ryan

      Produced by Nicky Ryan

      Courtesy of Warner Music (U.K.), Ltd.

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    Preguntas frecuentes19

    • How long is Far and Away?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de septiembre de 1992 (España)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Un horitzó molt llunyà
    • Localizaciones del rodaje
      • Billings, Montana, EE.UU.(Oklahoma land rush)
    • Empresas productoras
      • Imagine Entertainment
      • Universal Pictures
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 60.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 58.883.840 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 10.194.520 US$
      • 24 may 1992
    • Recaudación en todo el mundo
      • 137.783.840 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 2h 20min(140 min)
    • Color
      • Color

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