PUNTUACIÓN EN IMDb
6,4/10
3 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaOne last job separates the leader of the Ravens gang from an early retirement. When he finds his girlfriend beaten to death by members of a rival gang, he seeks revenge, knowing that he may ... Leer todoOne last job separates the leader of the Ravens gang from an early retirement. When he finds his girlfriend beaten to death by members of a rival gang, he seeks revenge, knowing that he may be dead by dawn. Will more blood bring her back?One last job separates the leader of the Ravens gang from an early retirement. When he finds his girlfriend beaten to death by members of a rival gang, he seeks revenge, knowing that he may be dead by dawn. Will more blood bring her back?
Maureen Allisse
- Iris
- (as Maureen Gentner)
Reseñas destacadas
If you liked playing Double Dragon on your Nintendo, you will love this movie! It's about the kind of blokes you'd have in the video game but now it's just about as psycho crazy and atmospheric as Abel Ferrara's Driller Killer. A street-brawler kid quits his gang to live with his girl, but off course it's not that easy to turn his back on the gang.. It's a very simple plot, but it has a certain style and intensity that make up for that lack of complexity. The style, to compare, is a bit between Driller Killer and Richard Kern's short films (The Hardcore Collection). A sometimes psychotic montage with lots of stylish and semi-shocking images and great action scenes with intense gore and a haunting musical score. Or maybe it was just really good weed. Who knows..
This is a particular dangerous movie for teenage boys to watch as it'll likely result in them squandering whatever industrial potential in favor of pursuing a lifetime in the arts. Jim Van Bebber somehow, with 80's technology, was able to write, direct, make special effects, choreograph the martial arts, and star-in this mini-masterpiece shot on a micro-budget.
Heavily inspired by a handful of films including THE WARRIORS and CLOCKWORK ORANGE, the film doesn't star anyone you would recognize and is set in a decaying rustbelt city Dayton, Ohio where you'll probably never go. It lacks the familiarity of Hollywood productions, or even of B-movies, and has an unrelenting ugly crudeness to it (including the acting and sound quality). It makes up for these numerous shortcomings though by being so insanely energetic and outrageous. Van Bebber's performance never wavers and his cinematographer Mike King does an excellent job capturing the fight scenes and urban blight.
This film has a lot of goofy scenes and nonsequiters but gives you the impression of some kind of underlying genius behind the whole affair. I think it's kind of a shame that Van Bebber never was able to make a big, mainstream film but then again I'm sure he would not have done well in the studio system. He comes off as something of an obsessive Orson Welles-type cinema savant who unfortunately peaked early, though his short films are even more expertly crafted.
The handmade, rough-around-the-edges quality of the film, coupled with its high entertainment value could easily inspire anyone watching the film to want to get their friends together and make a similar film. It makes the process look both fun and accessible, and personally I can say it heavily impacted my decision to get into the business (for better or worse).
Heavily inspired by a handful of films including THE WARRIORS and CLOCKWORK ORANGE, the film doesn't star anyone you would recognize and is set in a decaying rustbelt city Dayton, Ohio where you'll probably never go. It lacks the familiarity of Hollywood productions, or even of B-movies, and has an unrelenting ugly crudeness to it (including the acting and sound quality). It makes up for these numerous shortcomings though by being so insanely energetic and outrageous. Van Bebber's performance never wavers and his cinematographer Mike King does an excellent job capturing the fight scenes and urban blight.
This film has a lot of goofy scenes and nonsequiters but gives you the impression of some kind of underlying genius behind the whole affair. I think it's kind of a shame that Van Bebber never was able to make a big, mainstream film but then again I'm sure he would not have done well in the studio system. He comes off as something of an obsessive Orson Welles-type cinema savant who unfortunately peaked early, though his short films are even more expertly crafted.
The handmade, rough-around-the-edges quality of the film, coupled with its high entertainment value could easily inspire anyone watching the film to want to get their friends together and make a similar film. It makes the process look both fun and accessible, and personally I can say it heavily impacted my decision to get into the business (for better or worse).
Even without taking a look at the budget, this is one of the most amazing indies I've ever seen. The sheer energy alone bypasses the overused action plot. Kudos to whomever sat down, wrote this, and got enough time to perfect the choreography. It's more believable than most films nowadays.
See this film. Why this film isn't a classic shows that there is no justice in this world. Five stars out of four. A reason to get a DVD player.
See this film. Why this film isn't a classic shows that there is no justice in this world. Five stars out of four. A reason to get a DVD player.
While watching Deadbeat @ Dawn I was having a pretty difficult time trying to put a finger on what my feelings were about this film until Keith from the Ravens (I think that's who it was) took a swig of Jack Daniels and chased it w/ a mouth full of Bush beer. I laughed gagging (not the first and definitely not the last time while watching) because that was exactly the taste that this movie was leaving in my mouth : bitter/sour and cheap but a pretty wicked buzz after awhile. Producer/writer/director/actor/editor/stunt choreographer/ special makeup effects artist Jim Van Bebber pulls off some fairly excessive stylized screen violence w/ a minuscule budget but the weakly scripted directionless performances stretches it thin. It's amateur shines through in many scenes containing dialogue and lose editing (especially in the first half) throwing off the pacing; making a fairly short film seem long in the tooth. In the end it feels like Troma w/out any zaniness
Well a little zaniness. Ninja stars and golf club beatings are pretty zany.
This film could change your life. A friend introduced me to this movie a couple weeks ago, and not a conscious hour has gone by that I have not thought of it. If this seems remotely like your type of film (low-budget action gore) then you MUST see this. It immediately became one of my all time favorites. The cover does not do it justice. Think 'Mad Max' meets 'Polyester' meets 'Cannibal Apocalypse'... and you're sort of on the right track. Really, it's like nothing you've ever seen. I have never reviewed any films on IMDb before, with this movie I felt I had no other choice but to shout it's praises to anyone who will listen. It deserves to be legendary. Prepare to have your mind blown away.
¿Sabías que...?
- CuriosidadesShot over the course of 4 years.
- PifiasIn final scene he is bleeding onto the sidewalk in three directions, then the sidewalk is bloodless.
- Versiones alternativasDespite preparing a cuts list totalling more than 2 minutes, the BBFC banned the UK video release in 1998.
- ConexionesEdited into In the Belly of the Beast (2001)
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