John McClane, agente del departamento de policía de Nueva York, intenta salvar a su mujer, Holly Gennaro, y a otras personas a las que el terrorista alemán, Hans Gruber, ha tomado como rehen... Leer todoJohn McClane, agente del departamento de policía de Nueva York, intenta salvar a su mujer, Holly Gennaro, y a otras personas a las que el terrorista alemán, Hans Gruber, ha tomado como rehenes durante la fiesta navideña en el Nakatomi Plaza en Los Ángeles.John McClane, agente del departamento de policía de Nueva York, intenta salvar a su mujer, Holly Gennaro, y a otras personas a las que el terrorista alemán, Hans Gruber, ha tomado como rehenes durante la fiesta navideña en el Nakatomi Plaza en Los Ángeles.
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- Nominado para 4 premios Óscar
- 8 premios y 8 nominaciones en total
- Alexander
- (as Joey Plewa)
- Kristoff
- (as Gerard Bonn)
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Special praise must go out to Alan Rickman too whose performance as chief baddie Hans is to this day one of cinemas finest, moving convincingly from cool, calm and collected to desperate and nervous, never once seeming anything less than utterly ruthless and calculating. Even after we discover that Hans isn't there as a political terrorist but simply as a thief, he loses absolutely no villain credibility when he responds to Holly McClane's criticism by saying "I am an exceptional thief, Mrs. McClane and since I'm moving to kidnapping you should be more polite." Although we know Hans is capable of vile acts, he actually sees those as merely means to a greater and somehow justifiable end. His disposition is almost humanitarian and you would imagine him as quite a gentleman outside of the context of the crimes he commits in Die Hard's arc. In the end though, Hans is a pure sociopath that even the audience is conned into sympathizing with. I would actually argue that Die Hard is the greatest pure action film ever made. Yippie-ki-yay *muddy funster*... and happy holidays.
Overall rating: 9 out of 10.
My family and I catch this fi on cable almost every year during the Christmas season and this never gets old. Unlike other action films from the 80s that spit cheesy little one-liners and mindless gun shootouts, this film presents viewers with a very likable protagonist who is self aware with his flaws and has feels very human, a Villain who is near equally likable and incredibly smart, and the dialogue between these two characters (which are spoken via walkie-talkies for the majority of the time) is very witty and clever that keep viewers' attention. The main character John McClane spends most of the time fighting off the terrorists who are lead by Hans Gruber, and the scenes are exciting to watch. Glossing with intense gunfights, explosions, stellar camera-work and fight choreography, the scenes keep viewers strapped to their seats. In the scenes when the action lightens up, there are some interesting conversations between characters like McClane, who at one point, shares a tender moment with a cop by admitting his flaws as a husband and a man as a whole. These moments are make you feel for the character and are presented in a realistic way and not sappy way. Bruce Willis does an excellent job as the main character and his performances him as the action hero he is today, along with his famous line "Yippie Kay Yay, motherf***er". The same can be said about Alan Rickman is gives off a performances as the one of the most charismatic antagonists ever put on screen. What really impresses me about this film is the action set pieces. The Nakatomi Plaza that serves as the film's main setting (at least during the beginning) is shot nowhere other than Twentieth Century Fox headquarters. Quite interesting!
Die Hard is one of the most influential action films ever made and shines with nearly every aspect an action film needs. It is a good movie for viewers to pop a bag of popcorn, sit on the couch, and watch. Director John McTiernan did a fantastic job with this film as well as the cast. This film is a textbook example of what action films need to be and a movie that every action fan should not miss.
When watching this film what becomes immediately apparent is how fresh it is. This hasn't been filmed with some cheap cameras for a quick buck, it looks professional and couldn't be less polished. The photography is clear and brings out the best of the surroundings, while the music has obviously been carefully chosen to convey the right mood. And, strangely enough for an action film, the acting is actually very good. Unheard of, as remember this was back in the days where Schwarzenegger and Stallone were the top stars of the action genre. Bruce Willis excels as the wisecracking, sardonic cop, and you can't fail to like him. He's consistently witty and provides a powerful presence when needed - it comes as no surprise as he lived off this image for the next six or seven years.
The supporting cast aren't half bad, either. The reliable Bonnie Bedelia takes a break from her usual highbrow, "moral dilemma", television movie fare as Willis' tough wife, while Reginald Veljohnson is also great as a sympathetic cop - you just want to hug him. But most memorable of all is Alan Rickman for his excellent turn as the cool, calculating terrorist with a carefully-crafted German accent and a fine line in natty suits. Rickman is THE bad guy of modern cinema, watch any subsequent action film with terrorists and you'll see people trying to be him. He's that good. The rest of the cast of terrorists have all been picked for their imposing looks, and they're not bad either. Keep your eyes peeled for fearsome Bond baddie Robert Davi in a minor role as an FBI man.
As well as the tense running around in corridors and stand-offs between Willis and the various creeps, this film really delivers in the action stakes. The guys here really do look like they are trying their hardest to kill each other, and we get people flying down stairs, getting chains wrapped around their necks, getting shot all over the place. Every kill that Willis makes is original and exciting. There are also plenty of ace stunts, like when Willis jumps off an exploding roof with only a fire hose tied around his waist. The gore level is high, graphic in fact, with people being shot apart wherever you look, and it's definitely a film for all cinema fans to enjoy. Consistently entertaining and strong enough to withstand repeated viewings, this is the first and final word on the "one guy versus lots of bad guys" sub-genre of the action flick.
I usually have an aversion to Christmas movies as they all tend to turn into cheesy rom-coms but this was pretty awesome. And I think the reason for that is because that even though it was Christmassy where it mattered, the plot didn't completely revolve around it.
I've got to admit, most of it was guns and explosions and there was very little plot to go off of besides a pretty traditional three-act structure, but it was still pretty damn entertaining. And you know it's a good movie when about 90% of it was guns and blood and explosions and the other 10% was Bruce Willis saying badass things and crawling through vents in an ever-disintegrating tank top, and you stilled enjoyed it.
There was never a still moment in this movie, but unlike most times, where I just end up getting bored of the CGI-fest explosions, I was actually pretty captivated through the entire runtime. I'm actually really pleasantly surprised. The ending is predictable, but it's nice. Not all movies have to be intellectual masterpieces. Sometimes you just need to switch your brain of a little and watch Bruce Willis kick ass.
So, Jake of B99 was right. I mean, it's badass, Bruce Willis has the best one-liners, you have cool explosions. There's not too much more I could say about this movie. Yippie kayak, other buckets.
-Sasha.
For one thing the action is explosive and consistently exciting, and the cinematography is astounding being very inventive and colourful. John McTiernon(The Hunt for Red October, Last Action Hero) directs briskly and efficiently, and the pacing a vast majority of the time is exhilarating.
Then there is a terrific score by Michael Kamen, some intelligent and witty scripting and a plot that doesn't feel forced or convoluted. Not to mention some excellent acting. As good as Bruce Willis is, yes his character is somewhat two-dimensional, but he is also resourceful and world-weary and Willis handles this really well, it is Alan Rickman who steals the acting honours as Hans Gruber. Gruber is cold, calculating, suave and menacing, in my opinion only Rickman could do justice to such a character. Overall, a superb movie, not only the best of the Die Hard franchise but one of the best of the action genre. 10/10 Bethany Cox
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- CuriosidadesThe fictional Nakatomi Plaza is the headquarters of 20th Century Studios, so the studio could use one of its own buildings and didn't have to hold back on stunts and action sequences. While Jeb Stuart was writing the screenplay, he did a tour of the building, and immediately incorporated some of the locations and objects he found there into his script as set pieces (such as the cart that McClane and Karl end up riding during their fight). The company charged itself rent for the use of the then-unfinished building. Some of the middle floors were occupied by legal and administrative departments, so only empty floors were used for filming. Still, the filming of scenes that involved gunfire had to be postponed until after hours because some of the employees from the active floors started to complain about the noise.
- PifiasSeveral times during transmissions with the two-way radios, characters interrupt each other, which would be impossible given the type of radios they were using; if one person is transmitting on his radio, he cannot hear any other radios transmitting back on the same radio-set. Only a third person listening to the conversations on a third radio would be able to hear the two transmitters "stomping on each other".
- Citas
Dwayne T. Robinson: I've got a hundred people down here, and they're covered with glass.
John McClane: Glass? Who gives a shit about glass? Who the fuck is this?
Dwayne T. Robinson: This is Deputy Chief of Police, Dwayne T. Robinson, and I am in charge of this situation.
John McClane: Oh, you're in charge? Well, I got some bad news for you *Dwayne*, from up here it doesn't look like you're in charge of jack shit.
Dwayne T. Robinson: You listen to me, you little asshole, I'm...
John McClane: Asshole? I'm not the one who just got butt-fucked on national TV, *Dwayne*. Now, you listen to me, jerk-off, if you're not a part of the solution, you're a part of the problem. Quit being a part of the fucking problem and put the other guy back on!
- Créditos adicionalesIn the widescreen version, the 20th Century Fox logo is stretched.
- Versiones alternativasThe Ultimate edition DVD contains the following deleted/extended scenes:
- Extended power shutdown sequence.
- Extended opening flight scene.
- Brief dialogue in the first Hans/McClane confrontation.
- Extended scene where Robinson/Powell brief the FBI on the tower situation.
- Brief dialogue when Hans interrogates Takagi.
- Brief dialogue after Theo says "You didn't bring me along for my charming personality".
- Extended/alternate dialogue in McClane/Powell conversation after McClane uses the plastic explosives.
- Brief scene of FBI agents getting stuck in thorn bushes as they make their way towards the building.
- At the end, McClane says "You got a warranty for this (Holly's watch, a gift from Nakatomi Corporation)?" to which Holly laughs.
- Argyle's dialogue as Powell's police cruiser flies by in the background.
- Brief Ellis dialogue reacting to the terrorist intrusion.
- City engineer briefly coughs before pulling out the power cord.
- Brief dialogue in Hans/Karl argument about "neutralizing" McClane.
- Additional Holly dialogue after seeing Karl's reaction to McClane's escape.
- ConexionesEdited into Jungla de cristal: La venganza (1995)
- Banda sonoraSingin' in the Rain
Written by Arthur Freed and Nacio Herb Brown
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Duro de matar
- Localizaciones del rodaje
- Fox Plaza - 2121 Avenue of the Stars, Century City, Los Ángeles, California, Estados Unidos(Nakatomi building, interiors filmed on the 29th and 35th floors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 28.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 85.892.546 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 601.851 US$
- 17 jul 1988
- Recaudación en todo el mundo
- 143.651.650 US$
- Duración
- 2h 12min(132 min)
- Color
- Relación de aspecto
- 2.39 : 1






