El antiguo analista de perfiles del FBI Will Graham regresa al servicio para perseguir a un asesino en serie trastornado llamado "el Hada de los Dientes" por los medios de comunicación.El antiguo analista de perfiles del FBI Will Graham regresa al servicio para perseguir a un asesino en serie trastornado llamado "el Hada de los Dientes" por los medios de comunicación.El antiguo analista de perfiles del FBI Will Graham regresa al servicio para perseguir a un asesino en serie trastornado llamado "el Hada de los Dientes" por los medios de comunicación.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 1 nominación en total
- Jimmy Price
- (as Dan E. Butler)
- Eileen
- (as Alex Neil)
Reseñas destacadas
Besides the Thomas Harris link, there is no connection between them at all. Sure, there are shared character names, most notably Dr. Lecter, but not shared characters. Cox's and Hopkins' interpretations of the infamous cannibal could not be any more different. Whose is better? That's irrelevant here. What is relevant is Manhunter's success as a stand-alone feature film.
Michael Mann's film is standard serial killer fare, which is not necessarily a bad thing. What separates it from its cinematic brethren is its style and class. It's easy to follow a hunter-prey storyline. What isn't easy is to provide the audience with well-rounded characters who convey that grey moral ground of real life. In that respect, Manhunter is a success. From the FBI agent teetering on the edge to the killer struggling with his emotions, Mann weaves a complex story that takes a step above the genre.
The movie is definitely of the 80s. Timelessness is the top determining factor of a film's "classic" status. Whether or not Manhunter stands the test of time is yet to be seen. The music is already dated, but not to the point of impeding the story. Fortunately, it has not suffered the same fate as the now campy reruns of Miami Vice.
Manhunter is not a great movie. It is an above average genre film aided by a stellar cast and crew. Take it for what it is and enjoy an underappreciated thriller.
To appreciate that there are two issues. Firstly, the film was created in 1986. It's stylised and looks slightly dated. The soundtrack is excellent but again very 1980's. Secondly, Red Dragon was not an easy book to write a screenplay for. There is way too much information that made the book so enthralling to squeeze in to 2 hours.
The cinematography, in particular the clever use of light and colours, is breathtaking. The choice of locations was also very deliberate. The scene where Will is running out of the building after speaking to Hannibal Lecter. They chose a building with a long spiral ramp down. The ramp is white, clinical. Running down the ramp is like those dreams where the bad man is chasing you and you can't get away. Will runs his heart out but doesn't get very far.
I agree that Cox plays a different Lecter but then the book wasn't about Lecter. There was some mention made but Lecter in this film is very much a Cameo appearance. The way in which Will goes about catching the killer is every bit as clever as Starling's methods, if not more so. In addition, we are treated to the thoughts, the inner monologue, the frustration and triumph of a hunter.
Make no mistake, if you expect an up-to-date movie as good in every respect as the book, you'll be disappointed. If you're sensible and expect nothing more than 2 hours quality entertainment you'll enjoy this one.
William Peterson plays the enigmatic FBI agent Will Graham, who has left the job after almost being killed by Hannibal Lechter, but who is now coaxed back to help catch a killer who is murdering whole families in different locations in the United States.
I enjoyed Brian Cox as Lechter. He displays the "normal" quality of Lechter which allowed him to go undetected for so long before being arrested and receiving the moniker, "Hannibal the Cannibal". Perhaps because I saw Manhunter before Silence of the Lambs, I prefer Cox to Anthony Hopkins in the role.
The Freddy Lounds character is the stereotypical reporter you love to hate. He's in Graham's face and as obnoxious as they come. You almost root for something bad to happen to him.
Tom Noonan is delightful as the quiet Francis Dolarhyde. He's the loner that no one notices. I pitied him, then I feared him.
I recommend this film for those who enjoy suspense with a bit of a horror twist. It's not a horror film, but some of the elements are there. There is also a good soundtrack.
¿Sabías que...?
- CuriosidadesWhen the production could not get permission to film on board a commercial airplane, writer and director Michael Mann booked his actors, actresses, and crew onto a twilight flight from Chicago to Florida, where the production was relocating anyway. A stripped-down camera, lighting and sound equipment were taken on board as carry-on luggage. Pilots and flight attendants were appeased with gifts of movie crew jackets.
- PifiasThe movie implies that Will Graham uses a Charter Arms Bulldog .44 special pistol. If this were true, then Will could not shoot Francis Dollarhyde six times. A Charter Arms Bulldog only holds five rounds. Graham actually shoots the gun seven times, but two of the shots are repeated; the first and second shot that we see are actually the same one, as are the six and seventh. Thus, he only actually fires five bullets, which is the number that the gun can hold.
- Citas
Will Graham: I know that I'm not smarter than you.
Dr. Hannibal Lecktor: Then how did you catch me?
Will Graham: You had disadvantages.
Dr. Hannibal Lecktor: What disadvantages?
Will Graham: You're insane.
- Versiones alternativasThe Hannibal Lecter Collection released by MGM in 2007, which also features El silencio de los corderos (1991) and Hannibal (2001), contains the authentic Theatrical Cut of the film.
- ConexionesFeatured in The Prime Movers: Strong As I Am (1986)
- Banda sonoraGraham's Theme
Created, Performed and Composed by Michel Rubini
Composed by Michel Rubini on the Synclavier Digital Music System
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- El sabueso
- Localizaciones del rodaje
- High Museum of Art - 1280 Peachtree Street, Atlanta, Georgia, Estados Unidos(Lecktor's prison exteriors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 8.620.929 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.204.400 US$
- 17 ago 1986
- Recaudación en todo el mundo
- 8.624.009 US$
- Duración2 horas
- Color
- Relación de aspecto
- 2.35 : 1