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Sacrificio

Título original: Offret
  • 1986
  • PG
  • 2h 29min
PUNTUACIÓN EN IMDb
7,9/10
34 mil
TU PUNTUACIÓN
Sacrificio (1986)
Ver The Sacrifice - US 2024 re-release official trailer
Reproducir trailer1:53
2 vídeos
99+ imágenes
Drama psicológicoTragediaDrama

En los albores de la III Guerra Mundial, un hombre busca la forma de traer la paz al mundo y descubre que, para conseguirlo, tiene que dar algo a cambio.En los albores de la III Guerra Mundial, un hombre busca la forma de traer la paz al mundo y descubre que, para conseguirlo, tiene que dar algo a cambio.En los albores de la III Guerra Mundial, un hombre busca la forma de traer la paz al mundo y descubre que, para conseguirlo, tiene que dar algo a cambio.

  • Dirección
    • Andrei Tarkovsky
  • Guión
    • Andrei Tarkovsky
  • Reparto principal
    • Erland Josephson
    • Susan Fleetwood
    • Allan Edwall
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,9/10
    34 mil
    TU PUNTUACIÓN
    • Dirección
      • Andrei Tarkovsky
    • Guión
      • Andrei Tarkovsky
    • Reparto principal
      • Erland Josephson
      • Susan Fleetwood
      • Allan Edwall
    • 122Reseñas de usuarios
    • 83Reseñas de críticos
    • 85Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Ganó 1 premio BAFTA
      • 9 premios y 3 nominaciones en total

    Vídeos2

    The Sacrifice - US 2024 re-release official trailer
    Trailer 1:53
    The Sacrifice - US 2024 re-release official trailer
    IMDbrief: 'Outlaw King' & Most Epic Tracking Shots in Film History
    Clip 3:59
    IMDbrief: 'Outlaw King' & Most Epic Tracking Shots in Film History
    IMDbrief: 'Outlaw King' & Most Epic Tracking Shots in Film History
    Clip 3:59
    IMDbrief: 'Outlaw King' & Most Epic Tracking Shots in Film History

    Imágenes114

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    + 108
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    Reparto principal16

    Editar
    Erland Josephson
    Erland Josephson
    • Alexander
    Susan Fleetwood
    Susan Fleetwood
    • Adelaide
    Allan Edwall
    Allan Edwall
    • Otto
    Guðrún Gísladóttir
    Guðrún Gísladóttir
    • Maria
    • (as Guðrún S. Gísladóttir)
    Sven Wollter
    Sven Wollter
    • Victor
    Valérie Mairesse
    Valérie Mairesse
    • Julia
    Filippa Franzén
    Filippa Franzén
    • Marta
    Tommy Kjellqvist
    Tommy Kjellqvist
    • Gossen
    Per Källman
    • Ambulansförare
    Tommy Nordahl
    • Ambulansförare
    Tintin Anderzon
    Tintin Anderzon
      Helena Brodin
      Helena Brodin
        Birgit Carlstén
        Birgit Carlstén
          Jane Friedmann
            Martin Lindström
              Jan-Olof Strandberg
              Jan-Olof Strandberg
                • Dirección
                  • Andrei Tarkovsky
                • Guión
                  • Andrei Tarkovsky
                • Todo el reparto y equipo
                • Producción, taquilla y más en IMDbPro

                Reseñas de usuarios122

                7,933.7K
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                Reseñas destacadas

                iliawarlock

                Beautiful, binding, and supremely terrifying.

                It is difficult to find words expressive enough for Tarkovsky's final--and perhaps greatest--work. One could briefly explain some of the plot, but that would mean nothing. This is a film that speaks of terror, of faith, and above all, of binding promises. An intellectual, living in a remote and beautiful cottage is celebrating his birthday with friends and family--when war is announced. Promises of life, and of death are the main premise of the film, and one cannot walk away from it. This is the sort of film that terrifies, ensnares, and draws you in, so that no matter what the moment, you cannot rip yourself away. Filmed with supreme skill and incredible beauty (every separate shot is breathtaking), this is a film that forces you to look at your life, your premises, and your entire evaluation of existence.

                The question of liking or disliking this film is unimportant. Undoubtedly there will be people who will dislike it. But the one thing that is indeed impossible, is to remain indifferent to it.
                vito4077

                A perfect example of the difference between true cinema and the Big Macs that Hollywood feeds us.

                Tarkovsky's death bed film certainly lacks some of the fire and energy of his earlier work, but the story of Alexander's search for faith amidst the worst kind of madness is by no means dull. The cinematography and editing are obviously Bergman influenced, but anyone who says that it bothers them to see Tarkovsky borrow the style of another needs to learn more about Eisenstein, Kuleshov, and perhaps Wajda.

                This film serves as a stark example of the real difference between the work of the European authors and Hollywood. While viewing, keep an eye on the editing. Th film opens on a five minute long shot in which it is extremely difficult to even discern which character is speaking. The scenes are made up of as few shots as possible and the shortest shot of the entire film is about 10 seconds. There are less than a dozen close ups in the entire piece, which may be why American audiences with their limited attention spans, would reject the film. The Sacrifice might not sit well with Tarkovsky purists, but it's themes and philosophy, I feel, surpass in depth, any of the master's other works.
                10RobertF87

                Tarkovsky's Final Masterpiece

                Andrei Tarkovsky was without a doubt one of the genuine artist working in the cinema. With films such as "Andrei Rublev", "Solaris", "Mirror", Stalker" and "Nostalghia", Tarkovsky enriched the world with powerful works for art. "Sacrifice" was his final film, made while Tarkovsky was dying of cancer. The story concerns an elderly academic who lives with his family in a rural part of Sweden. When he learns that about an imminent nuclear war, he makes a desperate pact with God. The film is astonishingly beautiful, like all Tarkovsky's films. Images of nature, water and fire feature prominently, as does the shifting from colour images to black and white.

                It is important to remember that Tarkovsky is not a very accessible film-maker, and his films make great demands on viewer's patience and attention, but if you are willing to make the effort you will be rewarded by an unforgettable experience.
                jimmcheyser

                Altogether a Masterpiece

                This is a spare and haunting work that weaves its spell slowly yet powerfully. Every shot is framed with loving care, and Tarkovsky allows the camera to remain fixed on a scene as events unfold. It's perhaps the most beautifully photographed film I've ever seen. There's very little music during the course of the movie, yet subtle, mysterious sounds contribute to an overall feeling of mystery and foreboding. The acting and dialogue are no doubt greatly influenced by the work of Bergman. Perhaps the film is a kind of homage to him.

                This is definitely not a popcorn movie, nor one to see on a first date. I recommend you see it when you're not distracted or impatient - when you can be fully present and mindful as events develop at an unhurried, organic, human pace. The cumulative effect is devastating, yet somehow wonderfully cathartic.
                Sinnerman

                The unquantifiable price of sacrifice.

                Behold, a torrential spew of superlatives; "Sacrifice captivates the heart." "Sacrifice stirs the soul" "Sacrifice devastates as well as it rehabilitates"....you get my drift...

                An almost mythic blend of haunting imagery, rich audio cues and astounding performances, this masterwork of introspection spins a sublime poem on the conundrums of faith, unconditional love, the nature of reality and the very meaning of sacrifice. I cannot help but be moved me truly, madly, deeply.

                By the time a boy rests by a lonesome tree, I realized few films will come close to injecting me with such revelatory euphoria. The Sacrifice shall be as close a religious epiphany as this "sinner" is ever gonna get. Sigh...

                Más del estilo

                Nostalgia
                7,9
                Nostalgia
                El espejo
                7,9
                El espejo
                Solaris
                7,9
                Solaris
                Andrei Rublev
                8,0
                Andrei Rublev
                Stalker
                8,0
                Stalker
                La infancia de Iván
                8,0
                La infancia de Iván
                El violín y la apisonadora
                7,4
                El violín y la apisonadora
                Tempo di viaggio
                7,2
                Tempo di viaggio
                Persona
                8,0
                Persona
                Diarios del Viajero
                8,7
                Diarios del Viajero
                Los asesinos
                6,5
                Los asesinos
                Boris Godunov
                8,7
                Boris Godunov

                Argumento

                Editar

                ¿Sabías que...?

                Editar
                • Curiosidades
                  The cottage that is set on fire in the final scenes was specifically rigged to burn out within about eight minutes. Despite objections from director of photography Sven Nykvist, director Andrei Tarkovsky insisted that only one camera be used. During the first take, as the cottage burnt down, the film jammed in the camera, and the crew could not reload it in time. Therefore, the house had to be reconstructed at great expense over two weeks, and burnt a second time, but with two cameras this time. The shot ends abruptly after almost 7 minutes because the camera had run through the entire reel. Cast and crew broke down in tears after the take was completed.
                • Citas

                  Alexander: I studied philosophy, history of religion, aesthetics. And ended up putting myself in chains. Of my own free will.

                • Créditos adicionales
                  Just before the film ends (in Swedish): "This film is dedicated to my son Andriosha - with hope and confidence. Andrei Tarkovskij"
                • Conexiones
                  Edited into Moskovskaya elegiya (1990)
                • Banda sonora
                  Matthäus-Passion: Erbarme Dich
                  Music by Johann Sebastian Bach

                  Conducted by Wolfgang Gönnenwein

                  Sung by Julia Hamari

                  EMI-Electrola GmbH LC 0233

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                Preguntas frecuentes17

                • How long is The Sacrifice?Con tecnología de Alexa

                Detalles

                Editar
                • Fecha de lanzamiento
                  • 31 de octubre de 1986 (España)
                • Países de origen
                  • Suecia
                  • Francia
                  • Reino Unido
                • Idiomas
                  • Sueco
                  • Islandés
                • Títulos en diferentes países
                  • The Sacrifice
                • Localizaciones del rodaje
                  • Ljugarn, Gotlands län, Suecia
                • Empresas productoras
                  • Faragó Film
                  • Stiftelsen Svenska Filminstitutet
                  • Argos Films
                • Ver más compañías en los créditos en IMDbPro

                Taquilla

                Editar
                • Recaudación en Estados Unidos y Canadá
                  • 221.593 US$
                • Fin de semana de estreno en EE. UU. y Canadá
                  • 4696 US$
                  • 22 oct 2017
                • Recaudación en todo el mundo
                  • 317.168 US$
                Ver información detallada de taquilla en IMDbPro

                Especificaciones técnicas

                Editar
                • Duración
                  • 2h 29min(149 min)
                • Color
                  • Color
                • Mezcla de sonido
                  • Mono
                • Relación de aspecto
                  • 1.66 : 1

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