Max Headrom, el hombre de la pantalla

as a child my brother and i used to sneak down to our cellar and watch unattendedly TV. in a "kunststuecke" (a tv series where they show movies normally not shown) we just by accident saw the original max headroom uk1995. man. it took us not even a thought to quickly make a philosophy out of it and to take this as our new expectation standard for this genre.

but boy, we never saw it again (not a single video-store holds this) and we were quite nervous when the remake (tv series) was announced ... what a disappointment! with their cold blooded commerciality they made a perfectly clean familiy movie out of the bleak retro ambiance of the original 57 min trip. worst, these are the versions the video-stores are filing.

Max Headroom was a film made especially for the UK's Channel 4 in 1984. The story is basically about an investigative journalist called Edison Carter (Matt Frewer) and his TV station Bosses. When Carter comes across a conspiracy inside his own TV station, he sets about to find the truth. In the meantime, bosses decide to remove him from the air, and replace him with a computer copy(Max). The problem is, he won't lie down and die.

It's a real 80's punk culture film. It's very dark, depressing, and for some reason a lot of it seems to take place at night or in the dark. Max lightens the mood with funny quips and puns.

Watch out for George Rossi, DC Lennox from The Bill, who plays Mahler.

I happened on the "Max Headroom: 20 minutes into the future" film on the cable channel Cinemax by accident in 1986 or so. The story, the setting, and the characters drew me in and I was blown away. Then I found out ABC would be doing a version with 3 of the main characters from the UK film - Matt Frewer, Amanda Pays, and William Morgan Sheppard as "Blank Reg".

While the ABC version was a good copy, like any copy, it just wasn't the same. The UK film, talk show, and ABC version spawned Max as a celebrity. He was everywhere including being a pitchman for Coke.

If you want the best "Max Headroom" experience, see the 1985 UK film. But if they ever broadcast the ABC series, see it.

What is ironic is that the motivation for the evil deeds of the corporate owners of Network 23 is what did in this series. It was put up against ratings giants "Dallas" and "Miami Vice" and canceled midway through their only season.

Everyone seems to remember Max Headroom, the character and Coke pitchman, but a lot of people forget about the series Max was in. The other thing a lot of people forget is that Max in the TV screen was _not_ cgi; Max was pre-cgi, and Matt Frewer did incredibly good acting as Max. Besides that, Matt also was the lead in the series and did a lot of work as Edison Carter as well as Max.

The series didn't last nearly long enough for me; the original title, "Twenty Minutes Into the Future" is very accurate-- technologically, stylistically, and in terms of content and post-production, "Max Headroom" was ahead of its time. It was a mid-season replacement and never found its audience; the database lists the tv-movie, the series (14 or 15 eps), and the original talk show which started the whole thing. I'm still amazed at the wisdom (or lack thereof) of television execs who can cancel a series halfway through a season. Then again, "Max Headroom" was about television, making some eerily accurate predictions (CNN, tabloid talk shows), and television execs are nothing if not chickens.

Still, it would be too, too cool to see Max pop up to comment about the millennium...

Before "Revolution" ... Before "Dark Angel" ... Before "Falling Skies" and "The Walking Dead" ... There was Max.

"Max Headroom" was the first cyberpunk, post-apocalyptic TV show EVER (way back in 1987).

Max was decades ahead of its time. The show predicted such things as identity theft, the Internet, the webcam, and the fusion of media and government. (One episode even mourned the closure of movie theaters. Today, thanks to Netflix and video-on-demand, that has now come to pass.)

In a word, Max was prophetic. The hip, trendy post-apocalyptic shows that you're seeing today owe a great debt to Max Headroom.