Los Kray

I watched the film in the context of a historical study into London and its underworld from the 18th to 20th centuries, so I apologise in advance if this review seems overly academic.

The Krays were a fascinating pair, and this film shows the continuing interest in their lives and crimes, which has continued past their deaths. The film accurately shows the individual quirks and fascinations of the brothers while remaining a drama, rather than a documentary (and there are quite a few about).

The enormous presence of the Krays in London history is proven by the Monty Python sketch on the Pirhana Brothers, Doug and Dinsdale - made a single year after the Krays were imprisoned. If you don't know it, it's worth a look-see.

Martin and Gary Kemp, seasoned performers themselves were chillingly well-cast as the twins, who used the media themselves to promote their place as "Diamond Geezers" in East End London. The Krays themselves served as advisors on the film, with the Kemps visiting them in prison to meet and learn about their role from them.

From what I've read about them, I think the Krays would have liked this film about them, especially that proper brothers - twins, in fact - were playing them.

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By the way, the copy of the film I borrowed had a special cover which had a pocket over the name "The Krays" with 'blood' (red fluid) in it. It suited the film and subject matter well - one up for the designers.

I saw this British crime biography in the cinema 20 years ago, on its release. I'd not seen it since, until getting it on DVD.

It was striking then how perfectly cast the Kemp brothers were, as the violent twins. Core members of the 1980's pop group Spandau Ballet, it was an eye-opener that they had another string to their bow and in contrast to their fresh pop image.

The film's aged well. Martin Kemp (Reggie Kray) kept up his acting career with popular soap operas (Eastenders) though I'm not sure what Gary (Ronnie Kray) has done since. They both have a slimy sort of adhesion as blood brothers and as the gangsters they both compel - and appal.

Billie Whitelaw's performance as their strong, iron-lady of a mother, Violet, who held the family together through the blitz and rationing, was always held in high esteem. The Kray men of that era come across as weak, ducking active war service and work, which embittered Violet, her mother and her sisters.

Thus, she had such high hopes for her twin boys. Bearing comparison to Margaret Wycherly's 'Ma' in the 1949 James Cagney crime thriller, 'White Heat' the bond becomes above all else. The apron strings are bullet proof, it would seem. Having somewhat grown up myself in the interim between viewings, I saw more into Kate Hardie's character who played Reggie's wife, Frances. Cast under a long shadow, below the 'Firm', Reggie's brother and certainly far below Violet, poor Frances, who annoyed me twenty years ago with her frightened whimpering excels at going from pretty girl-next-door, to trophy wife and then to tragic doormat.

Ronnie Kray's homosexuality, understandably back in the early-mid 1960's (and illegal) was cause of much of the ridicule and angst they endured from their enemies. Even back in 1990, it seemed daringly fresh to have this as part of the storyline, with scenes to match.

The film's direction and look cannot fail to be compared these days to Martin Scorsese, or, how he would have done it. This looks British; that grey-brown that these days would be digitally sourced. The acres of dull patterned wallpaper in front living rooms. The big Jaguar cars. The sun never shines in the East London street scenes, those streets seemingly familiar to Brits everywhere.

The dialogue at times seems naff and obvious, other times spot-on. Violence, when it comes is near-graphic, but maybe not up there with the barely watchable scenes of say, Scorsese's Goodfellas. I'd like to have seen more action - adding to its 115 minutes with more of the 'everyday' crime and racketeering and how they held down their much feared reputation. We do get a couple of brilliantly played nasty guys - Stephen Berkoff and Tom Bell are as despicable as any - and who have vengeance played upon them by the twins. We get no tip-offs and thus, no raids and no police. Some chase scenes might have been nice!

As a drama that reads more like a psychological profile than a straight crime thriller, then it's rarely been bettered, on either side of the Atlantic. Had it been made in the mould of the latter, then it might be better known and better remembered. I still like it, as it is, as much as I did twenty years ago.

Not bad entertainment but not good enough for a classic. Some people have mentioned that the Krays gave their approval to the script. This was a bad thing. Now they are both dead. The Kray story should be done again, probably on TV as a mini series of about 6 hours to give the whole thing justice. We could then include more details of their life of crime, their arrests and trial. The Kemp brothers do not look alike at all but the Krays also looked different as they got older. Martin Kemp would pass for Reggie if he was a bit stockier but Gary Kemp is nothing like Big Ronnie. The overall impression of the film was that they were the leaders of a gang of teddy boys rather than the biggest gangsters in London. If the story is retold we need better casting for the twins and they need not necessarily be brothers.

Before this one, speaking of British gangster epic, there was THE LONG GOOD FRIDAY, and before there was GET CARTER.... Period. Don't look further. Plus, this terrific film is the best ever made about the Krays brothers real life. The most gripping, accurate, brutal, far better than LEGEND starring Tom Hardy - who will later play AlCapone - or even better than the two other films made in the meantime, since LEGEND. Everything is flawless for me here; it remains very British whilst using the American rise and fall scheme for gangsters, in the pure Scorcese's way. I guess Peter Medak the director - usually a bland, lame film maker - was himself inspired by THE GOOD FELLAS story telling. I am sure. And why not?

A powerful film about the lives and crimes of the notorious Kray Twins. The Kemp brothers are superb as Reggie and Ronnie (and still the best film concerning their turbulent lives). The movie is almost a perfect production and dealing with a violent subject matter, that could easily have been screwed-up. The mood and atmosphere is charged and even the 'Maltese Brothers' get a mention (nice one). Two of my favourite actors Steven Berkhoff and Tom Bell, explode onto the screen!