PUNTUACIÓN EN IMDb
6,4/10
73 mil
TU PUNTUACIÓN
Un científico brillante dado por muerto vuelve para vengarse de los que lo quemaron vivo.Un científico brillante dado por muerto vuelve para vengarse de los que lo quemaron vivo.Un científico brillante dado por muerto vuelve para vengarse de los que lo quemaron vivo.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 8 nominaciones en total
Professor Toru Tanaka
- Chinese Warrior #2
- (as Prof. Toru Tanaka)
Reseñas destacadas
I liked this movie because it showed the consequences of being vengeful. Peyton Westlake was a scientist who experimented with artificial skin and hoped to perfect it to help burn victims. When he was mutilated and burned beyond recognition by Robert Durant. He turned his experiment into a weapon of revenge. He would disguise himself as his enemies and turn Durant's criminal organization against itself.
As he goes through this Westlake becomes Darkman. He no longer cares about helping humanity, but only about getting revenge. His soul loses everything that made him a man, and in the end he's a killing machine. He's just as bad as those who made him that in the first place.
But that's why I liked the movie. It doesn't glorify vengeance seeking, instead it shows the reality and consequences. Seeking revenge doesn't just hurt your enemy, it hurts you as well.
As he goes through this Westlake becomes Darkman. He no longer cares about helping humanity, but only about getting revenge. His soul loses everything that made him a man, and in the end he's a killing machine. He's just as bad as those who made him that in the first place.
But that's why I liked the movie. It doesn't glorify vengeance seeking, instead it shows the reality and consequences. Seeking revenge doesn't just hurt your enemy, it hurts you as well.
This movie might have joined the ranks of the utterly forgettable Z-movies of the genre had it not been for excellent direction, superb characterization, and outstanding acting on the part of Liam Neeson, who played Peyton Westlake/Darkman, and Larry Drake, who played his enemy, the arch-villain, Durant. The movie presents the destruction of a man by a psychopathic monster for utterly trivial reasons -- and makes it clear that however horrifying the physical damage perpetrated on Peyton Westlake by Durant's minions might be, the effect on his soul and spirit is far worse. At the same time, it showed that in spite of what happened to him, Westlake/Darkman was able to rise above it at least enough to choose the life of a giver of justice rather than one of evil, as the physically unscarred drug-lord Durant & Co., the _real_ monsters in this film, had. This film does _not_ glamorize psychopathic, criminal violence in any way, but rather shows it for what it really is: repellant, ugly, and contemptible, destroying life and everything that supports it without a qualm for no better reason than cheap thrills or a very minor profit. This is _not_ a typical Hollywood film, nor just a cheap garage-flick monster movie special. It shows with graphic realism exactly what is left when conscience, civilization, and the rest of the more delicate mechanisms that constitute our humanity are stripped away: pure beastliness, without glamour and without redemption of any sort. -- And it shows, as well, that even when everything is taken from a man, he can rise above it, choose to remain a man, however damaged, rather than sinking down to the level of the beast.
Of all the super-hero movies around, "Darkman" is my favourite. An original creation from Raimi, and not based on any comics, "Darkman" follows the story of Dr. Peyton Westlake, a scientist about to make a breakthrough in synthetic skin. Peyton's girlfriend, Julie Hastings is a hot-shot lawyer who gets on the wrong side of Robert G. Durant. Durant and his henchmen destroy Peyton's lab, and leave him for dead. Horribly burned and scarred beyond recognition, Peyton uses his uncompleted and synthetic skin to get revenge on those who wronged him - he becomes Darkman.
Darkman has no real super-powers - apart from some increased strength and his inability to feel pain - he uses the synthetic skin to assume the alternate identities, and fights his battles that way. Darkman is not a real super-hero. He makes no pledge to rid the world of evil-doers. He is just out for revenge, and every time Darkman acts, Darkman's dark-side claims just a little bit more of Peyton.
Others have mentioned the parallels to 'Robocop'. I'd like to mention the parallels to Sam Raimi's recent efforts with 'Spider-Man' - the two are very similar style-wise, but Peter Parker/Spider-Man is generally pretty happy and cheerful, where as Darkman finds sadistic pleasure in the way he toys with his enemies before finishing them off. 'Spider-Man' is family-friendly, 'Darkman' is not the sort of movie you would want to show to parents or younger-siblings.
'Darkman' is original, and yet another under-rated classic from Sam Raimi. Check it out if you like Sam Raimi, but avoid if you enjoy the family-friendly nature of 'Spider-Man'. Definitely my favourite super-hero movie, and nearly up there with Tim Burton's 'Batman' and 'Batman Returns', the best super-hero movies ever.
7/10
Darkman has no real super-powers - apart from some increased strength and his inability to feel pain - he uses the synthetic skin to assume the alternate identities, and fights his battles that way. Darkman is not a real super-hero. He makes no pledge to rid the world of evil-doers. He is just out for revenge, and every time Darkman acts, Darkman's dark-side claims just a little bit more of Peyton.
Others have mentioned the parallels to 'Robocop'. I'd like to mention the parallels to Sam Raimi's recent efforts with 'Spider-Man' - the two are very similar style-wise, but Peter Parker/Spider-Man is generally pretty happy and cheerful, where as Darkman finds sadistic pleasure in the way he toys with his enemies before finishing them off. 'Spider-Man' is family-friendly, 'Darkman' is not the sort of movie you would want to show to parents or younger-siblings.
'Darkman' is original, and yet another under-rated classic from Sam Raimi. Check it out if you like Sam Raimi, but avoid if you enjoy the family-friendly nature of 'Spider-Man'. Definitely my favourite super-hero movie, and nearly up there with Tim Burton's 'Batman' and 'Batman Returns', the best super-hero movies ever.
7/10
At the time Darkman was an oddity. It was an R rated film in the superhero genre (dominated at the time by Batman) which was for kids/families. Along comes Sam Rami to make an "adult" superhero movie with horror overtones. Those of us who knew Rami was involved checked it out and at the time, I wanted it to have MORE horror and less superhero. At this point I can appreciate it for what it is and its a solid superhero movie that would fit much better today than it did at the time bc the adult audience for this genre exists today. Its a very ambitious movie for the time. Still a solid watch. The fx are adequate and the characters are top notch. The bad guys are hissable and the humor is amusing. The plot is clever and the violence and fx are solid. This is a movie worthy of rediscovery.
Sam Raimi's "Darkman" is a highly entertaining and energetic combination of science fiction,action and horror!The performances are good,especially Liam Neeson is really believable as a disfigured doctor Peyton Westlake/Darkman.It's nice to see also an underrated Larry Drake("Dr Giggles")as a main villain.There are some huge gaps in logic,but I don't care.The score by Danny Elfman is fantastic and there are some nice visual effects!So if you have enough time to waste-check it out.7 out of 10.
¿Sabías que...?
- CuriosidadesBill Paxton was almost cast as Peyton Westlake. According to Paxton, he told his friend Liam Neeson about the audition. When Neeson got the role, Paxton was so angry that he did not speak to Neeson for months.
- PifiasThroughout the movie, Darkman is able to talk as normal despite his lack of lips. You cannot pronounce 'b', 'f', 'm', 'p', 'v' without lips.
- Citas
Peyton Westlake: Take the fucking elephant!
- Créditos adicionalesThe opening credit sequence is full of dark clouds and brief images of Darkman. The second A in the title is shaped like Darkman's silhouette.
- Versiones alternativasThe UK theatrical version and original UIP video release was cut by 25 seconds to get a "15" rating. The 1991 CIC video was upgraded to an "18" and had most of the cuts restored, though 2 secs remained edited from the film owing to BBFC policy regarding footage of nunchakus.
- ConexionesEdited into Darkman II: El regreso de Durant (1995)
- Banda sonoraGive It To Me
Written and Performed by Judy Valenti
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Darkman: El rostro de la venganza
- Localizaciones del rodaje
- Lower Bay Station, Toronto, Ontario, Canadá(subway station)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 14.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 33.878.502 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 8.054.860 US$
- 26 ago 1990
- Recaudación en todo el mundo
- 48.878.502 US$
- Duración1 hora 36 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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