Presidio

In this Renny Harlin-directed film, the story is nebulous and vague in the best possible way. An ancient prison in Wyoming must be reopened to relieve inmate congestion elsewhere. The state penal board installs Ethan Sharpe (Lane Smith) as the new warden. His first task is to renovate the place, using an advance guard of inmates as slave laborers. Smith brilliantly portrays Sharpe as a Gestapo version of Jimmy Steward. And soon it becomes apparent that Sharpe has something to hide, something to do with the history of this hoosegow and a prisoner who died in the electric chair down in the basement. Worse yet, it seems like said prisoner's spirit has been lying in wait for Sharpe's return.

The mood is everything in Prison. An air of confinement overtakes the film as soon the buses roll into the yard to drop the work crew off at their new home. The look, sound and smell of penitentiary life hangs all over the place. For the ghost vs. warden conclusion, the vagaries of C. Courtney Joyner's script translate into the imprecision of a nightmare. What the hell does this wrongly executed ghost want? Who knows? Despite the silly subplot with a crusading lady reformer. Prison remains one of Empire Picture's most accomplished productions.

No great shakes in terms of scripting and originality, but this interesting horror film has an unusual, realistic edge that sets it apart from most routine thrillers. Well-drawn characters and first-rate effects make this a perfectly decent, if minor, effort. The explosive final sequence is very well-edited.

I first saw this in the late 80s on a vhs. Revisited it recently. Ok, there r problems with the screenplay n direction. The ghost unnecessary kills innocent fellas just for the the sake of the runtime, the ending is kinda rushed with no proper explanation about the resemblance between the ghost n Mortensen, what exactly happened 30 years prior is not explained well, why the ghost spared the old convict who too was involved is beyond me, ther r too many cliches n the worst is why kill the innocents when the ghost cud have easily killed off the main perpetrator but then fellas will complain how will they make a feature film. But i am angry man, why they had to kill Stallone's fan n Tiny?

On the plus side, the film has lots of recognizable faces, good director, nice settings of a prison n that too a real one which adds to the atmosphere, gory deaths, the one involving the barbwire will remind Evil Dead.

The plot - A convict is executed via electric chair for a murder he did not commit n later the prison is closed. The dead convict's soul returns from the afterlife to take revenge but goes on a killing spree when the prison is reopened after thirty years.

Prison (1987)

*** (out of 4)

A rundown prison is about to re-open after twenty-years as Warden Sharpe (Lane Smith) plans to use the 300 new inmates to clean the place up and get it into working shape. One of the inmates (Viggo Mortensen) helps break down a sealed execution room, which unleashes the spirit of a previously killed convict and soon strange murders are happening throughout the prison.

PRISON is a film I skipped for over two decades because I thought the story just sounded downright stupid. There's certainly egg on my face because while the story is lacking and there are some major flaws here and there, for the most part this is a pretty well-made film that manages to have some very good performance and a terrific atmosphere. A lot of credit has to go to director Renny Harlin who made this just before A NIGHTMARE ON ELM STREET 4 and three years before breaking into the mainstream with DIE HARD 2.

What works so well with this movie is the atmosphere created by the director. The rundown prison makes for a wonderful setting and I thought the entire thing had a rather authentic feel. Just watching the film you could really feel yourself inside these prison walls thanks in large part to the atmosphere, which is perfectly captured by some very good cinematography. The cinematography also works extremely well during the murder scenes where all sorts of crazy stuff is usually happening. The death sequences here are original to say the least, although they're certainly a lot different than the type horror fans were wanting to see during this period.

Speaking of which, it's easy to see why PRISON didn't get too much love when it was originally released. Released during the era of slashers, I'm not sure how many people wanted to see a haunted prison movie and especially one that didn't feature that many gory deaths. What death scenes are here are quite unique but I'm sure most people were wanting Jason and Freddy. Not some invisible killer. As much as I enjoyed the majority of the film, there are still some problems including the story that really doesn't add up to much. Another problem is that the 102-minute running time starts to drag a bit towards the end.

Another good thing working for the film are its performances with Smith being extremely good in his role as the warden. I thought he did a very good job and delivered an intense performance, which is going to remind many of the one Tommy Lee Jones gave in NATURAL BORN KILLERS several years later. Mortensen also does a very good job leading the film and it's easy to see even here that he was destined to become a strong actor. Chelsea Field is good in the role of a social worker and supporting players Tom Everett, Ivan Kane and Lincoln Kilpatrick also turn in good work.

PRISON is quite original when you think about it, although there are some flaws here that keep it from being much better. People who overlooked the film back in the day certainly deserve to give it a shot.

A cash-strapped prison board decides to reopen an old, run-down slammer that has been closed since 1968, putting no-nonsense warden Eaton Sharpe (Lane Smith), an ex-guard at the establishment, in charge of running the show. When Sharpe orders two of the new inmates (one of whom is played by a young Viggo Mortensen) to break down the sealed-up entrance to the execution chamber, he unwittingly unleashes the vengeful spirit of dead convict Charlie Forsythe, who was wrongfully sent to the electric chair.

With the two men responsible for this dreadful miscarriage of justice currently residing in the very same prison as Forsythe's ghost, one might expect retribution to be swift, but director Renny Harlin (Die Hard 2, Cliffhanger, Deep Blue Sea) drags out matters for over 100 minutes, chucking in as many hoary prison drama clichés as possible in the process, whilst having his malevolent spook kill off several other characters for no discernible reason other than to pad out the action and meet the gore quota—except that the splatter here is remarkably tame despite the inventive nature of the deaths.

5.5/10, rounded down to 5 for the cinematography, which utilises a blue tint and smoke throughout in a bid to add style and atmosphere, but which, in reality, only succeeds in making everything blue and smoky.