El local de Frank

I've got to agree, this is closer to real Louisiana folks & New Orleans than anything else you'll find, and there's a lot of heart to it. I sense that the series was a labor of love, and I wish I could have it on DVD, along with Evening Shade.

I still so miss this show. Even more now that there is so little of quality on network television. I rank it with Barney Miller and Frasier in the superiority of its comedy writing. Far and away one of the most intelligent shows ever produced. But then so much more than comedy. So deep and true and human. With wonderful performances by the entire, quirky cast. With real essence of place, which seemed to figure as another character in the overall mix. Such conscience, compassion and heart.

It is very dispiriting that such high quality entertainment is choked off as very possibly too black, but is followed by such a host of "black" shows so dumbed down, stereotypical, canned and downright silly as to only be able to aspire to mediocrity.

What a blessing it would be to be able to acquire the episodes on DVD. And/or to get the same dream team together for another stellar effort. I know the characters were only [?] fictional, but they felt so much like friends. COME BACK!!!

This series was the story of Frank Parrish, a Boston-based professor, who, upon his father's death, inherits a restaurant in New Orleans, the Chez Louisianne (called "The Chez" (pronounced shez) by the employees and patrons). He relocates to Louisiana and learns the restaurant business through fits and starts.

Other characters were Hanna Griffin, the object of Parrish's affections and the assistant to Bertha Griffin-Lamour, her mother and the owner of a prominent funeral home; Reverend Deal, a part-time entrepeneur and part-time preacher; Tiger Shepin and Cool Charles, bartenders of the Chez; Big Arthur, the Cook (NOT the Chef, he insisted) and Shorty his assistant; Anna-May, who was the waitress and Miss Marie, the senior waitress who only waited on customers of the Chez that were customers for 20 years or more; Bubba was a lawyer who was a regular customer (Hugh Wilson said in an interview that this was the character that was a representation of him in the show, "the White guy").

There was much talent to be had in front of and behind the camera; playwright Samm-Art Williams wrote an episode, Hugh Wilson not only helped write the show, but even made a cameo; guest stars included Conchata Ferrell, the late Rosalind Cash and boxer Joe Frazier.

The show could have easily relied on humor, which it certainly had a handle on (one wonderfully absurd episode, "The Body" has the restaurant trying to deal with a pesky corpse, ala, "The Trouble With Harry"), however, it addressed many topics; relationships within the African-American community, it featured Dizzy Gillespie on one show and another one show had a strong Voodoo influence.

The most famous episode (shown on Nick at Nite's TV Land) and the most lauded was "The Bridge", which won Emmys for the writer, Hugh Wilson and guest star Beah Richards.

BET (Black Entertainment Television) re-ran the show, but has since stopped. TV Land, by all appearances has the rights to show it, but does not do so regularly.

This was a truly great show, culturally enlightening, funny, touching and always engaging. It can be said that there was not a single clunker in 17 episodes. The cast was predominately Black, however, it was a show that anyone could watch and enjoy. As Tom Shales said in a review, "This was not a "Black" show, this was a "People" show."

Frank's Place is one of my favorite shows. Very underrated, very unappreciated and quite ahead of its time. The episode in which the corpse shows up sitting in the back row at his own funeral, with Bach's marvelously macabre "Toccata in D Minor" as the stinger, is pure genius. The episode in which the homeless man stands at the back door singing "Daaaaaaaaaaayyyyy-OOOOOOOO!" (Harry Belafonte, eat your heart out) is classic. And who could believe that Shorty! The use of subtitles to translate that spicy-as-gumbo Louisiana gush - what a hoot! My husband, whose father was from Louisiana, could always understand every word Shorty said. I had to rely on the subtitles. Why, why, why wasn't this show given a chance? Because it was sensitive, intelligent and enormously funny, that's why. Diversity, the dearth of which is so lamented today, came to TV in 1987 and was shuffled off with less finesse than was the missing corpse. Our loss. TV Land, bring it back! I promise to set my VCR!

Frank's Place was loved by both viewers and critics. Too bad sponsors and networks were too jittery about black people as they really are and not as stereotypes. The episode where the "guys" take Ed's body from the funeral home for a night on the town is the funniest ever shown on TV. Even Lucy and Ethel would vote it the best.