Axel Foley regresa a Beverly Hills para ayudar a Taggart y Rosewood a investigar el tiroteo casi mortal del jefe Bogomil y la serie de "crímenes del alfabeto" asociados a él.Axel Foley regresa a Beverly Hills para ayudar a Taggart y Rosewood a investigar el tiroteo casi mortal del jefe Bogomil y la serie de "crímenes del alfabeto" asociados a él.Axel Foley regresa a Beverly Hills para ayudar a Taggart y Rosewood a investigar el tiroteo casi mortal del jefe Bogomil y la serie de "crímenes del alfabeto" asociados a él.
- Director/a
- Guionistas
- Estrellas
- Nominado para 1 premio Óscar
- 6 premios y 6 nominaciones en total
- Inspector Todd
- (as Gil Hill)
- Mayor Egan
- (as Robert Ridgley)
- Biddle
- (as Brian O'Connor)
Reseñas destacadas
Foley returns to Beverly Hills to help solve 'The Alphabet Crimes' after his old pal Lt. Bogomil is gunned down in the street. With Taggart and Rosewood in tow (now actually doing police work instead of standing by) Axel uncovers a seriously convoluted conspiracy.
The story should have taken a back seat to allow Murphy to work over the massive holes in the plot with his distracting wisecracks. I won't lie to you, there are some utterly horrible contrivances in BHC2 (Bogomil's daughter digging up dirt at the insurance company she just happens to work at is honestly the most obnoxious movie coincidence of all time), but you'll just have to suffer them.
This might have been easy to overlook, but Tony Scott, still finding his feet as a director, and his editors turn a great deal of the film into an incomprehensible mess. Some of the continuity errors are just baffling (where did Rosewood get the coffee cup from at the night club crash scene?) and it makes the action quite hard to follow.
However, Tony Scott's highly visual style of filmmaking is far more suiting to this kind of environment. The wealth and decadence of late 80s California is all over this movie, and it's the only aspect where it improves on the original. I doubt the latter day Scott would make the movie this way, but it's definitely the best looking of the trilogy. It's also the only one to be shot in the 2.35:1 aspect ratio (however it's Super35 instead of the superior anamorphic Panavision format).
With a bit more originality in the script and a bit more daring this really could have been great. But for a sequel this isn't to bad just more of the same but not quite as good.
6/10 - Not as good as the original but far superior to the tepid third instalment.
Following the success of Beverly Hills Cop, Paramount Pictures, producers Jerry Bruckheimer and Don Simpson, and star Eddie Murphy were eager to do a follow-up. While original director Martin Brest turned down the opportunity to return, Tony Scott who'd directed Top Gun for Bruckheimer and Simpson was hired due not only to his work on Top Gun but also due to Scott's desire to work with Murphy. As with the original film there was a lot of re-writes going on behind the scenes, but in addition to the usual on the fly improvisation the film also needed reshoots as Tony Scott proved more adept at action rather than comedy necessitating the inclusion of additional comedy scenes. While the film was not as successful as its predecessor, it still made enough to be considered a blockbuster hit becoming the third highest grossing film of 1987. Critical reception tended to run more mixed and even Eddie Murphy has voiced similar feelings saying "it was probably the most successful mediocre movie in history". Beverly Hills Cop II isn't an awful movie and is perfectly serviceable, but it also feels like a more manufactured take on the first film often eschewing the rawness of the original in favor of flash and polish.
Despite not having the best material to work with, Eddie Murphy is still fun playing Axel Foley who still gets to use his motormouthed lies to work his way through situations such as how he manages to live in a mansion for the duration of the plot. Admittedly there's a lot of scenes where it seems like Murphy's trying to wring life out of not all that impressive sequences (an opening bit involving Foley investigating fraudulent credit cards goes nowhere except a reference to a one off character from the opening scene of the last movie) and some of his lies don't have the feeling of spontaneity they had previously such as one involving the Playboy Mansion. Murphy, Reinhold, and Ashton work well together and the fact they share so much screentime together is a plus to the movie. In terms of the rest of the movie, it does feel like it's more of a traditional blockbuster this time around. If the first Beverly Hills Cop was a comic detective story with an edge and some action, Beverly Hills Cop is an action movie where the comedy is largely secondary. There are many more action setpieces in this sequel with each one trying to up the ante on the climactic ending from the first film, but in the process the movie loses a lot of the raw identity that resonated so much in the first film. The plot basically follows the same path as the original with Foley investigating in Beverly Hills for personal reasons (in this case rapidly setting up Foley and Bogomil have since become friends) but there's so little build-up or personal investment that the stakes never feel as high and you're constantly reminded of how much better the first one did this. Jurgen Prochnow and Brigette Nielsen are at least charismatic and imposing villains, but they don't play against Murphy as successfully as Steven berkoff did.
Beverly Hills Cop II is the definition of "servicable". There's nothing especially wrong with it, but there's also nothing especially right with it and it mostly rests on the goodwill of its cast to justify its existence.
Eddie Murphy Through the Years
Eddie Murphy Through the Years
¿Sabías que...?
- CuriosidadesGilbert Gottfried stated he and Eddie Murphy improvised their dialogue after Axel brings up Sidney Bernstein's parking violations.
- PifiasBogomil gets chewed out by Chief Lutz for involving the FBI in solving "The Alphabet Crimes." But the diamond store robbery is the "A" crime; i.e. the first and only crime. How does anyone know (at this point in the movie) that there are going to be further "Alphabet Crimes"?
Because in robbing Adriano's jewelry store, the criminals leave a letter in an envelope with the capital letter "A" emblazoned on it, which would suggest that the first letter of the business played a part in its selection as a target and that there will be more to come.
- Citas
[Axel sees Rosewood with a huge pistol]
Axel Foley: Yo, man! What's that for?
Billy Rosewood: After the shootout at the club, I figured I needed more firepower.
Axel Foley: Yo man, we gotta talk, seriously. Who do you think you are, Clint Eastwood? Dirty Rosewood?
- Versiones alternativasIn Ontario, the film was rated Restricted, which meant that no one under 18 could attend. In hopes of reaching a wider audience in the province, Paramount appealed the rating and asked that it be reduced to Adult Accompaniment (under 14 must be accompanied by a parent or adult guardian). The Ontario Censor Board agreed to their request as long as the line "She can suck a golf ball through twenty feet of garden hose" was removed. The studio made the cut and the rating was changed from R to AA. The line remained in the subsequent video release.
- ConexionesFeatured in Siskel & Ebert & the Movies: Previews of Coming Attractions (1987)
- Banda sonoraShakedown
By Harold Faltermeyer, Keith Forsey & Bob Seger
Performed by Bob Seger
Produced by Harold Faltermeyer & Keith Forsey
Courtesy of Capitol Records, Inc.
Selecciones populares
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Everything New on Paramount+ in December
- How long is Beverly Hills Cop II?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Un detective suelto en Hollywood 2
- Localizaciones del rodaje
- Acapulco - 385 North La Cienega Boulevard, Hollywood, Los Ángeles, California, Estados Unidos(strip club shoot out, now demolished)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 27.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 153.665.036 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 26.348.555 US$
- 24 may 1987
- Recaudación en todo el mundo
- 299.965.036 US$
- Duración
- 1h 43min(103 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1







