Pesadilla en Elm Street 4
Título original: A Nightmare on Elm Street 4: The Dream Master
PUNTUACIÓN EN IMDb
5,6/10
65 mil
TU PUNTUACIÓN
Freddy Krueger regresa para aterrorizar los sueños de los Guerreros del Sueño supervivientes, y los de una joven que podría derrotarlo de una vez por todas.Freddy Krueger regresa para aterrorizar los sueños de los Guerreros del Sueño supervivientes, y los de una joven que podría derrotarlo de una vez por todas.Freddy Krueger regresa para aterrorizar los sueños de los Guerreros del Sueño supervivientes, y los de una joven que podría derrotarlo de una vez por todas.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 9 nominaciones en total
Reseñas destacadas
The original 'A Nightmare on Elm Street' is still to me one of the scariest and best horror films there is, as well as a truly great film in its own right and introduced us to one of the genre's most iconic villains in Freddy Krueger. It is always difficult to do a sequel that lives up to a film as good as 'A Nightmare on Elm Street' let alone one to be on the same level.
While the best of the sequels from personal opinion is the third, the fourth one is another one of the series' better sequels. Like the third film it is not on the same level as the original, a very difficult feat, but it does have enough of what is a large appeal of the original and why it works so well. Not perfect, but a lot of very good things.
'The Dream Master' is not without its flaws. With a couple of exceptions, the acting is largely wooden (while not the worst offender as such, Tuesday Knight is no Patricia Arquette) and the beginning rock song is really cheesy and feels out of place. The story at times gets a little silly.
However, Lisa Wilcox is a winning lead and Robert Englund continues to terrify as the iconic character that epitomises "what nightmares are made of". 'The Dream Master' is to me the second best directed sequel, courtesy of Renny Harlin, giving a potentially clichéd premise freshness and imagination.
Special effects are neatly executed. The humour is darkly comic and very funny and there are some wickedly cracking one-liners. The scares are aplenty and they are legitimately creepy with some cool deaths (the water bed one is a strong example) and amazing dream sequences thrown into the mix. Alice being flung into the on-screen action from the cinema balcony is one of the series' most marvellous highlights.
It's a beautifully photographed film, particularly the dream sequences, and is the most unique-looking 'A Nightmare on Elm Street' sequel with its European art-horror visual style. The production design is both dream-like and nightmare while the music is suitably haunting.
Overall, good sequel and one of the series' better ones. 7/10 Bethany Cox
While the best of the sequels from personal opinion is the third, the fourth one is another one of the series' better sequels. Like the third film it is not on the same level as the original, a very difficult feat, but it does have enough of what is a large appeal of the original and why it works so well. Not perfect, but a lot of very good things.
'The Dream Master' is not without its flaws. With a couple of exceptions, the acting is largely wooden (while not the worst offender as such, Tuesday Knight is no Patricia Arquette) and the beginning rock song is really cheesy and feels out of place. The story at times gets a little silly.
However, Lisa Wilcox is a winning lead and Robert Englund continues to terrify as the iconic character that epitomises "what nightmares are made of". 'The Dream Master' is to me the second best directed sequel, courtesy of Renny Harlin, giving a potentially clichéd premise freshness and imagination.
Special effects are neatly executed. The humour is darkly comic and very funny and there are some wickedly cracking one-liners. The scares are aplenty and they are legitimately creepy with some cool deaths (the water bed one is a strong example) and amazing dream sequences thrown into the mix. Alice being flung into the on-screen action from the cinema balcony is one of the series' most marvellous highlights.
It's a beautifully photographed film, particularly the dream sequences, and is the most unique-looking 'A Nightmare on Elm Street' sequel with its European art-horror visual style. The production design is both dream-like and nightmare while the music is suitably haunting.
Overall, good sequel and one of the series' better ones. 7/10 Bethany Cox
The third sequel in the long-running series is set firmly in the world of the late 1980s: we're talking lame fashions, big hair, rubbery special effects and a rather uneven tone veering midway between comedy and horror. It's all about what's over the top, with everybody involved aiming to outdo the scares and FX of the previous movies, but in the end none of this can disguise the fact that by this stage the story was wearing very thin. This is nothing more than a supernatural slasher that virtually reprises the plot of the first three films in the series with different characters.
Of course, watching Robert Englund hamming it up will always be a guilty pleasure, and I have to say that the special effects are also pretty impressive. In the days before CGI, the FX team here went all out in creating bizarre and inventive death scenes, most notably a moment involving a giant cockroach. Freddy's resurrection at the outset is gratuitously silly yet somehow still works, paying homage to the old Chris Lee/Dracula resurrections in spectacular fashion. There are lots of able technicians working hard behind the scenes, including Howard Berger and Screaming Mad George, and in a film this reliant on special effects their diligence pays off.
It's hard to review this title objectively, because watching it makes me nostalgic for '80s cinema in all its tacky badness. But I think it's fair to say that this is one of the better sequels out there; it's not frightening in the least, but it is entertaining and it's one of few enjoyable Renny Harlin-directed movies in existence, along with DIE HARD 2 and DEEP BLUE SEA.
Of course, watching Robert Englund hamming it up will always be a guilty pleasure, and I have to say that the special effects are also pretty impressive. In the days before CGI, the FX team here went all out in creating bizarre and inventive death scenes, most notably a moment involving a giant cockroach. Freddy's resurrection at the outset is gratuitously silly yet somehow still works, paying homage to the old Chris Lee/Dracula resurrections in spectacular fashion. There are lots of able technicians working hard behind the scenes, including Howard Berger and Screaming Mad George, and in a film this reliant on special effects their diligence pays off.
It's hard to review this title objectively, because watching it makes me nostalgic for '80s cinema in all its tacky badness. But I think it's fair to say that this is one of the better sequels out there; it's not frightening in the least, but it is entertaining and it's one of few enjoyable Renny Harlin-directed movies in existence, along with DIE HARD 2 and DEEP BLUE SEA.
A Nightmare on Elm Street 4: The Dream Master is directed by Renny Harlin and written by Brian Helgeland and Scott Pierce. It stars Robert Englund, Lisa Wilcox, Andras Jones, Tuesday Knight, Ken Sagoes, Rodney Eastman and Brooke Theiss. Music is by John Easdale and Craig Safan and cinematography by Steven Fierberg.
Freddy Krueger (Englund) is back again to finish off the last of the Dream Warriors, but when he enters the dreams of a new girl, Alice Johnson (Wilcox), he gets more than he bargained for...
In spite of part three being something of a return to form for the Elm Street franchise, it still signalled the point where Krueger as a character started to become more fun villain than a terrifying presence. By the time this fourth instalment rolled around, Krueger was iconic for sure, but also he was a marketing tool for merchandise, even getting his own spin-off TV show. Where once was this vile child murderer invading the dreams of children and killing them, now is a guy selling dolls and someone more known for a quip than a kill.
Dream Master follows the basic Elm Street formula, Krueger returns to kill more kids in their dreams. The methods range from the icky (insect) to the impressive (pizza), and the effects work is mostly enjoyable. The tying up of loose ends shows some modicum of thought in the writing, while the big finale is actually worth the wait. However, the acting away from a perky Wilcox is pretty poor and familiarity of formula does indeed breed contempt. It's just about above average as a whole, thanks in the main to the inventive kills, but as this third sequel coined it in at the box office, with that comes the basic fact that Kruegerville is a town built only for cash purposes. 6/10
Freddy Krueger (Englund) is back again to finish off the last of the Dream Warriors, but when he enters the dreams of a new girl, Alice Johnson (Wilcox), he gets more than he bargained for...
In spite of part three being something of a return to form for the Elm Street franchise, it still signalled the point where Krueger as a character started to become more fun villain than a terrifying presence. By the time this fourth instalment rolled around, Krueger was iconic for sure, but also he was a marketing tool for merchandise, even getting his own spin-off TV show. Where once was this vile child murderer invading the dreams of children and killing them, now is a guy selling dolls and someone more known for a quip than a kill.
Dream Master follows the basic Elm Street formula, Krueger returns to kill more kids in their dreams. The methods range from the icky (insect) to the impressive (pizza), and the effects work is mostly enjoyable. The tying up of loose ends shows some modicum of thought in the writing, while the big finale is actually worth the wait. However, the acting away from a perky Wilcox is pretty poor and familiarity of formula does indeed breed contempt. It's just about above average as a whole, thanks in the main to the inventive kills, but as this third sequel coined it in at the box office, with that comes the basic fact that Kruegerville is a town built only for cash purposes. 6/10
The stage curtains open ...
For whatever reason, this 4th installment in the Elm Street series is my personal favorite. Maybe it's because it was directed by Renny Harlin who has a certain flair for action sequences. Maybe it's because I adore Lisa Wilcox and her character Alice, and the fact that she kicked some butt. Maybe it's because the supporting cast of teens really seemed like a tight knit group of friends having fun making this movie. Maybe it's because of the amazing visuals we were treated to. I don't know why exactly, but I absolutely loved "A Nightmare on Elm Street 4 - The Dream Master".
Having survived the events of the 3rd film, Kristen has formed a new circle of friends and is back in school with a boyfriend. Sensing that there is something wrong, she finds herself back in Freddy's nightmareland and he draws upon her power to pull in "fresh meat" so that he can start all over again. Alice, her best friend, is the silent, recluse type who is doing her best to hold things together at home. As the friends around her begin to die, she assumes their individual powers, sheds her fears, and faces Freddy for a winner-takes-all battle.
The transformation of Alice in this movie was the compelling story line, and the final confrontation delivers all the goods. Behind tight direction and good editing, we are given some outstanding visuals and memorable scenes. One of which was the movie theater scene where Alice is sucked into the silver screen. The acting in this one was a bit better than the previous installments, and this bunch of teen friends were people I actually cared about.
I highly recommend this movie at a very strong 8 stars out of 10. It is my personal favorite in the series - maybe because it's the perfect blend of everything I mentioned earlier. And as such, it still holds up pretty well since it was first released in 1988. "The Dream Master" is a winner.
For whatever reason, this 4th installment in the Elm Street series is my personal favorite. Maybe it's because it was directed by Renny Harlin who has a certain flair for action sequences. Maybe it's because I adore Lisa Wilcox and her character Alice, and the fact that she kicked some butt. Maybe it's because the supporting cast of teens really seemed like a tight knit group of friends having fun making this movie. Maybe it's because of the amazing visuals we were treated to. I don't know why exactly, but I absolutely loved "A Nightmare on Elm Street 4 - The Dream Master".
Having survived the events of the 3rd film, Kristen has formed a new circle of friends and is back in school with a boyfriend. Sensing that there is something wrong, she finds herself back in Freddy's nightmareland and he draws upon her power to pull in "fresh meat" so that he can start all over again. Alice, her best friend, is the silent, recluse type who is doing her best to hold things together at home. As the friends around her begin to die, she assumes their individual powers, sheds her fears, and faces Freddy for a winner-takes-all battle.
The transformation of Alice in this movie was the compelling story line, and the final confrontation delivers all the goods. Behind tight direction and good editing, we are given some outstanding visuals and memorable scenes. One of which was the movie theater scene where Alice is sucked into the silver screen. The acting in this one was a bit better than the previous installments, and this bunch of teen friends were people I actually cared about.
I highly recommend this movie at a very strong 8 stars out of 10. It is my personal favorite in the series - maybe because it's the perfect blend of everything I mentioned earlier. And as such, it still holds up pretty well since it was first released in 1988. "The Dream Master" is a winner.
A Nightmare on Elm Street 4: The Dream Master, the fourth installment in the Nightmare on Elm Street series. I was lucky enough to get the boxed DVD set of Nightmare on Elm Street series and I just finished all the sequels and while the fourth isn't a bad sequel or continuation of the story, it was pretty silly. It was cool to continue on with the dream warriors who were clever enough to defeat Freddy in the third Nightmare on Elm Street. But Freddy's back and he is more ticked off than ever and you know that's not good. But while the story was a good idea, the way it was executed, I wasn't really that into it, just the acting I think is what killed it for me. The way the movie was made was what made it feel like it was more of a cheesy TV show like on the Sci-fi Channel than an actual movie.
We start off where the third installment of the Nightmare on Elm Street series left off, the kids from the hospital are now grown up and are all on their own. But they are quickly killed off by Freddy hoping to get Kirsten back to help them, but they are too late. But when Kirsten finds a girl, Alice, she finds out that Alice has the same powers as she does. She has the ability to pull other people into her dreams and of course Alice is scared to find out how to use her powers, but she may just have to use them since Freddy is now after her and other kids too.
A Nightmare on Elm Street 4: The Dream Master was a good enough sequel, but it just could have been better. I liked it, but so far it's not my top favorite sequel. Again, we've got some very cool deaths, don't think I could choose one, I think the water bed one was very cool. But once again, I don't wanna spoil it. Of course if you wanna see the Nightmare on Elm Street sequels, this is recommended, but as a horror movie on it's own, it's OK.
6/10
We start off where the third installment of the Nightmare on Elm Street series left off, the kids from the hospital are now grown up and are all on their own. But they are quickly killed off by Freddy hoping to get Kirsten back to help them, but they are too late. But when Kirsten finds a girl, Alice, she finds out that Alice has the same powers as she does. She has the ability to pull other people into her dreams and of course Alice is scared to find out how to use her powers, but she may just have to use them since Freddy is now after her and other kids too.
A Nightmare on Elm Street 4: The Dream Master was a good enough sequel, but it just could have been better. I liked it, but so far it's not my top favorite sequel. Again, we've got some very cool deaths, don't think I could choose one, I think the water bed one was very cool. But once again, I don't wanna spoil it. Of course if you wanna see the Nightmare on Elm Street sequels, this is recommended, but as a horror movie on it's own, it's OK.
6/10
¿Sabías que...?
- CuriosidadesFirst film in the franchise where Robert Englund received top billing in the opening credits.
- Pifias(at around 22 mins) When a headphone cord is unplugged from a stereo, the stereo does not turn off. The stereos speakers would turn on.
- Citas
Freddy Krueger: Welcome to Wonderland, Alice.
- Créditos adicionalesA text before the opening credits reads as follows: "When deep sleep falleth on men, fear came apon me. And trembling which made all my bones to shake" -Job IV, 13-14
- Versiones alternativasThe UK cinema version was cut by 56 secs to delete footage of nunchakus from two scenes, and the cuts were expanded to 1 min 7 secs for the video release. The cuts were fully restored in the 15 rated 2001 DVD.
- ConexionesEdited into KPDX Fox 49, Award Video: Freddy's Holiday Party Contest (1988)
- Banda sonoraLove Kills
Performed by Vinnie Vincent Invasion
Written by Vinnie Vincent
Produced and Arranged by Dana Strum and Vinnie Vincent
Published by Vinnie Vincent Music/Rare Blue Music, Inc. (ASCAP)
From the Chrysalis LP "All Systems Go"
(played on jukebox in diner)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Pesadilla en Elm Street 4: El amo del sueño
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 49.369.899 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 12.833.403 US$
- 21 ago 1988
- Recaudación en todo el mundo
- 49.369.899 US$
- Duración1 hora 33 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Pesadilla en Elm Street 4 (1988) officially released in India in English?
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