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IMDbPro

El talismán del terror

Título original: Scared Stiff
  • 1987
  • 13
  • 1h 23min
PUNTUACIÓN EN IMDb
4,8/10
1 mil
TU PUNTUACIÓN
Andrew Stevens and Mary Page Keller in El talismán del terror (1987)
Strange visions come to haunt a singer when she, her son, and her psychiatrist-turned-boyfriend move into an old colonial house that is haunted by the ghost of a ruthless slave owner.
Reproducir trailer1:28
1 vídeo
46 imágenes
Terror

Unas extrañas visiones persiguen a una cantante cuando ella, su hijo y su psiquiatra que es también su novio se mudan a una vieja casa colonial perseguida por el fantasma de un despiadado pr... Leer todoUnas extrañas visiones persiguen a una cantante cuando ella, su hijo y su psiquiatra que es también su novio se mudan a una vieja casa colonial perseguida por el fantasma de un despiadado propietario de esclavos.Unas extrañas visiones persiguen a una cantante cuando ella, su hijo y su psiquiatra que es también su novio se mudan a una vieja casa colonial perseguida por el fantasma de un despiadado propietario de esclavos.

  • Dirección
    • Richard Friedman
  • Guión
    • Mark Frost
    • Daniel F. Bacaner
    • Richard Friedman
  • Reparto principal
    • Andrew Stevens
    • Mary Page Keller
    • David Ramsey
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    4,8/10
    1 mil
    TU PUNTUACIÓN
    • Dirección
      • Richard Friedman
    • Guión
      • Mark Frost
      • Daniel F. Bacaner
      • Richard Friedman
    • Reparto principal
      • Andrew Stevens
      • Mary Page Keller
      • David Ramsey
    • 26Reseñas de usuarios
    • 29Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Official Teaser Trailer
    Trailer 1:28
    Official Teaser Trailer

    Imágenes46

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    + 41
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    Reparto principal27

    Editar
    Andrew Stevens
    Andrew Stevens
    • David Young
    Mary Page Keller
    Mary Page Keller
    • Kate Christopher
    David Ramsey
    • George Masterson
    Josh Segal
    • Jason
    Bill Hindman
    • Dr. Ben Brightman
    • (as William M. Hindman)
    Jackie Davis
    • Detective Whitcomb
    • (as Jakie Davis)
    Nicole Fortier
    Nicole Fortier
    • Elizabeth Masterson
    Brian Smith
    • Director
    Tony Shepherd
    • Wally
    Tom Kouchalakos
    • Michael Murphy
    Jennifer Hingel
    • Jennifer
    Richard Jason
    • Elizabeth's Son
    Pete Conrad
    • Short Man
    Carol Gun
    • Sherry
    Ellen Simmons
    • Claire
    Chris Gilbert
    • Mover
    Dee Dee Deering
    Denis Hartigan
    • Townsperson
    • Dirección
      • Richard Friedman
    • Guión
      • Mark Frost
      • Daniel F. Bacaner
      • Richard Friedman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios26

    4,81K
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    Reseñas destacadas

    6tildagravette

    Imaginative Low Budget Horror

    I'm not going to sit here and say that Scared Stiff is some sort of lost classic of the genre. It's not. It has pacing problems and you're never quite sure if it's a haunted house movie, a "she's losing her mind" movie, or an installment of the Nightmare on Elm Street franchise, but when it gets something right, it really gets it right.

    A single mother pop star moves into a spooky antebellum mansion with her child and boyfriend and not only begins to unravel the house's gruesome history, but starts to believe that she's actually seeing the previous owners in her day to day life.

    Scared Stiff starts out as a typical haunted house film. The lead character is plagued with visions and dreams of the wicked slave owner who used to live there and she thinks she's losing her mind. All of a sudden, it seems as if her doctor boyfriend can't be trusted either and it turns into one of those "is she crazy or being gaslit?" movies, before pulling out all the stops in a genuinely imaginative and nightmarish final act.

    It's not as if Scared Stiff is brilliant, but it's competent and the final act is incredibly memorable, creepy, and downbeat.
    5thalassafischer

    I Feel Pity For These Film Makers

    Scared Stiff should have been a better movie and it probably would have been with a bigger budget. I can see where they were going and they didn't have the proper sets and equipment to make it work.

    It is rare that I watch a horror flick and am like aw dang I totally get this and would be into it if this weren't so bargain basement and slapped together by some low paid amateurs.

    I also feel like there wasn't enough done with the connection between the slaves introduced in the beginning and the magical powers in the voodoo charm. Some things could have been improved by a more thoughtful execution with what they had, which is why I am still only giving this middling 80s mess five stars.
    brandonsites1981

    * out of 4.

    Awful film about a family moving into a new house and falling prey to a rubber faced African voodoo monster that possesses Andrew Stevens and forces him to kill his family. The special effects are really that terrible, the entire cast is bland, and the situations that unfold in the film are a laugh riot. Good to watch and make fun of, otherwise avoid this piece of junk masquerading as a horror film. Rated R.
    6kannibalcorpsegrinder

    Enjoyable enough but not all that memorable effort

    Moving into her boyfriends' new house, a former psychiatric patient and her son continue to experience strange events and visions caused by the ruthless former owner of the house and realizing that the haunting has affected him as well they try to discover a way of stopping it from consuming him.

    This one wasn't that bad of an effort. One of it's best elements is the fact that the backstory used to set up the haunting manages to work itself out rather well. With the idea of the house being haunted by the ghosts of the past who are looking to settle the score for the treatment inflicted upon them by the cruel slave-owner in the past, which is a fine and worthwhile showing for these kinds of films in order to set up a potential haunting. That the early setups inside the house bring about their early introduction into the supernatural happenings in the house, from finding the secret room filled with pigeons to the discovery of the diary and the strange key on the grounds which all signal the start of the creepy action. That also leads to the film's rather decent and enjoyable haunting scenes. With the first hauntings occurring through her nightmares to the discovery of the bones locked in the attic and then the children's toys coming to life and playing on their own, this builds up rather nicely with a nice series of visions and sequences that further fuel her mental anguish. Since the attacks and visions are based more on her being the main witness to the action and her backstory being his patient as well as the backstory with the house, these come together rather nicely to deliver some pretty fun cheesy moments that move the hauntings into possession that matches the activity in the backstory. Featuring some solid action in this part of the film and really having a lot to like in the finale, these here hold this one up for the most part. There are a few problems here. The main issue is the absolutely troublesome beginning to this one to get the film going as it takes a while to get the storyline setup. The exploits of the doctor at the asylum working with his patients isn't all that interesting, as making his rounds or showing how he cares for the more psychotic inmates doesn't really serve any kind of interesting activities going on, especially with the plotless reasons for staying there as often as we do. That this is countered by the boring scenes of them packing up to move into the house just makes for an overlong and boring setup that takes forever to get going as the lack of horror scenes early on due to this issue is quite noticeable. The other big problem with this one is the absolutely bizarre and chaotic final half that makes no sense whatsoever. The film throws the characters through several alternate timelines and periods of history with various figures from her past thrown together into one random series of hallucinations to torment her and yet none of it makes any sense since nothing comes of these scenes. There's no greater sense of understanding the events of the past or using them to have the upper hand in the big confrontation, and it just ends up going through its scenes in such a random manner as chaotically as it does here just makes for a confusing time that lowers this one significantly. These here are the biggest problems to be had with this one.

    Rated R: Graphic Language and Graphic Violence.
    8jwht2

    for practical horror effects fans

    This movie has a wild variety of practical and early computer effects. It is certainly over the top at times, and some probably laugh at it as a result, but I found it a pleasure to watch. The opening in the slave market sets the tone that we are in for something different. Yes, the male lead is bland as hell but the mom and kid do a pretty good job for a movie of this budget. The final 30 minutes really ramps up and I kept saying "whoa!" out loud as things got wackier and wilder by the minute. I've seen so many crappy movies getting reissued these last few years that it's always refreshing to actually see something that people put a lot of effort into.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      After the film's underwhelming performance, it was released on VHS and then LaserDisc, but then fell into obscurity. In 2004, film historian Robert Ellinger was in one of the last video rental stores that still sold VHS tapes when the film caught his eye. He loved the film's music, especially "Beat of the Heart", but no soundtrack had ever been released. This began his long obsession with the film. He began acquiring everything he could from the film: test posters, various foreign VHS copies and even a promotional paperweight from when the film was released to home video. He was able to reach the film's costume designer Beverly Safier, who sent him a piece of fabric from one of the dresses that Kate wears in the film. He wanted to see if the film had other fans, so he uploaded "Beat of the Heart" to YouTube and discovered that there were fans who loved both the song and the movie. Because Ellinger works in the music industry, he was able to locate the film's composer The Barber Brothers (who was really just one person, Billy Barber) and asked him if he had the original masters for the soundtrack, but they were lost. Unwilling to give up, Ellinger contacted producer Daniel F. Bacaner, who had disowned the film and was surprised to hear someone mentioning the film so long after its release. Ellinger told Bacaner that he should re-release the film to introduce it to a new audience. They were able to locate the original negatives in an MGM vault in Pittsburgh, where it had remained for thirty years, as well as a treasure trove of unused promotional materials. Bacaner contacted director Richard Friedman and was able to secure a restoration by Arrow Video, who also gave the film a Blu-Ray release. They were able to get some of the cast and crew to provide some background information on the film, and Friedman, Bacaner and Ellinger made a commentary track. Billy Barber even performed a piano cover of "Beat of the Heart." As thanks for setting the restoration in motion, Bacaner gave Ellinger some negatives from the film out of his personal collection.
    • Pifias
      The workman's eyes clearly move after he is dead.
    • Citas

      Michael Murphy: [as a hallucination to Kate] Hi Miss Christopher... I'm fine now... wanna see?

      [unzips his forehead, causing his scalp to fall off, displaying his pulsating brain]

    • Conexiones
      Referenced in Robot Ninja (1989)
    • Banda sonora
      Beat of the Heart
      by Billy Barber

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    Preguntas frecuentes

    • How long is Scared Stiff?
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    Detalles

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    • Fecha de lanzamiento
      • 23 de octubre de 1987 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Scared Stiff
    • Localizaciones del rodaje
      • Miami, Florida, Estados Unidos
    • Empresas productoras
      • Manson International
      • The Fremont Group
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 1.300.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 23 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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    Andrew Stevens and Mary Page Keller in El talismán del terror (1987)
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