Tucker, un hombre y su sueño

Impressive styling of the 1940s era and fine direction from Francis Coppola, whose middle name is Ford (ha!), makes TUCKER a historical tribute to the revolutionary, all-too-superior "car of tomorrow" that never was destined to bury the Big Three. It's not an entire biography of his life, but an account of triumphs and trials in his short-lived business. Jeff Bridges' character he portrays is a cheerful, mind-mannered guy who dreamed of making these autos since his childhood. There's plenty to like in this nostalgic trip, as this was made in a genuine vintage style. The opening best compares to a true classic sales promo, an indication of brilliant film work. Joe Jackson's cool 40s tunes he composed are extremely well made, although they get in the way sometimes. Drive on over to the video mart and check this selection out! Perhaps if we all had a Tucker....

Boy, what a frustrating film to watch....even though it is very good and has been a part of my collection for a number of years now. Still, it's hard to see the good guy, the little guy, beaten up by the big guys. Here's one story where Goliath beats David.

Anyway, this was an interesting supposedly- true-life story of how Preston Tucker got a raw deal form the Big Three car-makers of the day, and by the government after he built a much better automobile in 1948. The film details how the big boys made sure Tucker's company never sold any of those cars.

As mentioned, it's maddening to watch at times, to hear lies and false charges brought against a man who had the right ideas about car safety and engineering and was way ahead of his time.

The 1940s atmosphere in this film is very good and the old music is fun to hear, too. The cinematography is great, too, with some tinted vintage-type color at times. It looks wonderful on DVD.

The car is super to look at and admire. Jeff Bridges does a solid job of portraying Tucker, an upbeat, positive-thinking inventor. It also was refreshing to see a nice, supportive family, too. I enjoyed all the main actors in this film: Bridges, Joan Alen, Martin Landau, Frederic Forest, Elias Koteas and Christian Slater

Preston Tucker was a man with a dream. He actually advertised his new car and even took advanced orders for it. But the truth is that there was never a chance that Tucker would ever be able to deliver on his promises. Jeff Bridges plays the would be automotive tycoon with an Oscar going to his co-star Martin Landau for his portrayal of "Abe" Tucker's business manager. You will enjoy seeing most all of the remaining Tuckers in this film. This is a good film and I recommend it.

Tucker: The Man and His Dream is a good spirited story of perseverance, loyalty, honor, and integrity from legendary director Francis Ford Coppola. Coppola's name is synonymous with landmark cinema that changed the face of the film industry forever with classics like The Godfather and Apocalypse Now. This movie is obviously not of that caliber, but it is an enjoyable experience nonetheless. In it, a thinner, younger, and clean shaven Jeff Bridges plays Preston Tucker, a likable businessman who had big ideas for the auto industry that would ultimately lead to bigger consequences. It's a true story about how one man tried to change the auto industry after World War II by creating the greatest car ever made. His financial support in the booming big government economy after WWII is an issue, but he perseveres through it all with the goal of achieving what others say is impossible. It's a happily inspiring tale, performed excellently by Mr. Bridges, one of my all time favorite actors.

Coppola shows in this movie that he can still be a fine director without the backing of a gangster or Vietnam war epic. He has a straightforward directing style for this straightforward film, but it doesn't fault a movie that mainly focuses on character and plot, rather than visual aesthetic. However, the film did get nominated at the Academy Awards for best Art Direction and Costume Design, and deservedly so. Tucker: The Man and His Dream is a period piece, and everything about the film stays true to its time frame. It is always interesting to see such a specific time period like the 1940's projected through an 80's lens, and Tucker: The Man and His Dream does a captivating job at this. The costumes are interesting and relevant, along with the set design and of course the cars. And it is all backed by a fantastic early 1900's jazz soundtrack.

The story itself stays mildly interesting the whole way through. It lags in some spots where not as much is happening, but it sets up for a great climax with a beautifully inspirational speech delivered by Bridges. The flow and pacing of the film has its noticeable issues and parts felt slightly choppy. The beginning of the film starts out with an infomercial/historical newsreel quirk that is very creative, but practically abandoned by the end of the film. Despite some minor flaws nothing significantly deteriorates the overall quality of the film.

Tucker: The Man and His Dream is a solid film that anyone can at least find mildly interesting, since it is based on a true story after all. Putting this film into today's perspective, it is still relevant and interesting what with all the auto industry crises going on today and how I'm sure we all wish we somebody as steadfast and innovative as Preston Tucker could pick the industry back up on its feet. I commend a film if it makes me think in terms of current events, so kudos to this film. I will say that as a Coppola film, it's nothing too special. I would obviously recommend the first two Godfathers and Apocalypse Now long before Tucker: The Man and His Dream. But as just another film, this movie is plenty enjoyable and interesting to watch.

Overlooked yet highly entertaining drama from director Francis Ford Coppola and producer George Lucas, an amusing and nostalgic look at real-life idea man Preston Tucker who, in 1945, developed the Car of Tomorrow and hoped to put Detroit's auto business out of commission. A smart, knowing take on the past, a nice comeback from Coppola but one that did little business. The film has gleaming photography, a jaunty pace and a great cast. Jeff Bridges, not the most subtle actor, gives one of his finest performances in the lead. Supporting cast is made up of pros (Martin Landau, Frederic Forrest, Dean Stockwell) and fresh new talent (circa 1988) such as Joan Allen and the incredible Elias Koteas. *** from ****