El talismán del terror

Título original: Scared Stiff

1987
13
1h 23min

PUNTUACIÓN EN IMDb

4,8/10

1 mil

TU PUNTUACIÓN

Andrew Stevens and Mary Page Keller in El talismán del terror (1987)

Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.

Reproducir trailer1:28

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Terror

Unas extrañas visiones persiguen a una cantante cuando ella, su hijo y su psiquiatra que es también su novio se mudan a una vieja casa colonial perseguida por el fantasma de un despiadado pr... Leer todoUnas extrañas visiones persiguen a una cantante cuando ella, su hijo y su psiquiatra que es también su novio se mudan a una vieja casa colonial perseguida por el fantasma de un despiadado propietario de esclavos.Unas extrañas visiones persiguen a una cantante cuando ella, su hijo y su psiquiatra que es también su novio se mudan a una vieja casa colonial perseguida por el fantasma de un despiadado propietario de esclavos.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

4,8/10

1 mil

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Vídeos1

Trailer 1:28

Official Teaser Trailer

Imágenes46

+ 41

Reseñas de usuarios26

4,81K

Reseñas destacadas

6Stevieboy666

I wasn't scared stiff but I wasn't disappointed either

In the 19th Century some slaves put a curse on cruel slave trader George Masterson (David Ramsey). Move forward to the mid-1980's and pop singer Kate (Mary Page Keller, complete with mullet) moves into Masterson's Southern mansion, along with young son Jason and boyfriend Dr David Young. Needless to say strange and spooky things start to happen, eventually becoming more and more horrific. Back in the 1980's and 90's I was visiting video shops most weeks and I did have a poster for the UK VHS release of this movie yet strangely I don't think that I had actually watched it until last night. I recently acquired the Arrow blu-ray and a fine release it is too. Scared Stiff is very typical of the B movies that found themselves more or less straight to VHS, and that is certainly no bad thing as that period was awash with such films and it was a great time to be a horror fan. This one reminds me of "House" (1986) but with less humour plus it's not as good. The movie had a low budget but the acting is fine though the practical special effects (so much better than horrible CGI) are the real stars of the show. I have seen better quality but they are good enough. I clearly remember this for its wonderful Graham Humphrey's VHS poster artwork but can find very little mention of it in my horror movie books. Sad really, it's no classic but does deserve to be better known. For a late night movie, lights off and a few beers it's a pretty entertaining watch. And after the end credits have rolled don't be surprised if you have the song "Beat of the Heart" going around and around in your head, ha ha!

6CMRKeyboadist

Silly Little Film

Scared Stiff is definitely a film that most B horror fans should venture into seeing. It literally has EVERYTHING. Horrible editing, awful acting, a script that goes nowhere, off the wall gore (at the end), and an incredible silly ending!

Kate, David and Kate's son move into and old house. Kate is an actress and David is a therapist. When they move into this house things start going very strange as Kate starts seeing things, along with her son. It turns out that the house they moved into belonged to an evil man that tortured slaves back in the late 1800's. As the family stays in the house lounger, the more possessed David becomes.

I have a soft spot for movies like this. Yes, it was a terrible film. No doubt about that. But, did I enjoy this film... I would have to say yes. For fans of a genre long dead this is definitely worth seeing as the story is actually not half bad. It is everything else that brings this movie down. Example: there is a scene in which a man is hanging outside of a window. We get a close up of his face for roughly 15 seconds. At the end of the scene, we see the mans eyes move. Truly poor editing. If you watch this movie you will see many inconsistencies. For me, that is what gives it its charm.

Goofy movie that is well worth watching for all of you 80's horror fans. 6/10

4BA_Harrison

You won't be.

'80s supernatural horror Scared Stiff is, for the most part, a rather dull affair, but it is lifted somewhat by a final twenty minutes that completely throw logic and sanity out of the window. The lunacy is hinted at in an earlier scene where a young lad's toy cars come to life, engines roaring and wheels spinning, but it's not until the closing act that director Richard Friedman goes all out with the madness, chucking in time travel, a snarling monster, an exploding police car (it's amazing how easy the vehicle blows up), a mouldy corpse smashing through a window (having hung outside for several days unnoticed), a giant floating lampshade in the shape of an Indian, and Ivory Coast natives hurling spears through time and space.

The plot goes something like this: having recovered from a mental breakdown, pop star Kate moves into a new home with her boyfriend (and doctor) David Young (Andrew Stevens), and her seven year old son Jason (Josh Segal), unaware that the place is haunted by the malevolent ghost of a slave merchant. This hokey old set-up is rife with clichés, Friedman's attempts at atmosphere and foreboding fall horribly flat, his cast give uniformly bad performances, and certain scenes are horribly dated (such as the moment when Jason's computer projects a holographic 3D image or when David explains what diskettes are for). If you can, try and stay the distance for the mind-numbingly bonkers ending, which is just about worth the wait, but I wouldn't blame you if you gave up and found something better to do with your time.

2/10, plus a couple more points for the nutty stuff.

FieCrier

What's that smell?

Could it be the workman, hanging undiscovered outside a boy's screenless window? He hangs there by his neck for days, perhaps weeks without being found, despite being in clear view from the outside, despite being less than a foot away from the boy's window; shouldn't there be flies? shouldn't the smell be intense?

But no, as you might suspect, it is this movie that stinks - stinks real bad. Whether its Andrew Stevens typical performance as...Andrew Stevens, or the Comic Relief Cop, or the Negroid (!) Slaveowner Werebeast, or the Giant Kitsch Indian Head Lamp, or, or, or...oh man, it's too bad to go on.

Miss it, unless you want to kill some time, and have a few (not many) laughs or groans at this painful wreck.

8jwht2

for practical horror effects fans

This movie has a wild variety of practical and early computer effects. It is certainly over the top at times, and some probably laugh at it as a result, but I found it a pleasure to watch. The opening in the slave market sets the tone that we are in for something different. Yes, the male lead is bland as hell but the mom and kid do a pretty good job for a movie of this budget. The final 30 minutes really ramps up and I kept saying "whoa!" out loud as things got wackier and wilder by the minute. I've seen so many crappy movies getting reissued these last few years that it's always refreshing to actually see something that people put a lot of effort into.

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Argumento

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Curiosidades
After the film's underwhelming performance, it was released on VHS and then LaserDisc, but then fell into obscurity. In 2004, film historian Robert Ellinger was in one of the last video rental stores that still sold VHS tapes when the film caught his eye. He loved the film's music, especially "Beat of the Heart", but no soundtrack had ever been released. This began his long obsession with the film. He began acquiring everything he could from the film: test posters, various foreign VHS copies and even a promotional paperweight from when the film was released to home video. He was able to reach the film's costume designer Beverly Safier, who sent him a piece of fabric from one of the dresses that Kate wears in the film. He wanted to see if the film had other fans, so he uploaded "Beat of the Heart" to YouTube and discovered that there were fans who loved both the song and the movie. Because Ellinger works in the music industry, he was able to locate the film's composer The Barber Brothers (who was really just one person, Billy Barber) and asked him if he had the original masters for the soundtrack, but they were lost. Unwilling to give up, Ellinger contacted producer Daniel F. Bacaner, who had disowned the film and was surprised to hear someone mentioning the film so long after its release. Ellinger told Bacaner that he should re-release the film to introduce it to a new audience. They were able to locate the original negatives in an MGM vault in Pittsburgh, where it had remained for thirty years, as well as a treasure trove of unused promotional materials. Bacaner contacted director Richard Friedman and was able to secure a restoration by Arrow Video, who also gave the film a Blu-Ray release. They were able to get some of the cast and crew to provide some background information on the film, and Friedman, Bacaner and Ellinger made a commentary track. Billy Barber even performed a piano cover of "Beat of the Heart." As thanks for setting the restoration in motion, Bacaner gave Ellinger some negatives from the film out of his personal collection.

Pifias
The workman's eyes clearly move after he is dead.

Citas
Michael Murphy: [as a hallucination to Kate] Hi Miss Christopher... I'm fine now... wanna see?
[unzips his forehead, causing his scalp to fall off, displaying his pulsating brain]