Ábrete de orejas

Director Stephen Frears has often picked up interesting subjects for his films. 'Prick Up Your Ears' is based on the relationship between famous writer Joe Orton and Kenneth Halliwell. Set in the 60s, this was during the time when 'being gay' in public was considered a criminal offense in parts of UK. Joe Orton is confident, talented, mellow and liked by everyone while his partner Halliwell is comparatively shy and distant and resentful of Joe's success as he claims to be the man behind his partner's success and complains about not receiving enough credit for it.

Frears depicts the relationship quite sensibly. There is almost always a conflict or a disagreement in Orton and Halliwell's sequences but the love is always apparent. While Kenneth's insecurity worsens as Joe climbs every step up towards success, Joe always stands by him. The viewer is also given brief glimpses of Joe's relationship with his mother, sister and confidant Peggy. The depiction of the 60's gay culture is also intriguing.

The execution isn't first rate as the cinematography is flat and the editing leaves a lot to be desired. The pacing is very slow. The lighting could have used some improvement.

The acting is superb. Gary Oldman is spellbinding as Joe Orton. Even though he is more commonly known for his villainous roles, movies like these prove what a versatile actor he is. Alfred Molina is brilliant as Kenneth. A foxy Julie Walters makes her presence felt in a limited role. Vanessa Redgrave is remarkable in a brief but memorable role.

'Prick Up Your Ears' is an interesting psychological character study and true crime drama. In addition to the wonderful performances, the writing is first rate, especially the witty dialogues loaded with humour. The movie ends on a note of leaving the viewer to wonder what would have become of Orton's life had he still lived. Here was a man who had everything going for him...except one thing that ended his life.

Before writing this I saw an interview with Kenneth Williams best known as being part of the Carry On troupe. He gave some interesting insights into Joe Orton and Kenneth Halliwell. As a gay man himself Williams experienced and felt the same things in the days before sodomy laws were repealed in the United Kingdom, considerably before they were in the USA. The pressures of living as a couple increased exponentially especially a May/August couple as Orton and Halliwell were.

Joe Orton whose work I'd like to see and is curiously unavailable is played by Gary Oldman and we see him as a young writer befriended and mentored by Kenneth Halliwell who is older and played by Alfred Molina. Williams says that in his opinion there is no doubt the influence that Halliwell had on Orton's work. But they were two very different types of personality and probably were fated to come apart. Especially when Halliwell who mentored Orton was not finding any success with his own writing. In the end it destroyed them.

Great Britain had some strict sodomy laws as Oscar Wilde was living testimony to. Gay artists however got different treatments depending on who their patrons were. Oscar Wilde and the Orton/Halliwell duo in their respective generations were treated one way. But Noel Coward moved at the highest levels of British society and he had a Teflon like immunity from what befell the other three.

The film is told in flashback with Vanessa Redgrave as Orton's agent telling his biographer Wallace Shawn what the two were about individually and separately. Both Oldman and Molina were brilliant.

I can't help thinking that if they could have been traditionally married back then, they could also have been traditionally divorced when the love faded. That certainly would have been better all around.

But then we would not have had this fascinating tragedy.

The single best biographical film I've ever seen. Gary Oldman, Alfred Molina, and Vanessa Redgrave are all brilliant. (Check out Simon Callow's book "Love Is Where It Falls" for more information on the Vanessa Redgrave character.) Much of the last third of the film is difficult to take, but it is nevertheless essential viewing for anyone interested in Joe Orton. And it needs to be said that there is real joy in the film as well -- particularly in the mischievous looks that cross Oldman's face while cruising tea rooms. Has any other het actor played gay so utterly convincingly?

Although in some ways more theatrical/televisual than cinematic, this is one of the best British films of the 80's, and is probably Alan Bennett's most successful screenplay. Bennett and Orton have a number of things in common - a love of "found" dialogue (here mainly given to Orton's landlady) - theatrical success in the 60's (Bennett in "Beyond the Fringe") - and of course their sexuality.

The film is quite interesting in what it leaves out - anyone who has read Orton's diaries will know that "the latter part" is rather underplayed here. Also sadly missed is "Mrs Edna Welthorpe" an alter ego of Joe's who would write to newspapers denouncing his plays as filth - a rather cunning way of securing free advertising. A very interesting telephone conversation with Brian Epstein "...one of the boys is happily married..." plays with what we now know about Epstein and Lennon in a beautifully understated way.

Orton and Halliwell's relationship is counterpointed in the film by "John Lahr"'s own marriage (Wallace Shawn is great here too, as always) as Lahr's researching of his biography acts as a framing device for Orton's story. As others have commented, the dynamic of the central relationship rings horribly true to anyone who has been in a halfway similar situation.

It's interesting to speculate on what would have become of Orton had he lived. Time has dimmed the shock value of his plays to the point where they will probably never have the same effect, and despite various rumours (the Sex Pistols?) no-one has picked up the Beatles script, probably for the same reason. Live fast, die young, leave a good looking corpse? Perhaps.

Its films like these that make you wonder why stars like Gary Oldman(Immortal Beloved) and Alfred Molina(Boogie Nights) aren't noticed as much as the awful actors that plague our screens(see Mark Wahlberg or Ray Liotta).

Prick Up Your Ears is a wonderful film about the writer Joe Orton(Oldman) and his lover Kenneth(Molina). The dialogue is smart and the acting is incredible. Rating=4/5

In addition, I would just like to say that teenagers can enjoy decent films. I was twelve when I watched this, and I found it amazing. Its the film that sparked off my fascination with Gary Oldman films.