Los fantasmas del Chapelier

In this film, Claude Chabrol seems to sum up his mastery of the art with a slickly made, macabre, ironic crime story full of Hitchcock elements and top performances by Serrault and Aznavour.

In the small La Rochelle town, Léon Labbé (Michel Serrault) is a reputable hatter that lives with his crippled wife Mathilde (Monique Chaumette) and his maid Louise Chapus (Christine Paolini) on the upper floors of his store. The boy Valentin (Fabrice Ploquin) works for him at the store. His neighbor across the street is the Armenian tailor Kachoudas (Charles Aznavour), who lives with his wife and five children in the upper floors of his store. La Rochelle is shaken by a strangler that has already killed six women in the last weeks. Léon like to play card with his friends in a bar and is always followed by Kachoudas that suspects he might be the killer. Among his friends are the Chief of Police Caille (Robert Party), Dr. Chaudreau (Victor Garrivier) and the young journalist Jeantet (François Cluzet), who has theories about the strangler. Soon we learn that Léon killed his wife two months ago and begin the crime spree killing her six best friends that usually visit her on her birthday. There is only the seventh woman missing, but he finds that she died of natural causes. Now the sick Léon looks for a replacement and Louise may be his next victim.

"Les fantômes du chapelier" is an original French movie by Claude Chabrol, with a suspenseful story of an insane hatter respected by his community that is a strangler. The cast is impressively great, with names such as Michel Serrault, Charles Aznavour and François Cluzet, among others, and the screenplay keeps the attention of the viewer until the last scene. The plot is timeless and has not aged after more than forty years. My vote is seven.

Title (Brazil): "Os Fantasmas do Chapeleiro" ("The Ghosts of the Hatter")

The plotting of "Chapelier" is actually quite dull, I must admit. But nevertheless the movie is a great piece of entertainment. The one person that makes it worth your while is Michel Serrault. He ranges among the finest actors that France brought to the screen. Here, he simply plays a total nuthead, which is absolutely entertaining to look at. Should you ever come across this movie on TV, watch it!

What a splendid little film although I had read the Georges Simenon book but not having watched this it seems was never seen in UK. It is a rather lovely little story with lots of going on underneath not to mention the strangling of a rather lot of women we do not see and about a 'ghost' that is rather strange and never mind that the hatter is followed by the tailor and he seems to have fun until one day he can't. Michel Serrault the great actor and has so many different films like with The Inquisitor (1981) with Lino Ventura, La Cage Aux Folles (1978) and even Les Diaboliques (1955). The very good Charles Aznavour is under played as the Armenian tailor with little money but looks as if he knows what is going on as we are also eventually. It is such a lovely and amusing although nasty but similarly and clever Chabrol film.

A hatter in a provincial town (Michel Serrault) leads the life of a respectable citizen but is in fact a serial murderer. The only person to suspect this is his neighbour the tailor (Charles Asnavour). It is difficult to believe that this film was made in the eighties as not only is the film set in the fifties but it has a totally fifties style production. It seems to be exactly the kind of film that Chabrol and the other members of the nouvelle vague were rebelling against. The story is very straightforward, the characters are stereotypes, the female characters are two dimensional and treated as objects. "Le Boucher" made years earlier is far more modern and superior in every way. The story is well told if you suspend your disbelief and the acting on the whole is good. The town in which it is set is very photogenic, with narrow cobbled streets and no traffic. Not only does it compare badly to other Chabrol films but also to other Simenon adaptations. "Monsieur Hire" has a similarly paced and straightforward story line but is more adventurous in visual style and tells a more modern story with two more believable characters. "Le Horloger de Saint-Paul" has almost a documentary style and requires a lot of thought as the development is to do with the main character rather than the storyline, and is far superior.