A Sarah, de dieciséis años, le dan trece horas para resolver un laberinto y rescatar a su hermanito Toby cuando el rey duende Jareth le concede su deseo de llevárselo.A Sarah, de dieciséis años, le dan trece horas para resolver un laberinto y rescatar a su hermanito Toby cuando el rey duende Jareth le concede su deseo de llevárselo.A Sarah, de dieciséis años, le dan trece horas para resolver un laberinto y rescatar a su hermanito Toby cuando el rey duende Jareth le concede su deseo de llevárselo.
- Dirección
- Guión
- Reparto principal
- Nominado a 1 premio BAFTA
- 4 nominaciones en total
Brian Henson
- Hoggle
- (voz)
- …
Dave Goelz
- Didymus
- (voz)
- …
David Alan Barclay
- Didymus
- (as David Barclay)
- …
David Shaughnessy
- Didymus
- (voz)
- …
Timothy Bateson
- The Worm
- (voz)
- …
Reseñas destacadas
10THFC
Cool film! Way too good for children. Jim Henson, as ever, is the absolute master of every kind of puppetry known to man or muppet.Particularly adorable is the little punk worm who invites Sarah to "Come inside and meet the missus"... very cute. The plot has all the essential elements of a good fairy tale with the added bonus of a heroine who manages to get through all her trials and tribulations without squealing feebly or fainting into the arms of any poxy bloke. David Bowie is wonderfully sexy (despite the fright wig) and his natural humour shines through although his character does a pretty good job of being spiteful and menacing. I get the feeling the he really enjoyed making this film. The soundtrack is excellent and "As the World Falls Down" is quite hauntingly beautiful ('though I have to agree with an earlier reviewer that the ballroom sequence in which it was played did slow the action down a little - but it was a visual feast).
All in all, a beautiful film with a wonderful cast of creatures and humans. Makes me miss Jim Henson's talents lots but at least we've still got Brian (his son). My friend's three year old now has a crush on the Goblin King (I dread to think how that's gonna shape her life!).
All in all, a beautiful film with a wonderful cast of creatures and humans. Makes me miss Jim Henson's talents lots but at least we've still got Brian (his son). My friend's three year old now has a crush on the Goblin King (I dread to think how that's gonna shape her life!).
Absence of Muppets aside, this is probably the most Jim Henson movie ever made. On more than one occasion, it feels like the Creature Shop was running wild, coming up with all manner of strangeness just to put in the film. The creativity is never more apparent than during the Shaft of Hands scene; only a gaggle of puppeteers could've pulled that off. Man, it must've been a lot of fun working on this movie!
This is only one reason Labyrinth excels (and lives on past the '80s). The teen angst is real, the songs are great, the lines are funny . . . and then there's David Bowie. The Goblin King brought to life. Bowie struts around the sets with godlike command, at home not only in the role but also the songs, and he offers one hell of a performance. He's exceptional here.
I haven't seen this since I was a teenager, and it holds up very well. It pleases me greatly that the worm has sort of become a staple in my house. We all love doing the accent. "Don't go that way! Nevah go that way! *sigh* Shoulda kept on goin' down that way, she'da gone straight to the castle."
Not to mention Ludo. "Smell baaad!"
This is only one reason Labyrinth excels (and lives on past the '80s). The teen angst is real, the songs are great, the lines are funny . . . and then there's David Bowie. The Goblin King brought to life. Bowie struts around the sets with godlike command, at home not only in the role but also the songs, and he offers one hell of a performance. He's exceptional here.
I haven't seen this since I was a teenager, and it holds up very well. It pleases me greatly that the worm has sort of become a staple in my house. We all love doing the accent. "Don't go that way! Nevah go that way! *sigh* Shoulda kept on goin' down that way, she'da gone straight to the castle."
Not to mention Ludo. "Smell baaad!"
By today's standards "Labyrinth" may look dated and cheap but there's something about it that makes it special.
David Bowie makes it a stand alone movie in the weird ranking. The man is crazy but his performance is excellent!
Jennifer Connely (being 16 at the time) delivers a solid and tender performance. She was very, very cute and her performance totally gained the audience's love.
The tale is fantastic and keeps you interested from the beginning to the end. The musical moments are also great! The f/x were great for it's time and I wonder how they came out with the idea for creating such original characters.
The thing that I liked the most about the movie is it's art direction. The world that is created is taken directly from everyone's fantasy world idea. Colorful and dark at the same time.
Better than the "Neverending Story" movies, "Labyrinth" should be watched for lovers of sci-fi.
David Bowie makes it a stand alone movie in the weird ranking. The man is crazy but his performance is excellent!
Jennifer Connely (being 16 at the time) delivers a solid and tender performance. She was very, very cute and her performance totally gained the audience's love.
The tale is fantastic and keeps you interested from the beginning to the end. The musical moments are also great! The f/x were great for it's time and I wonder how they came out with the idea for creating such original characters.
The thing that I liked the most about the movie is it's art direction. The world that is created is taken directly from everyone's fantasy world idea. Colorful and dark at the same time.
Better than the "Neverending Story" movies, "Labyrinth" should be watched for lovers of sci-fi.
Growing up as a child in 1980's New York, I remember being inspired by many fantasy and science fiction films, that eventually led me to start writing short stories myself (from there to my current occupation of journalism the road was quite short, BTW). Titles like The Neverending Story, Flight of the Navigator and Who Framed Roger Rabbit? captured my imagination and filled me with aw, and with time found their way to my ever growing DVD collection, as did Jim Henson's Labyrinth, the latest addition to my nostalgic bundle of joy.
The saddest thing about all this is that no one seems to make films like Labyrinth anymore. Viewing it again at the age of 25 just made me appreciate it even more, for all of it's breathtaking imaginative figures, rich scenery and original plot; especially when some of the scenes seem somewhat dated while the essence and heart of the film remain in tact, even twenty years down the road.
In short, Labyrinth is one of Jim Henson's last attempts at creating cross-age entertainment through his world famous puppets, after bringing life to the eternal beloved characters of The Muppets and Sesame Street, and before his sudden and premature death. The story presents us 16 year old Sarah (a very young Academy Award winner Jennifer Connelly, A Beautiful Mind), who has an extremely vivid imagination she uses to escape her everyday worries... or so it seems. After asked to take care of her baby stepbrother, Toby, Sarah finds herself dealing with a screaming infant, instead of wondering away in her thoughts to a world filled with Goblins, Yeti-like creatures, and a King Atrhur-ish talking dog. After several lacking attempts at calming the baby down, she wishes Toby to the evil Goblin King Jareth. Fantasy and fiction clash when Jareth (the one and only rock singer David Bowie, who appears on screen with an extravagant 80's outfit and some cute yet unnecessary songs) actually takes Toby away to his evil kingdom, where he threatens to transform the baby into a Goblin, if Sarah won't find a way to cross a tricky and mystical Labyrinth on the way to his kingdom. Determined to save her brother, Sarah makes her way through the Labyrinth, meeting helpful friends along the way, whilst magical fantasy happenings occur around her...
This is a true 1980's gem. Treat it with care, and enjoy!
The saddest thing about all this is that no one seems to make films like Labyrinth anymore. Viewing it again at the age of 25 just made me appreciate it even more, for all of it's breathtaking imaginative figures, rich scenery and original plot; especially when some of the scenes seem somewhat dated while the essence and heart of the film remain in tact, even twenty years down the road.
In short, Labyrinth is one of Jim Henson's last attempts at creating cross-age entertainment through his world famous puppets, after bringing life to the eternal beloved characters of The Muppets and Sesame Street, and before his sudden and premature death. The story presents us 16 year old Sarah (a very young Academy Award winner Jennifer Connelly, A Beautiful Mind), who has an extremely vivid imagination she uses to escape her everyday worries... or so it seems. After asked to take care of her baby stepbrother, Toby, Sarah finds herself dealing with a screaming infant, instead of wondering away in her thoughts to a world filled with Goblins, Yeti-like creatures, and a King Atrhur-ish talking dog. After several lacking attempts at calming the baby down, she wishes Toby to the evil Goblin King Jareth. Fantasy and fiction clash when Jareth (the one and only rock singer David Bowie, who appears on screen with an extravagant 80's outfit and some cute yet unnecessary songs) actually takes Toby away to his evil kingdom, where he threatens to transform the baby into a Goblin, if Sarah won't find a way to cross a tricky and mystical Labyrinth on the way to his kingdom. Determined to save her brother, Sarah makes her way through the Labyrinth, meeting helpful friends along the way, whilst magical fantasy happenings occur around her...
This is a true 1980's gem. Treat it with care, and enjoy!
'Labyrinth' has deep symbolic and psychological significance. It's about a girl going into the fantasy world to work through her issues and fears about growing up. In her room there are all the different creatures/toys etc found in the labyrinth and books from which the symbolism of the labyrinth is taken. Some themes in the movie reminded me of 'The Phantom of The Opera', because it involved a labyrinth, The Goblin King is a musician and a magician and he's in love with a young girl. This movie can be seen on several levels: first, as a children's movie, but also as a movie for grownups, because there are some universal lessons that everyone can learn from it...this movie is so magical and wonderful...the characters in the labyrinth are truly fantastical...I saw this movie in 2006, but i still love it very much and I wish i saw it when i was younger...I probably would have loved it even more, if that's possible :D
In case anyone is interested in the symbolism of Labyrinth and it's characters, here are some interesting links:
http://www.katiescarlett.co.uk/ http://www.oddpla.net/realm/ http://www.angelfire.com/mi2/lorelei/littlemagpie.html http://www.angelfire.com/mi2/lorelei/labyanalysis.html
In case anyone is interested in the symbolism of Labyrinth and it's characters, here are some interesting links:
http://www.katiescarlett.co.uk/ http://www.oddpla.net/realm/ http://www.angelfire.com/mi2/lorelei/littlemagpie.html http://www.angelfire.com/mi2/lorelei/labyanalysis.html
¿Sabías que...?
- CuriosidadesThe owl in the title sequence is computer generated. The first attempt at a photo-realistic CGI animal character in a feature film.
- PifiasWhen Sarah shatters the glass bubble, she is clearly suspended on wires.
- ConexionesFeatured in Saturday SuperStore: Episodio #5.10 (1986)
- Banda sonoraChilly Down
Performed by David Alan Barclay, Karen Prell, and Rob Mills
Written by David Bowie
Produced by David Bowie and Arif Mardin
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Detalles
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 13.723.253 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.549.243 US$
- 29 jun 1986
- Recaudación en todo el mundo
- 14.732.869 US$
- Duración
- 1h 41min(101 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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