PUNTUACIÓN EN IMDb
5,6/10
1,4 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaTwins, separated at birth and living opposite lives, are about to learn of each other- and the substantial inheritance they are entitled to.Twins, separated at birth and living opposite lives, are about to learn of each other- and the substantial inheritance they are entitled to.Twins, separated at birth and living opposite lives, are about to learn of each other- and the substantial inheritance they are entitled to.
- Premios
- 5 nominaciones en total
Reseñas destacadas
Equinox is a movie that begins with an interesting enough idea, but loses it in the second part of the movie and just becomes a boring drudge. Modine, Marisa Tomei, Kevin O'Connor, M. Emmet Walsh and Fred Ward are all top par actors who are up to the challenge. Lara Flynn Boyle, on the other hand, is seriously underwhelming and gives the movie nothing.
The movie follows twins who don't know of each other's existence. One is good, the other bad. The good twin is much more arrestingly played by Matthew Modine than the bad one; the script also gives the bad one little of interest to do anyway. I couldn't work out what Lara Flynn Boyle was doing in the movie and the character of the writer also eluded me. The movie didn't make me care enough to find out.
The movie follows twins who don't know of each other's existence. One is good, the other bad. The good twin is much more arrestingly played by Matthew Modine than the bad one; the script also gives the bad one little of interest to do anyway. I couldn't work out what Lara Flynn Boyle was doing in the movie and the character of the writer also eluded me. The movie didn't make me care enough to find out.
10ke-28
Those commentators who thought this movie was rubbish were either totally uneducated or in a vile mood and shouldn't have bothered watching, or else they have no knowledge of life at all.
The story was deep, and that requires thought and insight for an audience to appreciate, not just superficial watching and waiting for the action. There were so many messages in this one film I would need to write a thesis to cover them all. Sure, there were a few weaknesses, but a film is made to entertain an audience, not to satisfy literary critics. I found the characters all extremely clear-cut, the situations well portrayed, the story satisfying and very poignant. Again, the portrayal of the twins and their sad story was a very deep concept, open to all sorts of interpretation. The final scene was absolutely spot-on - a view into endlessness, waiting for explanation of why things happen as they do.
Matthew Modine is an outstanding actor, who is in my opinion not sufficiently appreciated for his fine work. Maybe for the average cinema-goer he plays parts that require more insight, and therefore doesn't hit the spotlights. That he doesn't appear in every boulevard magazine is a tribute to his qualities, they don't lend themselves to cheap gossip. His double role in this film is proof of his versatility, even though neither role is at all flattering to an actor's image. Who wants to play a loser! or a small-time gangster? Respectively, who can do it convincingly? I watch this film every time it's shown and can still find more in it. A real "cult" film, Mr. Modine's specialty.
The story was deep, and that requires thought and insight for an audience to appreciate, not just superficial watching and waiting for the action. There were so many messages in this one film I would need to write a thesis to cover them all. Sure, there were a few weaknesses, but a film is made to entertain an audience, not to satisfy literary critics. I found the characters all extremely clear-cut, the situations well portrayed, the story satisfying and very poignant. Again, the portrayal of the twins and their sad story was a very deep concept, open to all sorts of interpretation. The final scene was absolutely spot-on - a view into endlessness, waiting for explanation of why things happen as they do.
Matthew Modine is an outstanding actor, who is in my opinion not sufficiently appreciated for his fine work. Maybe for the average cinema-goer he plays parts that require more insight, and therefore doesn't hit the spotlights. That he doesn't appear in every boulevard magazine is a tribute to his qualities, they don't lend themselves to cheap gossip. His double role in this film is proof of his versatility, even though neither role is at all flattering to an actor's image. Who wants to play a loser! or a small-time gangster? Respectively, who can do it convincingly? I watch this film every time it's shown and can still find more in it. A real "cult" film, Mr. Modine's specialty.
An old woman dies and leaves an unopened letter from years in the past. A morgue attendant takes the letter and finds that it contains information about a trust fund involving twins. She hunts down the twins, figuring on sharing the money and writing a tale based on the proceedings. As she is doing this the separate lives of the twins is unfolding in a jumbled montage. This film reminded me of "Pulp Fiction" in the disconnected way in which it was filmed. Oddball picture, but well worth the seeing.
This and Rudolph's "Trouble in Mind" seem, to me, to be companion pieces. They both take place in a future that serves to create a mood around the characters rather than spectacle for the audience. They seem to be almost completely forgotten with no DVDs on the cards, and that is a shame since they are both terrific.
Equinox contains great work from Matthew Modine, Lara Flynn Boyle and Kevin J. O'Connor in particular, but this is a quality production from top to bottom. The twin storyline threatens to drag this into the trash but the script dodges a lot of the tiresome clichés that you would expect from reading the synopsis or tag line.
Please ignore the poor rating and bad reviews on IMDb. This one has been severely overlooked.
Equinox contains great work from Matthew Modine, Lara Flynn Boyle and Kevin J. O'Connor in particular, but this is a quality production from top to bottom. The twin storyline threatens to drag this into the trash but the script dodges a lot of the tiresome clichés that you would expect from reading the synopsis or tag line.
Please ignore the poor rating and bad reviews on IMDb. This one has been severely overlooked.
I almost switched this picture off, because the stylish character of the delivery seemed a bit too pushed, and I did not feel that I was getting any sense that the plot was going anywhere. But stay with it, it turns out to be a satisfying, well-fashioned film. Later on, it seems to roll more comfortably, either because one gets accustomed to the stylish form, or because that aspect of it gets toned down somewhat.
¿Sabías que...?
- PifiasAs Henry is speeding across the desert in his car, we see a shot of Beverly's photo on the dash, next to the tachometer, which reads zero RPM.
- Citas
Richie Nunn: Saturday - you, me, sis, Villa - 6:30.
Henry Petosa: I'll call ya.
Richie Nunn: Henry, you are not that popular.
Henry Petosa: Aw, hey, I was so popular in high school, everyone hated me.
- ConexionesReferenced in El show de Larry Sanders: Putting the 'Gay' Back in Litigation (1998)
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- How long is Equinox?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Ravnodnevnica
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.750.000 CAD (estimación)
- Recaudación en Estados Unidos y Canadá
- 279.627 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6310 US$
- 13 jun 1993
- Recaudación en todo el mundo
- 279.627 US$
- Duración1 hora 50 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was Equinox (1992) officially released in India in English?
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