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Stephen Frears directs this amazing adaption of a Jim Thompson book, which deals with three grifters (a person who swindles one by means of deception or fraud) who are tied to each other relationship-wise. Roy Dillion (John Cusack) is a small town grifter recuperating after a punch in the stomach for being found cheating. He finds his loyalties torn between his girlfriend and estranged mother (Annette Benning and Anjelica Huston, respectively), both of which are big time high-stakes grifters. This film is tense, exiting, and well-acted, but make no mistake about it, even though Cusack is more or less the main character, this IS Anjelica Huston's movie through and through. Her acting in this seems to shine so brightly and generally be on a higher plateau than either Cusack or Benning can hope to ascend to in the film. One of my favorite movies.

My Grade: A

DVD Extras: Commentary with Director Stephen Frears, Screenwriter Donald Westlake and Actors John Cusack and Angelica Huston; 16 minute Making of featurette; The Jim Thompson Story featurette; Publicity and Production stills); and Trailers for "Serendipity", "High Fidelity", Grosse Point Blank", & "40 Days And 40 Nights"

Eye Candy: The future Mrs. Warren Beatty shows everything

Frears's 'The Grifters' is a bizarre noir-style disturbing thriller with dark undertones of themes such as despair, greed, incest and murder. Unlike most con thrillers, this one does not focus on tricks. Rather it focuses mainly on the characters. Lilly is in it big and she needs (or wants) money. Roy is frustrated and is in an ambivalent state. Myra, uses her weapon of seduction to have her way...including getting Roy back into the game. Then there's a fourth character, money. Which tangles them into a lethal web resulting in severely extreme consequences. It starts off a little slow as the three lead characters are introduced but the pace picks up in the proceedings. The twists and layers are well done as the viewers move back and forth into hating and liking the characters. The final sequence between Huston and Cusack is among the most unsettling scenes and it was brilliantly executed. Yet, 'The Grifters' is far from my favourite Frears film. I pretty much loved his other movies like 'High Fidelity', 'Dirty Pretty Things', 'Mrs. Hendersen Presents' and so on but I felt this movie lacked something even though I myself am a big sucker for weird movies. The three leads deliver solid performances. Cusack is finely restrained and quite intense. Bening is suitably perky, slutty and malicious. Huston is a knock out as she delivers a chilling performance. The score is quite low key (usually a piano track) except during dramatic sequences. The lighting has been well done. 'The Grifters' is intriguing and quite a departure from the usual con flick. In the end, it leaves an unsettling taste.

Most films have one, and only one, protagonist around whom the story is told. But "The Grifters" has three, all of them petty swindlers, desperate for quick cash or good odds at a "long con". And it's the personal relationships among these three criminals, complex, sometimes dark, and almost always motivated by survival, that make this film a pretty good bet.

Roy Dillon (John Cusack), is a trickster, a loner, "on the grift" for the "short con", strictly a nickels and dimes man. His mom is Lilly (Anjelica Huston); she's a middle-aged lady with white hair; she's seductive, cold-blooded, and tough as nails; she's been around the block a few times. Roy's love interest is Myra (Annette Bening), a shapely, fun loving babe who uses her charms to con rich businessmen. These three people are highly manipulative and scheming, on-guard, and mistrustful of each other and the rest of the world.

The film's tone is bleak and gloomy. There's very little "heart" in this film. And that's a problem, because I found these characters not very sympathetic. They lead lives of quiet desperation, grimy and tawdry. Still, "The Grifters" is a crime story in the best tradition of Dashiell Hammett and Raymond Chandler, a pulpy melodrama about the underbelly of urban America.

The film's structure is conventional, and contains a number of flashbacks. The set-up is tediously long. The second half of the film is better than the first half, in my opinion, because the second half contains more suspense.

Dialogue is direct and tough, like when Lilly makes her point to the ambulance driver who takes Roy to the hospital and is skeptical about Roy's chances for survival: Says Lilly: "My son is gonna be alright, if not, I'll have you killed". Later, she explains the facts of life to her son: "Grifts like anything else Roy, you don't stand still, you either go up or down, usually down, sooner or later". Yes indeed, it's a tough life being a "grifter"; but Lilly is one tough broad.

The film's color cinematography is fine. And the film has a terrific title sequence and a great Elmer Bernstein score at the beginning. Editing, costumes, and production design are all credible.

If you're in the mood for a gritty, bleak story of petty criminals in a well made modern film, "The Grifters" is a good choice. As a bonus, the DVD has an exceptionally good Commentary, with insightful comments from Director Stephen Frears, and actors John Cusack and Anjelica Huston.

An interesting film. It depicts a lifestyle I have never been aware of. The sexual tension between John Cusack and Angelica Houston was amazing. The ending is indeed surprising and Houston does a good job of displaying her mixed emotions. The criminal element is cold and calculating. It shows you how one can be very detatched if need be for his or her own survival.

Man, talk about a slow-burn. Going into The Grifters I was expecting a slick and quick-paced con thriller, but what I got was something much darker and much more absorbing. Director Stephen Frears, working off a script by Donald Westlake (adapted from the Jim Thompson novel) lets these characters get established before they start to bring us into the tangled web they are all weaving.

Roy Dillon (John Cusack) is a con man pulling small jobs every day to slowly build up his savings, while his girlfriend Myra Langtry (Annette Bening) is doing anything she can to get by and his mother Lilly (Anjelica Huston) is working on a long play of her own. The tagline of "Who's conning who?" always makes me roll my eyes, but it's actually an accurate portrayal here, as these three play each other back and forth, while the film itself is pulling the veil over the audience.

The Grifters is a brooding noir that throws back a lot to the '40s and it's Hitchcock roots, including some direct homages that feel appropriate for the story rather than cheap rip-offs. The film delves into some potentially melodramatic moments at times, but Frears is able to keep things in tune with it's seething roots as opposed to letting things get too theatrical.

All three actors are working at top form here; Cusack was just starting to break out and this role should really be considered more among the best of his career, Huston steals the show in every scene and Bening (someone I've always despised) is seductive and very compelling. I thought that Bening was phoning it in a bit at first, but as more is revealed about the character you realize that she's conning herself as much as she is everyone else. Frears crafts this one with a great tone that the actors play into very well, with some powerful sexual undertones and a dynamite finale.