Dolls

the whole situation/plot is ludicrous. the acting is also bad but the magical/killer doll theme is funny. recommended for a slight scare and a laugh or two. it is worse than child's play 1 and 2 but in no means a copy. it is better than child's play 3 and the remainder of the series. this interested me because of the killer doll picture on the cover which always freaks me out. you will like this a lot if you are accepting the bad parts and you like killer doll flicks.

in the story a bunch of different people become stranded and stay in a mansion that is owned by two seniors that are doll makers. but they hold a secret about the dolls. the victims serve surprisingly different fates. its like a haunted fairy tale.

Rated R for Horror Violence and Some Language

This movie is too minor and too short (runs only 75 minutes) to escape the two-star rating category, but it's still recommended to any casual horror fan. Entertaining, well-made and well-written (especially regarding the ultimate fate of all the victims), it's filled with characters that are (intentionally) so dislikable you can't wait to see them killed, and yet the dolls are so vicious that you won't be rooting for them, either. Only problem is that the stop-motion animation is a little clumsy at times, and the dolls' movements aren't always as smooth as they should've been.

Under-appreciated gem from director Stuart Gordon and screenwriter Ed Naha, who in a previous incarnation wrote film review books such as 'Horrors - From Screen To Scream'. Ed may have learned a thing or two from the turkeys he encountered in his reviewing days because his script for "Dolls" is rich in homage and character. The film borrows its structure from "The Old Dark House" and realizes its ambitions with a cast and crew of highly talented individuals.

Gordon, who directed the entertaining "Re-animator" and perverse "From Beyond" brings a deliciously eerie and playful tone to this novel story of a group of adults who are sentenced to death for losing the child-like aspects of their personalities. The "dolls" of the title are the executioners and they love their bloody work, which is depicted in fine, crimson detail.

The special effects sequences featuring the dolls are realized with stop motion animation and puppetry. For the most part, they are extraordinarily convincing. A scene in which various doll characters huddle together to discreetly discuss the fate of a human character is priceless.

Mac Ahlberg's cinematography is moody and beautiful, perfectly capturing a toyland ambiance within a house of horror; and Lee Percy, who cut the Americanization of the "Baby Cart" films, "Shogun Assassin", delivers another tight, intuitive piece of work here.

Hats must come off to Gordon for the casting of Mr. Sardonicus himself, Guy Rolfe, as Gabriel Hartwicke, the eccentric, twisted toymaker and owner of the film's pivotal location where the nasty events transpire.

Producer Charles Band has made dozens of horror films, but none are as classy as the three above that he made with the talented Stuart Gordon.

It isn't super great mind you, but it is rather interesting from what I remember. A group of people stranded in a rain storm come upon a house and seek refuge there. Like many other movies that have this premise, things are a bit odd, as the house is the home of a man and his wife who are very avid doll makers. You can see where this is going, this is a killer doll story sort of like "The Puppet Master" and "Demonic Toys" only this one is better than those. Though it still has humor in it like those two as well. Still though it is an okay horror movie and it does have one memorable scene that was rather funny...the one where the little girl imagines her stuffed bear getting big and killing her step parents (I don't remember if either parent was her natural one). Also stuck in the house some guy and a couple of hitchhikers (at least I think there was two). As you can tell it has been awhile since I saw it. I do remember it ended okay. Like I said nothing to great, but worth checking out.

If Sam Raimi had channeled the Brothers Grimm to write a story about dolls in the present day, this is about what they would've come up with. By turns charming, eerie and cringe-inducing, it allowed director Stuart Gordon to rein in the outrageousness he got to indulge in with "Re-Animator" and "From Beyond". There are shocks, there is gore and there is that pitch-black sense of humor, but everything is tempered by the wonderfully pleasant presences of Carrie Lorraine and Stephen Lee, as the only two decent souls in the midst of one of the most unpleasant casts of rotters I've seen in my recent if faulty memory; all of whom come to equally unpleasant, if not deserving ends. Just like in fairy tales...

The Bands and Gordon must've been avid fans of the old William Castle spooker "Mr. Sardonicus," because they find casting perfection in Guy Rolfe as the kindly old dollmaker, who sort of extends the role (and his career) in the "Puppet Master" series. Distinguished character actor Hilary Mason plays off him well, and the two have a wonderfully morbid benevolence about them; like Gomez and Morticia Adams in their twilight years.

Working the other end of the spectrum are Ian Patrick Williams and the always excellent Carolyn Purdy-Gordon as the little girl's abusive and shallow father and "wicked" stepmother. Rounding it off are Bunty Bailey and Cassie Stuart as the brassy, blowsy punkettes who learn all about the virtues of etiquette...the hard way.

Anybody who thinks Chucky is state-of-the-art when it comes to walking, talking, murderous toys needs to check out the effects created by Giancarlo Del Brocco and John and Vivian Brunner. A lot of stop-motion combined with mechanics, (courtesy of the legendary David Allen) but you gotta appreciate the subtleties. Got creeps? Less is definitely more.

A nifty little rental if you can get hold of it.