Un policía debe proteger al único testigo superviviente de un extraño culto asesino con planes a gran escala.Un policía debe proteger al único testigo superviviente de un extraño culto asesino con planes a gran escala.Un policía debe proteger al único testigo superviviente de un extraño culto asesino con planes a gran escala.
- Dirección
- Guión
- Reparto principal
- Premios
- 6 nominaciones en total
Art LaFleur
- Captain Sears
- (as Art La Fleur)
Marco Rodríguez
- Supermarket Killer
- (as Marco Rodriguez)
Brad Bovee
- Innocent Bystander
- (as Bradley Bovee)
Reseñas destacadas
This film deserves much more credit than it has received. Stallone is looking great with tight jeans and stubble chewing on a matchstick which comes in handy in the final bloodshed showdown. Stallone plays Marion Cobretti in a superb action packed thriller filled with one liners in a funny relationship with his partner played by Reni Santoni, sexual tension with his female witness in protective custody played by his then wife Brigitte Nielsen and a raging fury from Stallone intent on eliminating the ruthless killers headed by Brian Thompson (Arnold Schwarzenegger rips his heart out in The Terminator and Jean-Claude Van Damme knocks him out with one kick in Lionheart). These people mean business and Andrew Robinson (Scorpio in Dirty Harry) thinks that a subtle solution can easily be thought of to take them out but it is only Stallone's violent tactics that can ultimately save the day. Essentially Rambo with a badge with the heart of Rocky. Stallone fans will be very pleased in a film that combines all areas of cinema, not just action. Comedy, romance and a great cast complement this already excellent film that Stallone has written which incorporates material from Beverly Hills Cop when he was meant to play Axel Foley. Better that Eddie Murphy Played it because Stallone has a chance to make this two years on. Trivia: Eddie Murphy looks at the Cobra poster in Judge Reinhold's bedroom in Beverly Hills Cop II that Brigitte Nielsen is also in. If you like the Dirty Harry films, Steven Seagal cop films and a Stallone fan in general this is a great film with an excellent soundtrack. Talking of Steven Seagal and soundtrcks, on the trailer for Seagal's Marked For Death it features "Chase", a Sylvester LeVay track from Cobra.
Continuing my plan to watch every Sly Stallone movie in order, I come to Cobra.
Plot In A Paragraph: Cobra (Stallone) a tough cop, who does things his own way, must protect a witness from a murderous gang led by the Night Slasher
This was Sly's attempt at a Dirty Harry type movie/franchise (right down to the opening, outright ripping off Magnum Force's opening) However an out of control ego (Its rumoured none of the supporting cast or crew were allowed to talk to Stallone during filming, insisting on his then wife being the female lead) and an attempt to make more money costs the movie dear.
The original cut over the movie was over 2 hours long. Due to concerns it might not be a hit, the final cut was 84 minutes, thereby increasing the number of screenings per day. Some of the more violent scenes were also cut to get a lower rating. A lot of plot was either removed or sped up while most of the violence and nearly every death was edited or depicted off-screen, resulting in numerous continuity errors and plot holes.
We never find much out about the axe banging cult (a mix of business men in suits and tough bikers who all brandish the same tattoo) or the "New World" that the main villain talks about. What we do get is a lot of montages, with Sly looking tough and moody behind his shades or cool and moody behind his shades. Stallones new wife (Bridgette Neilson) isn't left out either, she gets a solo montage of her modelling various outfits during a photo shoot.
George P Cosmotos (Rambo: First Blood Part 2) was directing Stallone again, and (like in their previous collaboration) he does a good job of making Stallone look good. Which, along with the fact that Stallone could control him, is probably why he was hired. The movie is based on the novel 'Fair Game', once Stallone had rewrote it (which seems to be a bad habit of his) it bears zero resemblance to the source novel.
Whilst it has a few good lines, most of the dialogue is awful, and it is poorly acted by most of the cast, and the less said about some of the editing the better!! Stallone does what he does best, (although the one man army works well with Rambo, it's laughable here) and looks cool doing it. But this is an average, forgettable 80's flick at best, when it could have been so much more.
Plot In A Paragraph: Cobra (Stallone) a tough cop, who does things his own way, must protect a witness from a murderous gang led by the Night Slasher
This was Sly's attempt at a Dirty Harry type movie/franchise (right down to the opening, outright ripping off Magnum Force's opening) However an out of control ego (Its rumoured none of the supporting cast or crew were allowed to talk to Stallone during filming, insisting on his then wife being the female lead) and an attempt to make more money costs the movie dear.
The original cut over the movie was over 2 hours long. Due to concerns it might not be a hit, the final cut was 84 minutes, thereby increasing the number of screenings per day. Some of the more violent scenes were also cut to get a lower rating. A lot of plot was either removed or sped up while most of the violence and nearly every death was edited or depicted off-screen, resulting in numerous continuity errors and plot holes.
We never find much out about the axe banging cult (a mix of business men in suits and tough bikers who all brandish the same tattoo) or the "New World" that the main villain talks about. What we do get is a lot of montages, with Sly looking tough and moody behind his shades or cool and moody behind his shades. Stallones new wife (Bridgette Neilson) isn't left out either, she gets a solo montage of her modelling various outfits during a photo shoot.
George P Cosmotos (Rambo: First Blood Part 2) was directing Stallone again, and (like in their previous collaboration) he does a good job of making Stallone look good. Which, along with the fact that Stallone could control him, is probably why he was hired. The movie is based on the novel 'Fair Game', once Stallone had rewrote it (which seems to be a bad habit of his) it bears zero resemblance to the source novel.
Whilst it has a few good lines, most of the dialogue is awful, and it is poorly acted by most of the cast, and the less said about some of the editing the better!! Stallone does what he does best, (although the one man army works well with Rambo, it's laughable here) and looks cool doing it. But this is an average, forgettable 80's flick at best, when it could have been so much more.
Walking away when his ideas for "Beverely Hills Cop" were rejected by the producers, and replaced by Eddie Murphy, Sly Stallone held the middle-finger up high and wrote the screenplay and starred in "Cobra", where he pumped in the action, violence and ideas he had had for "Beverely Hills Cop". The result is what you would expect from the man riding high on his roles in the "Rocky" franchise and "First Blood". Stallone struts around chewing on a match, wearing slick, tight clothes and muttering cheesy lines like "You're the disease, I'm the cure" and racks up a body-count of 40 plus with his Jatimatic submachine gun - a very quirky weapon that never saw mass-production. The film also contains the most outrageous hand-break turn in cinema history. Stallone plays Marion Cobretti - the cop LAPD call in when they are dealing with situations that no other cop can deal with, apparently. Essentially, they just call him in when they want some dirt bag laced with bullets. There's an apparent serial killer on the loose in LA, slashing random people to death. When the model Ingrid (Brigitte Nielson) sees the culprit in action, she becomes the next target, and Cobretti is detailed to protect her. It turns out that they are not dealing with one twisted killer, but a whole legion of them, and they are organised and even have connections...
"Cobra" was never going to be more than braindead action but that is the appeal, and Stallone never has notions beyond that. He set out to make and star in the film he wanted, which is a credit to him. He shamelessly turns himself into a marketable product like Pepsi and Coors - two brands that feature throughout the movie - but what a fun, testosterone-dripping piece of work this is; a quintessential '80s action movie. According to the trivia section on IMDb, Sylvester Stallone complained to cinematographer Ric Waite that they were falling behind, and said he and his crew needed to work harder. Waite reportedly responded by saying that maybe if Stallone "gets his hands off Brigitte Nielsen's ass and stops showing off to his bodyguards" then maybe they'd be up to speed! Yes sir, that about sums it up.
"Cobra" was never going to be more than braindead action but that is the appeal, and Stallone never has notions beyond that. He set out to make and star in the film he wanted, which is a credit to him. He shamelessly turns himself into a marketable product like Pepsi and Coors - two brands that feature throughout the movie - but what a fun, testosterone-dripping piece of work this is; a quintessential '80s action movie. According to the trivia section on IMDb, Sylvester Stallone complained to cinematographer Ric Waite that they were falling behind, and said he and his crew needed to work harder. Waite reportedly responded by saying that maybe if Stallone "gets his hands off Brigitte Nielsen's ass and stops showing off to his bodyguards" then maybe they'd be up to speed! Yes sir, that about sums it up.
What was Stallone thinking of when he wrote this? Everyone in this movie is an idiot, and there's no one sympathetic. Robinson's liberal character just seems to be in the movie so he'll get punched at the end. Cobra is a particularly repulsive character - the first glimpse of him shows a close up of his five o'clock shadow, uncombed hair, and a match in his mouth - ugh! Stallone has an acceptable voice in real life, but he gives Cobra a low, sometimes hard to make out, groan in his voice that makes it sound like he's talking in his sleep. The bikers are stupid even for bikers - why do they clank axes over their heads? Why don't they get out of the way when Stallone machine guns from the truck near the end? Movie also contains some of the most blatant product plugs in history, for Pepsi and "Toys R Us" (the latter by playing an _entire commercial_ on a TV Cobra watches.)
However, I will freely admit that I enjoyed COBRA - as a so-bad-its-good movie. Sure you'll groan several times - but you'll also find a lot of unintended laughs and giggles. It's even funnier than it could have been, because Stallone writer/star and director Cosmatos take the movie incredibly seriously. Plus, the fact Menahem Golan and Yoram Globus produced it makes it a must see. It should be noted, however, that the cinematography isn't bad, and a few action sequences are acceptable as well.
However, I will freely admit that I enjoyed COBRA - as a so-bad-its-good movie. Sure you'll groan several times - but you'll also find a lot of unintended laughs and giggles. It's even funnier than it could have been, because Stallone writer/star and director Cosmatos take the movie incredibly seriously. Plus, the fact Menahem Golan and Yoram Globus produced it makes it a must see. It should be noted, however, that the cinematography isn't bad, and a few action sequences are acceptable as well.
I do believe that "Cobra" first-appeared in theaters after the three or four Rambo films came out.This is definitely not Stallone's worst Film. It was deemed as one of the most violent, offensive mainstream movies of its era (1986) however it's a great flick for fans of exploitive films. After all how can you shy away from lines like: "You're the disease. I'm the cure." "This is where the law stops, and I begin." And there are some members from the old "Dirty Harry" cast, like Andrew Robinson, who played the vicious serial killer. Anyhow, it's worth the time to waste to catch it on cable or rent for 50 cents.
¿Sabías que...?
- CuriosidadesA very rare workprint of the movie has circulated among fans. Although most copies are poor quality, it has 30 to 40 minutes of footage not available in any other version. It also has all of the X-rated material removed from the final release.
- PifiasIn the scene where he bumps the "hispanic gangsters" car to park his car and he argues with them, and tell them "he's bad for their health" he rips the mans white undershirt and a taped lapel mic is clearly visible on the mans chest, and again in a subsequent scene
- Citas
Marion Cobretti: You're a disease, and I'm the cure.
- Versiones alternativasIn early 1990's, a different version of Cobra was broadcast on TV. Here is the list of differences between normal version and TV edit: 1.Opening hostage scene: Alternate shot when gang member shoots with his shotgun. He shoots 2 times on fruits, but in TV cut one of these is close up shot of fruits exploding. Alternate dialogue. TV Cut - "You lookin at the brave hunter!" DVD Uncut - "You lookin at the fuckin hunter!" Close up of knife in gang members belly is cut. Line: "Don't listen to this asshole" from Gonzalez is cut. 2.Cobra arrives home: Extra few seconds dialogue scene during the Cobra's argument with low rider. Cobra turns around and says something like: "Don't dirty America, keep it clean." Cobra talks briefly with old janitor: "How you doin'? You're doing really good job here," then crosses woman coming down the stairs with her dog, checks his mailbox and goes to his apartment. Song "Suave" is playing longer in this extended scene. 3. Aftermath of first murder: Extra scene after the first Nightslasher murder in which young Asian kid brings box in police station. Cop tells the kid to stay inside and go pick himself one of the toys from the box on the other side of the room. While kid is checking the toys, cop takes the box and sees blood dripping from bottom. He then receives a phone call in which Nightslasher says something like: "Her hands are with you, but her soul is in the new world." Cop tells some other cop to trace the call and scene cuts to the regular autopsy scene. 4. Gang during the day: After Cobra shoots paper target, an extra scene is shown. Nightslasher is at his day job cutting fish in some factory, sniper guy is working in some garage and there is a shot of him looking at electric wires. In the police precinct where Cobra shoots the target, a side view of some police officers' hands and forearms is shown while they are shooting paper targets. One of them is shown with the gang's tattoo, a skull with axes, on his forearm. Couple shots of gang performing their "axes and hammers" ritual are also shown. Music during these scenes is the same one that was used for opening credits. 5. Ingrid in the studio/parking lot attack: In the photo studio, Ingrid is asked to go to a party, but she refuses. Rashe, the photographer, talks with her a bit, and Ingrid requires a security guard to go with her to her car because she feels nervous. Death scene of guy with the glasses is cut. Death scene of security guard is cut. He is not shown getting hit by the van. 6. Slasher's place/Hospital: Shot of Nightslasher cutting his finger is cut. Alternate dialogue: TV Cut - "Friggin' liar." DVD uncut - "Fucking liar" 7. Attack on Cobra: Extended version of apartment attack. Sniper arrives in the car, guy on the street looks at Cobra's place and puts his mask on. Two shots of two guys climbing up the stairs armed with axes are shown. They continue to climb and then cut the light while sniper is looking from his car. Later when he sees one of the guys shot by Cobra falling down, sniper starts the car and escapes. Some violence and blood are cut during the fight between Cobra and gang members. 8. Hospital attack: Shot of Nightslasher walking across the hallway with blood on his glove holding the knife is cut. Alternate shot of Cobra's arrival. Close up of Slasher's bloody glove is cut. 9.After the attacks: Alternate dialogue: TV cut - "Damn." DVD Uncut - "Goddamn." Line "Enough of this bullshit" from one of the cops is cut, instead he talks longer with Cobra. 10. After the chase: Extended scene where Cobra says that there is leak in the police, bald cop asks him a question. 11. "Feel The Heat": Extended dialogue between Cobra and Ingrid during the drive where he says that he never left California, and after some more dialogue, Cobra says some joke about football that ends with line "Have you seen my legs?" In restaurant, Gonzalez asks Stalk will she sexually assault him afterwards. After Cobra and Ingrid start to kiss, there is extra shot showing some old guy watching the motel from his house across the street and pulling the curtain. 12. Town attack: Extra scene where old guy is watching "DIAL M FOR MURDER" on TV. Some wires are shown being cut. Woman is washing dishes in a kitchen. Sniper is shown behind the window. Somebody catches women's hair from behind. Shots of old man watching TV and smoking pipe are shown, woman's shadow is shown while she is killed and the killer's shadow, considering the haircut, implies that killer is Nightslasher. Sniper breaks window with axe, old guy is strangled quickly, his pipe falls down to the ground, close up shot of a parrot getting nervous is shown, and then zoom on sniper face. 13. Final showdown: Death scene of sniper is cut. Shots of him burning alive are cut. Nightslasher's death scene is cut. He is only shown impaled for a few seconds, but the parts of him hanging on hook, screaming, going into fire and getting burned are cut. Extra scene after the shootout. Cobra and Ingrid are walking out of the factory when three cops show up and point shotguns at them. Cobra then says: "You guys missed the hell of a party." He also tells them that he is a cop, and when one of the other cops says that he wants answers now, Cobra says something else and then leaves.
- ConexionesFeatured in Jean Beauvoir: Feel the Heat (1986)
- Banda sonoraFeel the Heat
Produced, Arranged, Composed and Performed by Jean Beauvoir
Courtesy of Columbia Records and Virgin Records
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Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
We're celebrating the iconic Sylvester Stallone with a look back at some of his most indelible film performances, from Rocky and Rambo, to Joe in the new superhero movie Samaritan.
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Cobra
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 49.042.224 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 12.653.032 US$
- 25 may 1986
- Recaudación en todo el mundo
- 49.044.608 US$
- Duración
- 1h 27min(87 min)
- Color
- Relación de aspecto
- 1.85 : 1
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