Atrapado en 1955, Marty McFly se entera de la muerte de Doc Brown en 1885 y debe viajar en el tiempo para salvarlo. Sin combustible para el DeLorean, los dos deben averiguar cómo escapar del... Leer todoAtrapado en 1955, Marty McFly se entera de la muerte de Doc Brown en 1885 y debe viajar en el tiempo para salvarlo. Sin combustible para el DeLorean, los dos deben averiguar cómo escapar del viejo Oeste antes de que Emmett sea asesinado.Atrapado en 1955, Marty McFly se entera de la muerte de Doc Brown en 1885 y debe viajar en el tiempo para salvarlo. Sin combustible para el DeLorean, los dos deben averiguar cómo escapar del viejo Oeste antes de que Emmett sea asesinado.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 11 nominaciones en total
- Buford 'Mad Dog' Tannen
- (as Thomas F. Wilson)
- …
- Buford Tannen's Gang
- (as Sean Gregory Sullivan)
Reseñas destacadas
This story picks up where the second left off; with Marty (Michael J. Fox) acting on a letter he received from Doc Brown (Christopher Lloyd). At the conclusion of Back to the Future Part II, the DeLorean is struck by lightning, with Doc inside, and he is transported all the way back to 1885, in the old west. Since Doc had always dreamed of living in the Wild West, he was not severely disappointed to be stuck in the 1800's, and he certainly was stuck because it would be 70 or so years before the replacement parts he needed to repair the DeLorean would exist. He writes Marty a letter explaining to him what he is up to and that he is fine and should be left in 1885. Soon after receiving the letter, however, Marty uncovers that Doc Brown is about to die. Unwilling to leave him to that fate, Marty ignores all risks, intent on traveling to 1885, to find Doc Brown. This would prove impossible without a trip back to 1955, to get some help from the Doc Brown of the past. Marty's crash landing in 1885 creates quite a conundrum, however, as a fuel line breaks causing all of the gas to leak out of the DeLorean. Doc reminds him that gas hasn't been invented yet, and they will have to be innovative to find a way to power the DeLorean to the necessary 88 M.P.H. needed to travel through time. After devising a plan to power the DeLorean by locomotive power, a new distraction, of a feminine nature arrives. A Ms. Clara Clayton greets Doc Brown, and he is instantly smitten by her. Doc even vows to stay in the past with Clara after helping Marty fix the DeLorean. Our Heroes situation is made even more difficult because Marty, in typical McFly fashion refuses to be called "chicken", or "yellow" in 1885 terms. After an altercation with Buford "Mad Dog" Tannen (Thomas F. Wilson), Marty gains the attention of the gun that he discovered was to kill Doc. In the final installment of Robert Zemeckis beloved time traveling adventure, out duo is outrunning a gun, deciding between love and fate, and learning that the words of others should only ever be words rather than a reflection of ourselves; a pleasing finale to the Back to the Future series.
Once again, the brilliant on-screen chemistry of Michael J. Fox and Christopher Lloyd bring Back to the Future Part III to life. Years working together on the same franchise were nothing to dilute the pair's on-screen chemistry. Still as engaging as ever, it was pure joy to watch Marty and Doc on screen again, one last time. This film also kept the heart in to the movie. Each entry in this trilogy has heart at the center, no pun intended. It was endearing to see our zany Doc Brown fall in love, even if he did wish to pick his new love over traveling with Marty.
I would recommend Back to the Future Part III to almost anyone. Rated PG, it is appropriate and engaging for all ages. Fans of the trilogy have to see it, as it wraps up all of our favorite's story lines. Anyone who believes in the power of love, time, and destiny will feel empowered by the message. I'm not sure what type of viewer Couldn't find something to appreciate about Back to the Future Part III, and to me, that's exactly how a franchise should end; pleasing the one time viewer and the series fanatic alike.
Writer/producer Bob Gale and writer/director Robert Zemeckis are two very clever men. They know the difficulties of sequels well. As Zemeckis explains somewhere on the "BTTF"-DVD set, the hardest part is to give the audience something new without moving too far away from the original's spirit. "Back To The Future II" achieved that goal gloriously (although Zemeckis who is very critical about his own work is always downsizing the greatness of it). Maybe the two Bobs went a bit too far away from what audiences loved about the original in part 3.
Although the movie is set mainly in the Wild West, it's still seen through the eyes of two people from the 80's. There are shootouts, horse chases and train robberies, but "Back To The Future III" is never a real Western. What makes this movie seem different from its predecessors is that fittingly it doesn't have a lot to do with teen culture anymore (save for a Michael Jackson-reference). Marty himself seems to have grown up quite a bit and you'll be surprised to see him behaving more focused on his mission than Doc in the latter half of the movie. This change of places by the characters was a deliberate decision by the writers and it does push the story and the relationship of Marty and Doc forward, but something about it just doesn't feel right.
It's intriguing to learn about the origins of Hill Valley and the ancestors of the McFly-clan. However, the earnest Seamus McFly and his family - that for some reason includes a woman looking like Marty's mother - seem strangely out of place in a BTTF-movie. They're just not quirky enough.
What makes the story seem even more estranged is the introduction of a new character, Clara Clayton, with whom Doc falls madly in love. Now, although we should all be happy for Doc having found his own private happiness, somehow we don't want him to behave like that. It's not Doc as we know and love him - and that's exactly the problem Robert Zemeckis was talking about. Marty and Doc used to be a team. Was anyone happy for John when Yoko got between him and The Beatles?
I still think "Back To The Future III" is an amazing accomplishment, a fine finale to one of the best trilogies ever made. You can't give enough praise to Zemeckis and Gale for not just making these movies for financial reasons but for actually trying to make them as good as possible. Personally, I love this movie to bits and I don't think it could have been realized any better. The only explanation I got for why this brilliant sequel got a lukewarm rating of 6.7 from IMDb users, is the dilemma Zemeckis himself was aware of, but couldn't fully avoid.
Fans who are still longing for a fourth part should keep that in mind and would be best advised to let it go. Zemeckis and Gale have said repeatedly that they don't plan on ever continuing the story. And why should they? Everything has been said, everything has been done. The movies are perfect the way they are. Let's be thankful there are still filmmakers that stick to their artistic conviction.
Michael J. Fox , Christopher Lloyd and Mary Steenburgen are excellent at acting I have enjoyed their performances. Robert Zemeckis writes and directs excellent this sequel. Alan Silvestri writes a beautiful score for third film which it was shot back to back with the second film. I Love the new score for this movie.
Back to the Future Part III (1990)
I love that this film was set in the Old West back in 1885. I love the rescue mission in which Marty goes back in time from the year 1955 back in to the past in to the Old West to save his best friend Doc Brown from getting killed by an outlaw Buford Tannen. I love western movies and Marty McFly was naming him self as Clint Eastwood in this film which it was brilliant. They even make similarity from A Fistful of Dollars (one of my all time favorite western films) in which Marty wears a boiler plate as a bullet proof vest in which Buford 'Mad Dog' Tannen (Thomas F. Wilson) shoots Marty. This movie has comedy, adventure, action, bank robbery, train robbery, gun fights, fist fights and one explosion. Great acting from the actors, great direction and great writing, great score. This movie shows group of Indians, followed closely by Cavalry men who are chasing them. Doc saves Marty just before he would be hang by Buford and his men.
I did like that the film was more focusing on Doc and Marty the characters that we care about. Rather then Loraine and Biff like Part II did. The movie wasn't dark like the second was. I love how Doc and Marty pushes the DeLorean along the spur line, on the tracks attempting to get it up to 88 miles per hour. DeLorean then reaches 88mph and disappears...with the locomotive barreling over the side of the ravine, and exploding in a huge fireball, brilliant and well done special effect. I love that the movie does not messes with the first two movies and it is an original film I appreciate that.
It is Rated PG for language, sensuality and violence. It is a perfect film from the 90's that I have grew up with it. It is my second favorite film in the trilogy I love, love this film to death and doesn't deserve the hate. 10/10 Score: Bad Ass Seal Of Approval a perfect score for me.
For many years, in consideration of this one trilogy which served to inspire and excite me as to possibilities of the motion picture industry, I would look with a disappointment on BTTF Part Three, believing it to be an unwelcome, unexciting film which ended the legacy.
However, recently it came upon me to purchase the trilogy on VHS and re-experience it, as I had once did, though now from a more balanced perspective. I watched the first two Back to the Future movies avoided the third in the fear of being once again disappointed. Utter disappointment is no longer the feeling I can use to describe my take of the movie.
Back to the Future 3 is a well-written, well-directed, well-balanced piece. With an incredible musical score, brilliant acting and excellent composition, the movie reminded me that Back to the Future was never about action. It was truly about the characters we came to know and love in the first movie. It was a return to the basics, the friendship between Marty and Doc and how each was thrown through time to change not only the future of Hill Valley, but also their own lives and their future choices.
Robert Zemeckis' (the writer) decision to send the two friends back to 1885, in their final adventure, was brilliant. Imagery like the "famous Hill Valley courthouse under construction" and the "steam engine train wheeling up to the rear of the futuristic Delorean" was unforgettable. For example, the dancing at the Courthouse welcoming festivities contrasted with the action-laden scene (in BTTF2) between Griff and Marty at the same place just a century and a half later.
All in all, Back to the Future Part Three was a perfect ending to a perfect trilogy. To anyone who despises this film, I recommend another full watching. There are so many details which are kudos out to fans of the previous two movies. The movie successfully slowed the pace of the other two movies (in preparation for conclusion) without losing the loyalty of true fans. It captured the essence of what brought these fans to Back to the Future in the first place.
If you haven't seen it, rent and enjoy :) If you have seen it and wasn't particularly pleased, I beg another viewing.
L8r!
Fox and Lloyd are fun to watch as always, and I give my hat off to the studio for hiring Mary Steenburgen as Doc's love interest and not some super model type; it's more fitting of who Doc is. Wilson's Biff Tannen officially became a traditional "villain" in #2 with him murdering George McFly, and now Wilson plays an even bigger villain in Buford Tannen, whom he makes both funny and menacing.
Ironically, Wilson is said to be a very nice man in real life. Leah Thompson makes the most of a thankless dual role as both Lorraine McFly and Marty's great, great grandmother Maggie McFly, and James Tolkan plays his Principal character's soft spoken law man ancestor (killed in a deleted scene by Buford Tannen; "Remember son... discipline.")
It should be noted that originally there were no sequels planned with the first movie; that bit with Doc taking Marty and Jennifer to the future to help their kids was just another gag. But the film was such a hit that the studio couldn't NOT do sequels, so this one and part 2 were filmed back to back, which is becoming more of a craze these days.
Although on the surface it's a lighthearted comedy about time travel, it's also about what it means to be a man. The first film defined being a man through violently standing up to your tormentors, while this film and #2 go with the theme that being a man also means you have to reign yourself in when people start annoying you. Marty' willingness to fight back was his strength in the first film but here it is his flaw, as people in both 2015, 1955 and 1885 continually get his goat. The message of self-control is bluntly stated when Doc says to Marty "You can' t keep going off the handle every time someone calls you a name, that's why you get into that accident in the future!" (referring of course to the car accident mentioned in part 2). It is not until Marty realizes his error when he's about to meet Buford in the gun fight that he achieves this ideal and, much to Seamus's glee, says of Buford and the opinions surrounding him "He's an asshole! I don't care what Tannen says, and I don't care what anyone else says either!" Because of this, he is able to avoid said accident.
Also loaded with gags, references to other great westerns ("My name is Clint Eastwood.") and Doc's response to being asked if his hijacking the train is a hold up: "It's a science experiment!"
¿Sabías que...?
- CuriosidadesWhen filming the scene where Buford "Mad Dog" Tannen tries to lynch Marty, Michael J. Fox was accidentally hanged, rendering him unconscious for a short time. He records this in his autobiography "Lucky Man" (2002).
- PifiasBlack bears do not live in the desert or the scrub lands. They are found in wooded areas, grasslands, mountains or where moisture is found, along with edible vegetation and other food sources.
- Citas
Jennifer Parker: Dr. Brown, I brought this note back from the future and - now it's erased.
Doc: Of course it's erased!
Jennifer Parker: But what does that mean?
Doc: It means your future hasn't been written yet. No one's has. Your future is whatever you make it. So make it a good one, both of you.
Marty McFly: [Marty wraps his arm around Jennifer] We will, Doc.
- Créditos adicionalesThe film opens with all four versions of the Universal Pictures company bumper.
- Versiones alternativasThe original 2002 DVDs for parts II and III had major framing errors when the wrong areas of the open-matte frame were transferred (known as the "framing fiasco"). This is noticeable for several minutes in each movie and usually manifests as too much sky and missing objects at the bottom. Universal had replacements ready by 2003. A sample from part III is the fuel injection manifold exploding out of the car, which is supposed to be visible. Copies with a "V2" next to the copyright notice on the disc (on replacements only; in trilogy sets a "V2" is on the II disc), the 2009 single-disc reprint, and the 25th anniversary sets are OK.
- ConexionesEdited from Regreso al futuro (1985)
- Banda sonoraDoubleback
Written and Performed by ZZ Top
Courtesy of Warner Bros. Records
Available on Warner Bros. Records
Selecciones populares
- How long is Back to the Future Part III?Con tecnología de Alexa
- When they realize that a single arrow has taken the Deloreon out of action, why don't they make a change to the DeLorean stashed in the old mine. And make a guard or something that will protect the gas line from ever being damaged? Or send another Western Union to 1955, with instructions for Marty to bring a spare full hose, and a 5gal jug of gas with him, when he travels back to 1885?
- Is there going to be a BACK TO THE FUTURE - PART IV?
- Why does Marty take the hoverboard to 1885?
Detalles
Taquilla
- Presupuesto
- 40.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 88.277.583 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 19.089.645 US$
- 27 may 1990
- Recaudación en todo el mundo
- 245.077.583 US$
- Duración1 hora 58 minutos
- Color
- Mezcla de sonido