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Kurt Russell and Kelly McGillis give believable performances in this rural drama. Tremendous North Carolina atmosphere and a fine score add immensely to the film. Some may find it a bit slow, but those willing to watch and listen, will be rewarded. "Winter People" does not follow any typical feuding families formula, but carves new ground, with sacrifice instead of shoot outs. Anyone expecting a "Deliverance" clone would be advised to seek out "Hunter's Blood" and leave "Winter People" to those who appreciate a quieter, more thought provoking movie. Definitely recommended for couples viewing as there is enough depth to maintain interest for everyone. - MERK

I live here where they filmed the movie and I thought it was wonderful, the story was a wonderful setting for a romance and I thought the way they met and grew to love one another was outstanding. Even though the murder took place it showed what all they were willing to sacrifice for love. The way the family takes him in as a part of them at the beginning except for one brother and the way he begins to trust him is even as touching. The bear hut I thought was true to life as everyone here has mostly been and the producers and directors kept it true to life. We had a couple of our own hometown folks in the movie, the older men on the porch of the store, added more depth and made us proud. I guess in some ways we are portrayed as "bumpkins" still but I guess in a lot of ways we are and it shows how we live here... or families are all close and loving, never turn our back on our loved ones and I like how the movie shows us.

Deceptively marketed as a "Deliverance" retread, it has, in fact, more in common with Peter Weir's "Witness" and Richard Pearce's "Heartland". Kurt Russell plays Wayland Jackson, a humble widower who begins a new life with his daughter in North Carolina. When he meets and falls in love with Collie Wright (Kelly McGilis), he must prove his mettle to her father (Lloyd Bridges) and deal with local animosity towards him.

Director Ted Kotcheff, who also made "First Blood", "Uncommon Valor" and the brilliant "Split Image", a scathing look at a religious sect, brings his considerable experience with personal politics to this well made, beautifully acted, snow-bound drama.

The film's last act is where the violence flares and the stage is set for several bloody, taut altercations. The film, however, never loses sight of its personal story and focuses closely on the courage and resilience of good, honest folk.

John Scott's score is hypnotic.

One of dozens of movies saved the past couple of years for viewing, that I remembered hearing years ago were good - but never had the chance to watch.

Some are fine. Some are not.

This one is better than expected.

Always loved Kelly McGillis, and Kurt Russell is excellent in this film. Initially it looks like we're going to be stuck viewing Hatfields and McCoys type nonsense, but among the feuds and fights, difficult events lead to compromise and a satisfactory ending.

A couple of hunting scenes, and injured or killed animals, but nothing too graphic. It is depression era mountain life.

Worth seeing through to the end.

Widowed clockmaker Kurt Russell brings his daughter, Amelia Burnette, to the Carolina Piedmont. There he falls in love with single mother Kelly McGillis. However, when the baby's drunken father comes calling, the pair of them are forced into desperate action.

The movie is replete with carefully offered symbolism, almost certainly from the novel by John Ehle), mostly about the wintry stasis of people and society during the early stages of the Roosevelt New Deal, to characters' names (I'm reading Scott's KENILWORTH, so Russell's character's name of "Wayland" seems apt), to the way cinematographer Francois Protat lights the shots in a greyness that doesn't break until the end. Ordinarily I would find this sort of movie pompous with its easy-to-analyze details substituting for the things that interest me most: character and story.

This one never does, thanks to a fine cast under a solid director. Ted Kotcheff may be best know for his gross comedy hit WEEKEND WITH BERNIE, but his long resume shows a respectful handling of movies about subcultures: not only THE APPRENTICESHIP OF DUDDY KRAVITZ, but NORTH DALLAS FORTY.