PUNTUACIÓN EN IMDb
6,8/10
49 mil
TU PUNTUACIÓN
Un pastor alemán decide renunciar a su lugar en el Cielo para cobrar venganza por su muerte. Pero una pequeña huérfana será su salvación.Un pastor alemán decide renunciar a su lugar en el Cielo para cobrar venganza por su muerte. Pero una pequeña huérfana será su salvación.Un pastor alemán decide renunciar a su lugar en el Cielo para cobrar venganza por su muerte. Pero una pequeña huérfana será su salvación.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Dom DeLuise
- Itchy
- (voz)
- (as Dom De Luise)
Burt Reynolds
- Charlie
- (voz)
Loni Anderson
- Flo
- (voz)
Earleen Carey
- Kate
- (voz)
Candy Devine
- Vera
- (voz)
Rob Fuller
- Harold
- (voz)
Charles Nelson Reilly
- Killer
- (voz)
- (as Charles Neslon-Reilly)
Ken Page
- King Gator
- (voz)
Jay Stevens
- Mastiff
- (voz)
Vic Tayback
- Carface
- (voz)
Kelly Briley
- Puppy
- (voz)
Cyndi Cozzo
- Puppy
- (voz)
Reseñas destacadas
I can understand why some people like this movie, and why some people don't. For me, though, I really like it, even if I noticed some good bits, and not so impressive bits. The animation was actually excellent, like Charlie's dream. The characters were a mixed bag, the best being Anne-Marie, voiced by the late Judith Barsi.(I was physically ill when I read what happened to her) Also, Carface is a very convincing villain,especially voiced by the wonderful Vic Tayback(I particularly loved "Morons I'm surrounded by Morons") and along with Rasputin and Warren T.Rat is probably the most memorable of all the Don Bluth villains. Charlie and Itchy only just lacked the same sparkle, but I loved King Gator and his song. Some of the film is very haunting, like Annabelle's "You can never come come back", which kind of scares me still. Unfortunately, there were some bits I didn't like so much. The story had a tendency to become clumsy and unfocused, but Disney's Black Cauldron suffered from the same problem. Also there were some dark scenes, that young children would find upsetting, but the ending is very poignant. However the biggest flaw was the rather bland songs and the way they were sung. None of them in particular stick out, with exception of "Let's Make Music Together" and "Love Survives", and Burt Reynolds can't sing and Dom DeLuise has done much better singing. All in all, a watchable movie, that could have been more, but is definitely memorable, and I would definitely watch it again. 7/10. Bethany Cox
I remember watching this movie with my friends when we were 4 years old, but the weird thing is that I never watched it after that. The other day I was babysitting and my cousin never saw All Dogs Go To Heaven so we rented both movies and watched them together today and he really loved these movies. So many memories came back watching this movie once again and I have to admit I even cried a little. I'm 22 years old and the ending still gets to me. All Dogs Go To Heaven is one of the most touching animated films and I'm shocked honestly by this rating of 5.8, I thought this movie would bring back good memories for others as well. I admit the animation was a bit typical but the story is just so charming and fun.
Charlie is a gambling dog who gets killed by another gambling dog, Carface. But when Charlie wants revenge he comes back to Earth with a watch that can't stop ticking or that's the end of his life again. When he and his best friend, Itchy, look for Carface and spy on him they find out how Carface gets all his money, he has a little orphan girl who talks to animals and finds out who is going to win the races. Charlie takes the girl, Ann-Marie, and makes fake promises in order to get the money. But he ends up learning that maybe he should put Ann-Marie first before himself when Carface goes back to him with a vengeance.
All Dogs Go To Heaven is the perfect family film, it's not Disney, but this is an excellent family film to watch. Not to mention that it's just so cute and touching. I know it's ridicules and some people call me crazy, but this movie for me when I was a kid made me believe that dogs have souls. How could they not? They're just so loving, and I think I'm going to cry again. But anyways, I would just recommend this movie for anyone, it's a fun movie to watch.
7/10
Charlie is a gambling dog who gets killed by another gambling dog, Carface. But when Charlie wants revenge he comes back to Earth with a watch that can't stop ticking or that's the end of his life again. When he and his best friend, Itchy, look for Carface and spy on him they find out how Carface gets all his money, he has a little orphan girl who talks to animals and finds out who is going to win the races. Charlie takes the girl, Ann-Marie, and makes fake promises in order to get the money. But he ends up learning that maybe he should put Ann-Marie first before himself when Carface goes back to him with a vengeance.
All Dogs Go To Heaven is the perfect family film, it's not Disney, but this is an excellent family film to watch. Not to mention that it's just so cute and touching. I know it's ridicules and some people call me crazy, but this movie for me when I was a kid made me believe that dogs have souls. How could they not? They're just so loving, and I think I'm going to cry again. But anyways, I would just recommend this movie for anyone, it's a fun movie to watch.
7/10
Ever had a feature film where you really don't know how to feel about it? You don't hate it by any means, but you also don't really love it all that much either? For me, it's Don Bluth's All Dogs go to Heaven. Noted to be the first Don Bluth feature made after his brief stint with Steven Spielberg (which got him to beat Disney at their own game), the film was practically slaughtered on its original release by The Little Mermaid, although it did gain a massive cult following on home video. In spite of that however, many critics of Bluth's work have stated this marked the beginning of his dark period, and even I can see why.
The film tells the story of Charlie B. Barkin, a casino gambling German Shepherd who gets murdered by his former partner, Carface Carruthers, but leaves Heaven to go to Earth with a rewindable watch. On Earth, he and his best friend, Itchy Itchiford, get back at Carface by using a young orphan girl named Anne-Marie, who teaches them an important lesson about kindness, friendship and love. What sounds convoluted plot-wise is even more muddled in the execution, as the film goes from an inner world in New Orleans with dogs who plot and scheme one-another to then having this orphan child come in out of left field. Throughout the feature, the initial goal of Charlie getting back at his foe feels almost sidelined to focus more on Anne-Marie, as if the filmmakers couldn't make up their minds on how to drive the narrative forward. What's even more frustrating is that both archs work well on their own: the revenge angle presents some fun concepts in this world where dogs coincide on their own and Anne-Marie's presence helps provide the feature with a good amount of heart and emotions. It's just unfortunate that the jumbled tone on deciding whether it wants to be serious or light hearted got in the way of a cohesive story.
Now in terms of characters, Charlie himself comes off more unlikable than the film may have intended. Even when he learns about the meaning of kindness, his actions towards Anne-Marie feel undeserved and rather petty. Yes he's meant to be the wise cracking con artist with a heart of gold, but there are times when his bitterness to others is more mean spirited than necessary. Meanwhile, Itchy is a charming albeit neurotic comedic relief, Carface and Killer are the generic smart and dumb villain types, and anyone else. If any credit must be given to the voice actors, Burt Reynolds and Dom DeLuise make a great duo as Charlie and Itchy, as their improvisational banter and sardonic remarks are more entertainmenting than most of what goes on in the feature. Also, in spite of this being the last film for child actress Judith Barsi, the sincerity she gave in her performance as Anne-Marie feels like that of a genuinely innocent child who understands right and wrong and wants someone who will love and care for her. I guess for every mangy trait, these characters do have some good in them after all.
Of course, being a Don Bluth film, you're going to have gorgeous visuals, although here it comes with a mixed bag. On one hand, it's cool to have the dogs look and act in a more exaggerated and cartoony manner than the more realistic humans presented, but at times the animals look so exaggerated to the point of looking unappealing and they can't decide whether they want to walk on all fours or be anthropomorphic. Alternatively, the backgrounds are rich in detail, color and atmosphere, whether they be the gorgeous Louisiana landscapes, the surreal dreamlike heaven and hell, or even the abstract multicolor environments with strange creatures (like one such alligator). Also, there are some really bizarre edits in this film, as in you'll get a key shot of a sequence and then it will go away to another shot that will last less than five seconds (seriously, blink and you'll miss some stuff). Lastly, the musical numbers are what I like to call entertaining show stoppers, because as upbeat and catchy as they can be, most of them stop the story dead in its tracks and could have been cut out altogether.
So in the end, All Dogs remains a well intentioned albeit disjointed and somewhat jumbled hodgepodge with a mix of positives and negatives. For every intriguing and freshly new concept, luscious animation, likable character and fun filled song, there's a competing sub plot, bad archetype, questionable filmmaking choice and weak execution that makes the experience feel all over the place. I do recommend this film to a family audience and especially Don Bluth fans, because as scattered as the film feels in its presence, it does offer at least some stuff for people to get acquainted with, whether unintentionally or not.
The film tells the story of Charlie B. Barkin, a casino gambling German Shepherd who gets murdered by his former partner, Carface Carruthers, but leaves Heaven to go to Earth with a rewindable watch. On Earth, he and his best friend, Itchy Itchiford, get back at Carface by using a young orphan girl named Anne-Marie, who teaches them an important lesson about kindness, friendship and love. What sounds convoluted plot-wise is even more muddled in the execution, as the film goes from an inner world in New Orleans with dogs who plot and scheme one-another to then having this orphan child come in out of left field. Throughout the feature, the initial goal of Charlie getting back at his foe feels almost sidelined to focus more on Anne-Marie, as if the filmmakers couldn't make up their minds on how to drive the narrative forward. What's even more frustrating is that both archs work well on their own: the revenge angle presents some fun concepts in this world where dogs coincide on their own and Anne-Marie's presence helps provide the feature with a good amount of heart and emotions. It's just unfortunate that the jumbled tone on deciding whether it wants to be serious or light hearted got in the way of a cohesive story.
Now in terms of characters, Charlie himself comes off more unlikable than the film may have intended. Even when he learns about the meaning of kindness, his actions towards Anne-Marie feel undeserved and rather petty. Yes he's meant to be the wise cracking con artist with a heart of gold, but there are times when his bitterness to others is more mean spirited than necessary. Meanwhile, Itchy is a charming albeit neurotic comedic relief, Carface and Killer are the generic smart and dumb villain types, and anyone else. If any credit must be given to the voice actors, Burt Reynolds and Dom DeLuise make a great duo as Charlie and Itchy, as their improvisational banter and sardonic remarks are more entertainmenting than most of what goes on in the feature. Also, in spite of this being the last film for child actress Judith Barsi, the sincerity she gave in her performance as Anne-Marie feels like that of a genuinely innocent child who understands right and wrong and wants someone who will love and care for her. I guess for every mangy trait, these characters do have some good in them after all.
Of course, being a Don Bluth film, you're going to have gorgeous visuals, although here it comes with a mixed bag. On one hand, it's cool to have the dogs look and act in a more exaggerated and cartoony manner than the more realistic humans presented, but at times the animals look so exaggerated to the point of looking unappealing and they can't decide whether they want to walk on all fours or be anthropomorphic. Alternatively, the backgrounds are rich in detail, color and atmosphere, whether they be the gorgeous Louisiana landscapes, the surreal dreamlike heaven and hell, or even the abstract multicolor environments with strange creatures (like one such alligator). Also, there are some really bizarre edits in this film, as in you'll get a key shot of a sequence and then it will go away to another shot that will last less than five seconds (seriously, blink and you'll miss some stuff). Lastly, the musical numbers are what I like to call entertaining show stoppers, because as upbeat and catchy as they can be, most of them stop the story dead in its tracks and could have been cut out altogether.
So in the end, All Dogs remains a well intentioned albeit disjointed and somewhat jumbled hodgepodge with a mix of positives and negatives. For every intriguing and freshly new concept, luscious animation, likable character and fun filled song, there's a competing sub plot, bad archetype, questionable filmmaking choice and weak execution that makes the experience feel all over the place. I do recommend this film to a family audience and especially Don Bluth fans, because as scattered as the film feels in its presence, it does offer at least some stuff for people to get acquainted with, whether unintentionally or not.
I've seen this movie when I was young, and I remembered it as one of the first films I have truly liked that was not an action movie or a comedy. So, in my later years I decided to watch it again and see if it was just nostalgia or was there really something in that movie. To my surprise, the movie held to my every expectations. It's a great movie. Emotional in the right amount, some jokes, nice songs (not great though, and that actually explains why I did not remember it was a musical) and all in all a great use to my time. I was surprised because the last movies from my childhood that I have revisited did not even pass my minimal demands of a decent movie and yet this movie, which I first saw in the second grade, made me cry today just like it made me cry then. Maybe that's because my dog died recently and maybe not, but the important thing is that it made me feel, and that's why filmmakers make films (that and the money, of course). Yes, there are continuity glitches. Yes, the script has holes, but it doesn't matter. The movie itself is fun and smart. So don't be fooled by cynical people who always look for the bad things in life, because nothing is perfect, and this movie gets a 10 not because it is perfect. It gets 10 simply because it made me feel.
This movie has been overlooked so much, it saddens me every time I see an empty review about it that fusses over tiny elements.
Yes, "All Dogs" is weird; There are dogs, orphans, corruption, murder, gambling, alcohol, afterlife, machine guns and a singing alligator, all mixed-up in the same movie. Yes, "All Dogs" has plot holes; Charlie can't talk to horses but can talk to alligators, the bad guy is allowed to enter heaven and the story is overall confusing.
So what?
This is one of the few movies that managed to make me "feel", in the true sense of the word. Have you ever been sad and hopeful at the same time? "All Dogs" made me feel that way. It makes me smile every time I watch it -without even knowing why-, and occasionally makes me cry. "All Dogs" has one of the most powerful endings I have ever seen in my life. The art is sublime; the characters' expressions, the backgrounds and special effects are astonishing. The symphonic and jazzy musics rolling in the background make whole with the 30's atmosphere. The dialogs are all fitting where they should belong. There are so many things to tell about this movie... I've noticed that many reviewers have been disturbed by the unusually dark tone spilled throughout the film. In real life, people are able to drink, gamble and/or kill. Don Bluth seems to be one of the few directors that takes children seriously, and present them the not-so-bright sides of life.
For those who are unsure about watching "All Dogs" or not because of some disturbing interpretations of the movie; Give it a try. You'll either hate it or love it to death, but one thing is sure: you won't be seeing anything like that in the near future. This is one of the strangely addicting movies that you love without knowing why (see also "Six-String Samurai" and "The Man Who Saves The World" to see what I mean).
Yes, "All Dogs" is weird; There are dogs, orphans, corruption, murder, gambling, alcohol, afterlife, machine guns and a singing alligator, all mixed-up in the same movie. Yes, "All Dogs" has plot holes; Charlie can't talk to horses but can talk to alligators, the bad guy is allowed to enter heaven and the story is overall confusing.
So what?
This is one of the few movies that managed to make me "feel", in the true sense of the word. Have you ever been sad and hopeful at the same time? "All Dogs" made me feel that way. It makes me smile every time I watch it -without even knowing why-, and occasionally makes me cry. "All Dogs" has one of the most powerful endings I have ever seen in my life. The art is sublime; the characters' expressions, the backgrounds and special effects are astonishing. The symphonic and jazzy musics rolling in the background make whole with the 30's atmosphere. The dialogs are all fitting where they should belong. There are so many things to tell about this movie... I've noticed that many reviewers have been disturbed by the unusually dark tone spilled throughout the film. In real life, people are able to drink, gamble and/or kill. Don Bluth seems to be one of the few directors that takes children seriously, and present them the not-so-bright sides of life.
For those who are unsure about watching "All Dogs" or not because of some disturbing interpretations of the movie; Give it a try. You'll either hate it or love it to death, but one thing is sure: you won't be seeing anything like that in the near future. This is one of the strangely addicting movies that you love without knowing why (see also "Six-String Samurai" and "The Man Who Saves The World" to see what I mean).
¿Sabías que...?
- CuriosidadesThis was Judith Barsi's final film. She and her mother were murdered by Barsi's father a year and a half before the film's release. The ending theme, "Love Survives," is dedicated to Barsi's memory.
- PifiasWhen Charlie is killed the first time by the car it is pushed down a hill. There are no hills in New Orleans.
- Citas
Anne-Marie: Charlie, will I ever see you again?
Charlie: Sure you will, kid. You know goodbyes aren't forever.
Anne-Marie: Then goodbye, Charlie. I love you.
Charlie: Yep... I love you too.
- Créditos adicionalesThe credits, featuring a choral symphony, are interrupted by Charlie, who complains that just because "we're all dead doesn't mean the music has to be." The heavenly whippet (Melba Moore, a gospel singer) agrees, and a rollicking gospel rendition begins. A scene featuring Carface and the heavenly whippet shows Carface stealing his own watch as Charlie did, with the whippet chasing him. Charlie appears, and coyly says, "He'll be back", and winks at the camera.
- Versiones alternativasAlthough Charlie's nightmare about Hell was trimmed in the common cut of the film, a personal director's cut by Don Bluth' included the scene's full length.
- Banda sonoraLove Survives
(Main Title Song)
Music and Lyrics by Al Kasha, Joel Hirschhorn, Mike Curb, and Michael Lloyd
Performed by Irene Cara and Freddie Jackson
Produced by Michael Lloyd and David Franco (executive)
Freddie Jackson's performance courtesy of Capitol Records
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- How long is All Dogs Go to Heaven?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- All Dogs Go to Heaven
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 13.800.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 27.100.027 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.712.834 US$
- 19 nov 1989
- Recaudación en todo el mundo
- 27.100.027 US$
- Duración1 hora 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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What is the French language plot outline for Todos los perros van al cielo (1989)?
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