¡Así es la vida!

... written and directed by Blake Edwards. Jack Lemmon stars as a man having a late mid-life crisis of sorts, while his stoic wife, played by Julie Andrews, waits for the results of a biopsy. The whole film takes place over one fraught weekend as their grown children come to visit for Lemmon's impending birthday celebration.

Jack Lemmon really grated on my nerves in this one, with all of his late-career mannerisms and vocal inflections ratcheted up to the top. Andrews is good in a thankless role, although I kept hoping she would kick Lemmon in the face. Upper-class malaise and fear of mortality are decent subjects better explored in other films. Lemmon himself even seems to be repeating his earlier turn in Save the Tiger, although this time with less restraint. There are a couple of humorous touches, but few enough to leave comedy off of the film's description.

This is the only Jack Lemmon movie I can think of that I have not enjoyed, and that is quite a feat.

Harvey Fairchild (Jack Lemmon) is a frustrated architect turning 60. His rich Malibu family is throwing him a birthday party. His singer wife Gillian (Julie Andrews) fears losing her voice. He is in deep depression and his doctor can find no physical ailment. He nearly has an affair with a client and is breaking down. His adult children arrive with issues of their own.

Director Blake Edwards decided to make a small movie with his family and friends. It's a personal affair. Jack is playing a version of Blake as the dysfunctional head of a dysfunctional family. It presents a lot of characters. It needs a better way to drive the narrative. Everybody is drifting around. It's fine that they are gathering to have this party for Harvey but it'd be nice if they are doing stuff to prepare for the party. It would require them to get rid of the servant and that may actually improve the family's appeal. It's an annoying aspect of the family. It's probably a real insight into their entitled lifestyle but it doesn't help to give them rooting interest. In a way, I both appreciate and hate getting a glimpse into their lives.

There are some movies you just get a good feeling about, and this (for me) is one of them. In every comment I've read here, though, no one mentioned the scene between Julie Andrews and Emma Walton, who are mother and daughter in real life and in the movie. Emma's character has just broken up with her boyfriend, and she spends the whole weekend in a bad mood until she finally breaks down crying and must be comforted by Julie's character. Lifetime channel, take note: sappy mother-daughter scenes work out best when you: 1-get real-life mother-daughter pairs and 2-let the mother (regardless of whether #1 is true or not) just speak from her heart. That's what Blake Edwards had enough sense to do, and it makes for one of the most touching mother-daughter scenes ever. Granted, Blake Edwards actually lived with these two people, so he may have had a better knowledge of their relationship and what would work, but most older actresses are mothers and could probably be capable of something similar. The rest of the film is great as well, with great performances all around, and a hilarious rambling from Jack at the beginning while he describes to Julie how his day at work went. This is the first movie that made my laugh and cry simultaniously (when Jack says he wanted to "bicycle himself to death"), and for that and the scene between Julie and Emma, watch this movie. It's way better than the box office will lead you to believe.

Speaking as a Jack Lemmon fan I think this movie is one of his worst. Jack and Julie make a nice couple but aren't able to make this film work. I expected much more from a movie directed by Blake Edwards, music by Henry Mancini (the Pink Panther Series) and two very good actors Jack Lemmon and Julie Andrews.

Apart from the nice scenery, the entire movie is a failure. The plot is average, the characters are absolutely flat and Jack's constant swearing (which annoyed me so much I kept track), didn't give me the slightest feeling I was watching anything worthwhile.

Do yourself a favor and skip this movie, if you can!

Many people dislike this film because of its melodramatic sentimentality, but I love it because Lemmon's performance is near perfect. I say this because as we see Harvey Fairchild suffer a mid life crisis, we see Jack Lemmon, the actor, suffer. This film was made in the years when Lemmon was going through problems of his own, with drinking and among other things. Lemmon captured numerous demons through the performance of Harvey, plus I think the film is good in general. Robert Loggia is another favorite of mine and he, along with his Oscar nod in the same year for "Jagged Edge," is simply wonderful as Harvey's friend and priest who drinks as people give their confessions. Sally Kellerman is also a delight.