Destroyer (Brazo de acero)

THIS is a totally awesome, adrenalin rushing, down and dirty in-your-face 80's Italian exploitation effort, but of course you have to be cautious who you may recommend it to! If you're, for example, attending a convention for people with an enormous IQ and you got a couple of hours to kill, you probably shouldn't suggest watching "Fists of Steel" because the script's intellectual value is rather questionable. Or in case you're a guest at a feminist gathering, I wouldn't advise mentioning "Fists of Steel" neither, as the film is literally stuffed with macho characters and typically male showdowns. In fact, to put it rather bluntly, "Fists of Steel" is a movie for guys, and preferably guys that like their heroes invincible, their women docile, their action & violence graphic & plentiful and their dialogs and story lines rudimentary. I'm not implying you have to be a retard in order to enjoy this film (otherwise, I'd be one myself) but it's merely a relaxing and undemanding film to watch after a hard day's work or together with a group of friends where there's loads of beer and pizza.

"Fists of Steel" is basically an attempt to cash in on the huge success of James Cameron's "The Terminator", but without the rather complex time-traveling structure and advanced character developments. In futuristic America, where acid rain hurtles down daily and breathing poisonous air may kill you, beefcake Cyborg Paco Querak is programmed to terminate a blind & crippled environmentalist whose movement is seriously annoying big-shot industrialist John Saxon. However, Paco's conscience prevents him from finishing the job and he flees into the Arizonan desert. He entrenches himself in a cheap & sleazy motel where he falls in love with the friendly owner, arm-wrestles against aggressive truckers and patiently awaits the army of hired killers to come after him. There isn't a single moment of dullness in this movie and I was actually sad when it finished. The arm wrestling contests are incredibly entertaining to behold (muscles all over the screen), the car/truck/helicopter chases are extremely exciting and the fistfights are so harsh you can almost feel them. Daniel Greene is more than adequate in his heroic Cyborg-role but the supportive cast is even better with the almighty John Saxon as the über-bad guy, George Eastman as the jealous lead-trucker and Claudio Cassinelli (who sadly died during shooting) as one of the relentless hit men. Cassinelli's untimely death clearly caused a scripting problem, as his character is killed off screen. As always, Sergio Martino's direction is fast-paced and competent but nothing more than that. He was one of Italy's busiest and most versatile directors during the 60's, 70's and 80's, so don't expect too much typical trademarks or personalized styles as he just wanted to finish the job quick and proper. Claudio Simonetti, the multi-talented brain behind cult band Goblin, was in charge of the music and that's another reason for avid fans of Italian exploitation film to track this puppy down. Great testosterone-driven entertainment, love it or hate it!

Oh, man. If you haven't seen HANDS OF STEEL, you are doing yourself a great disservice. This movie is amazing. You'll laugh. You'll scratch your head in confusion. You'll laugh some more. It's a science fiction/action film from director Sergio Martino, released in 1986. I'm assuming it was straight-to-video but I would totally pay to watch it on a big screen with an audience. This movie starts off nuts and only gets crazier from there. Our hero in this near future is Paco Queruak (Daniel Greene), a cybernetic assassin with a heart of gold. We meet him at the start of the film as he's about to complete an assignment; he's been ordered to murder an old, blind politician/environmentalist. Paco appears to complete his mission and goes on the run. Why go rogue? Because he had a change of heart and left the old man alive, and now Paco is the target of both the authorities and the organization who hired him. He leaves town, braving the acid rain (because it's the future and the environment, while appearing absolutely normal at a glance, has fallen on hard times) to hide out in the Arizona desert. He finds shelter with innkeeper Linda (Janet Agren) at her little highway outpost, a quiet place with the exception of the constant prostitute traffic and nightly truck driver arm-wrestling competitions. Paco seems hopeful to start a new, nonviolent life in the desert, but if the organization he betrayed doesn't get to him his new arm-wrestling nemesis Raul Morales (George Eastman) will.

HANDS OF STEEL has everything you could want: cyborgs, future stuff, strippers, violence, unintentional comedy, and loads of arm wrestling. Still not convinced you need to watch it? How about this: at one point, Paco karate chops the head off a snake. If you're not the least bit curious yet, you've got less humanity than Paco's forearms. Paco Queruak is an unsung hero of the action-packed '80s. HANDS OF STEEL is a faded jewel buried beneath a decade of low-budget genre films just waiting to be discovered. What are Paco's intentions? Who is this mysterious (and obviously well-funded) organization behind his enhancements and what did they have against the old, blind environmentalist? Why does Raul insist on tormenting a man who has proved he could twist him into a man-pretzel without breaking a sweat? Does anyone else think that one guy chasing Paco throughout the movie with the sunglasses looked like the butler from "The Nanny" with a beard? To the point of distraction? Prepare for none of these questions to be answered. They keep the premise simple. Paco was supposed to kill a man. He didn't. He's gone off the grid and the organization needs to kill him before the government gets ahold of him and realizes they've created a cybernetic assassin. Then Linda enters the picture and shows Paco friendship or love or something and gives him a reason to fight. Also arm wrestling. This movie has an obsession with arm wrestling.

You see, Linda's inn has competitions between the local truck drivers every night where they compete for who has the strongest forearms. The reigning champion is a beast named Anatolo Blanco but that doesn't stop Raul from running his mouth because he's second-best. He's loud, obnoxious, and a little too handsy with Linda for Paco's tastes. So there's some animosity between the two men right away and Raul, lacking the sense of self-preservation shared by everyone else in the bar, makes it his life mission to harass Paco. There is a fantastic sequence in the second half of the film where Raul organizes a trap that involves a bunch of locals, a car, a tape recorder, and feigned child endangerment to lure Paco out into the open. Dude, Raul is a drunken halfwit. Where did he find the competence to put this scheme together? Neither HANDS OF STEEL nor I know or care. You question every miraculous judgment call that leads to plot advancement and you'll miss out on all the fun. And a lot of the fun is in the details. I love how this movie is set in a near distant future where it's advanced nature manifests as a (single) futuristic car, a laser cannon, and a pair of cyborgs while literally everything else is so very '80s. I love how the baddies have shotguns that double as rocket launchers; seriously, you just shove the mini- rocket into the end of the barrel and pull the trigger (future magic!). I loved the fight between Paco and Suzie, the even cooler cyborg assassin disguised as a prostitute. I love Daniel Greene's wooden performance as Paco set against George Eastman's manic Raul.

But what I love most of all is that HANDS OF STEEL, like many Z-grade action films I've watched, set itself up for a sequel. At the very end right before the end credits roll, we get a final title card that warns us the movie served as the start of the cyborg era. That's right, Paco was only the first. And we'll never know how it went down from there. But at least we have HANDS OF STEEL, the tale of Paco Queruak and his battle against that jerk at the truck stop in which he karate chops the head off a snake.

Developed by an evil organisation, cyborg Paco Queruak (Daniel Greene) is sent to assassinate a political activist but resists his programming at the last moment. On the run from both the FBI and those who created him, Paco finds employment with Linda (Janet Agren), the beautiful owner of a remote roadside bar and motel. His solitude is short-lived, however, when he comes to blows with local arm-wrestler Raul Morales (George Eastman) who isn't best pleased about Linda's handsome new lodger and who will do whatever it takes to be rid of him.

Unlikely to appeal to most casual movie viewers, Hands of Steel should prove to be of most interest to those with a particular fondness for cheap European sci-fi/action nonsense from the 80s, featuring as it does many a familiar name from the genre. In addition to exploitation legend Eastman (Anthropophagus) and Fulci star Agren (City of the Living Dead), Hands of Steel's cast includes Euro-cinema regulars Claudio Cassinelli (who sadly died during production), Donald O'Brien and John Saxon, all of whom have starred in more than their fair share of Italian schlock.

Seasoned writer/director Sergio Martino approach lacks finesse and style but is still reasonably fun, the cheap and cheerful nonsense on offer including a perilous drive through an acid rain storm, a hilarious arm-wrestling bout involving rattlesnakes, an unforgettable smack-down against a female cyborg wearing a nappy and a plastic skirt, a ridiculous action packed finalé in which Paco is hunted by John Saxon armed with a massive laser cannon, and a mind-numbingly dumb 'surprise' ending. Also adding to the fun: a reasonable rip off of the self-surgery scene from The Terminator by Italian FX man Sergio Stivaletti and a nifty synth score from Claudio Simonetti (of Goblin fame).

If you were to have watched this film when it was released, you'd have probably thought it was OK, or been a little disappointed. But watch it now, in 2017, and it takes on a whole different identity.

Hands of Steel is just a pure cheese fest of 80's stereotypes. The fight scenes are badly choreographed, the shoot outs have over the top sound effects dubbed on, magazine clips that never run out, and helicopters that seem to be able to withstand hundreds of bullets with no effect. The bad guys are even worse shots than in Commando!

The music and sound effects are typically and wonderfully 80's, and the script has to contain some of the corniest lines ever. And when they unleash the 'futuristic' laser weapon.. well, that was the final touch of perfection for me!

If you loved the 1980's and the action films it produced, then you will absolutely love Hands of Steel. I have never smiled and laughed so much watching a film in a long time. It's fantastic!

Watch it with a few friends and some beers, and you're guaranteed a fantastic evening.

The year 1997 : the guardian of the future is much more than a human being... There an evil international industrialist , the arrogant Francis Turner (John Saxon) is determined to terminate the interference of a world-leading ecological scientist (Franco Fantasia) , so he assigns the ace hit killer-cyborg Paco Queruak (Daniel Greene) to murder him . However, things go wrong . As Paco is 30% human, 70% robot, 100% lethal , but then the human side takes over and he refuses to execute his mission. Paco flees to Arizona where he has to take on his opponents ; and ultimately choose between his humanity and robotic natures .

Thrilling , stirring and exciting Cyborg movie with unstopped action , snappy pace , top-rate fights , shootouts , fierce combats and breathtakingly spectacular scenes . It contains traditional and abundant FX perfectly adapted to the noisy action , adding appropriate make-up by specialist Sergio Stivaletti . Vendetta dal futuro (1986) is derivative and rip-offs other American film as Terminator and Over The Top , these were Sergio Martino's influences for the film. Expert filmmaker Sergio Martino relates the uneven , but attractive story at a quick pace by staging compellingly some rousing set pieces , showing breathtaking Arizona desert locations , and he maintains intrigue and surprises throughout, resulting in a dynamic and twisted final . There's a charming cast of familiar Italian B-pic veterans and packing a good support that helps a lot : as a passable acting by the beefy American Daniel Greene as the resourceful cyborg who has been programmed to eliminate the leader of an ecological faction that stands in the way of the dystopian country in which the story is set. Along with the tall George Eastman or Luigi Montefiori in smoothly nasty form excels as an obnoxious wrestling trucker , the lovely Janet Agren as likable motel owner Linda, Donald O'Brien has a swift bit as bitter crippled scientist and unfortunately co-star Claudio Cassinelli died in a helicopter crash on July 12, 1985, during shooting in Arizona .

It displays colorful and adequate cinematography by the good professional cameraman Giancarlo Ferrando , shot on location in Arcosanti , Navajo Generating Station, Page, Lake Powell, Vermilion Cliffs National Monument, Arizona, The Domes, Casa Grande,Arizona, USA and studios from Incir De Paolis Studios, Rome, Lazio, Italy . Moving and moody score by Claudio Simonetti in his habitual funky style, including ordinary leit motif , composed by means of synthesizer . The motion picture was professionally directed by Sergio Martino who delivers the goods with skillness and aplomb enough . Competently directed by the prolific filmmaker Sergio Martino who usually uses pseudonym as Martin Dolman . Talented and versatile writer/director Sergio Martino has made a vast array of often solid and entertaining films in all kind of genres as horror , Giallo , comedy , Western , and science fiction in a career that spans over 40 years . He was especially expert on Western as proved in ¨Mannaja¨ and this ¨Arizona returns¨ , Giallo such as ¨The case of scorpion's tail ¨ , ¨Torso¨ ,¨the scorpion with two tails¨ , ¨The strange vice of Mrs Ward¨ , Cannibal movies such as "Mountain of the Cannibal God", Italian crime thrillers as "Violent Professionals" and ¨Sci-Fi as ¨Destroyer¨ , "2019: After the Fall of New York" . Rating: 6/10 , acceptable and passable , this is a great Sci-Fi Ravioli in which the camera stalks in adequate style throughout a story with decent visual skills . This is a bewildering story , enjoyable as well as violent , and it will appeal to Italian hardcore fans . A hugely amusing flick.