Arth

Mahesh Bhatt's 'Arth' is said to be loosely based on his own marriage. The main story is of a woman coming to terms with life after separation from her husband (who was having an affair with an actress). The theme is quite simple and so is the execution but Bhatt gives it a raw but realistic and authentic look. While many have complained that 'Arth' is slow moving, the pace wasn't problematic for me. It's not a slick fast paced movie but I liked that Bhatt takes his time to let the events unfold as the characters are faced with decisions to make. It is very much a character driven piece and the film gives us the time to study these intriguing people. Moreover, Jagjit Singh's ghazals beautifully reflect the inner feelings of the characters.

Bhatt tells the story very convincingly and he has put a lot of heart into it. I liked that he didn't turned Inder Malhotra (the character who's based on himself) into a good guy towards the end and that perhaps his portrayal of his story is honest. But, whether real or not, that doesn't matter because the story in 'Arth' works very well regardless. It is clearly one of his best films.

Shabana Azmi gives a tour-de-force performance as the heartbroken Pooja. It is her film all the way and Azmi displays Pooja's growth with élan. It's one of the strongest portrayals by an actress. Smita Patil is equally fabulous in a smaller role as Kavita, the tormented actress. I always love watching these two actresses share the screen and here too their shared scenes are among highlights of the film. Kulbushan Kharbanda holds his own in a woman-oriented film. The rest of the cast that include Raj Kiran and Mazhar Khan offer adequate support.

'Arth' is a rare gem of the 80s which was known to be the worst decade of Indian cinema.

Arth is a pleasantly surprising movie, a great cinematic experience. It's one of those few movies that makes us live the journey of the main character, and make us believe the decisions and path of the cast. It's a well acted, edited and directed movie with a powerful screenplay. It will be unfair to not appreciate the cast especially Sabhana Azmi. It's a philosophically satisfying conclusion. A strong ending and a feel good vibe. It's a must watch movie. Highly recommended.

there are very few Indian films that confront real situations, without cheating the audience, treating them like children or giving them what they want instead of what they need. 'arth' is one of those few films.

the story is a simple and timeless one, yet one that is rarely explored in Indian film. what makes it so great is that each side of is represented, with two female points of view, another rarity in Indian film. but the performances are what bring this great story to life. the acting is superb, especially by shabana azmi and smita patil - two women with excellent performances in the same film, which is yet another rarity.

the film is well directed, and mahesh bhatt highlights the emotional impact of the situation very well. not a single shot is wasted and the story unfolds at a perfect pace.

at no point is 'arth' clichéd or predictable, and it tells the story as it should be told. the ending was one that would have made so many other films excellent, yet the storytellers were afraid to tell it. this is the thing i admire most about this film, it never cheats the audience and treats the situation as realistically as possible. most importantly, each of the main characters is three-dimensional, and the film examines each of these characters and their states of mind very well, rather than having them react to events.

the writing, directing, and acting in this film are absolutely perfect and this film is easily one of the best Indian films ever made.

Arth (1982) : Brief Review -

Arth explains real Meaning of Woman Empowerment and Inherence. Woman oriented films have always been special and important for Bollywood cinema and there have been at least one or two such films made in every decade since 50s. Bimal Roy's cinema was far ahead of time while others took right time to make such films and Mahesh Bhatt got his achievement in early 80s. Arth is a story of a married Woman whose husband leaves for other woman and the wife tries to find the meaning and cause of her existence. The topic is extremely important and worthy for Social change as it happens with so many women in real world but they endure such husbands for the sake of old school traditions of naive wife. Here, Arth teaches them a lesson to live thier life on thier own and maintain self-respect. What Arth lacks is excessive nature and poignant take on this issue. Every conflict in the film is small and that's how a realistic content should be so it works perfectly. The problem is, the motive comes into light too late, almost at the ending scene which was quite unfair from my point of view. Despite being so confident in married life, as she herself says to the lady servant about leaving such nasty husband, the wife takes soft stand when it comes to her life. She should have left him with confidence and then try to find her own path but she seems quite soft cause she's still hoping that her husband will be back one day. By the end she denies herself though, just like I said too late. It's effective for sure so don't make any opinion. The husband's character is perfectly written i don't see anything that can be improved and same goes the 2nd woman's role. She was looking little contradictory to her own views but it's okay to have at least one lose character so that the Main character will look effective. The climax is filled with intelligent sentiments which have rarely been seen in Bollywood cinema. Shabana Azmi is sublime in the film and deservingly won Filmfare and National Award. Kulbhushan Kharbanda and Raj Kiran are impressive whereas Smita Patil looks hot. Music is fulsomely situational so don't expect much. Dialogues are worthy and sharp, it lacks excessiveness though. Mahesh Bhatt's direction is fantastic. If am not wrong then Arth was First Ever Classic in his career and guess what? It lives forever. I don't care how many films were made on Woman Empowerment after Arth, it still works and it still feels special. So don't miss.

RATING - 8/10*

By - #samthebestest

Ghazal maestro Jagjit Singh has passed away. The world of Ghazals and Shaayari is mourning the sad demise of the one and only Jagjit Singh. Ghazal singing has never been a profession for him. He always took it as the worship of the Lord. His soulmate Chitra stopped singing after the demise of their the only son - Vivek in an accident in 1993 but Jagjit did not stop it. Can a devotee stop worshipping the Almighty in any condition ? No. Hence Jagjit Singh continued, suppressing and trying to forget the grief in his heart.

Jagjit Singh always sung from the heart. And he always chose Ghazals and Nazms of very high literary quality for singing. That's how he became instrumental in popularizing Ghazals as a form of light music. He sang for Bollywood movies too. The Ghazal, Nazm and songs of Saath Saath (1982) and the immortal love song - Hothon Se Chhoo Lo Tum (Prem Geet - 1981) are a few illustrations. However Mahesh Bhatt's Arth (1982) is different in the sense that Jagjit Singh not only sang the Ghazals and Nazms but he only composed their music also. The music director of Arth is none other than Jagjit Singh himself. Though he had composed the music of Prem Geet also, Arth is his unique contribution to Bollywood music because in addition to composing the music, he and his soulmate Chitra sang all the Ghazals and Nazms included in the movie and all are invaluable gems for the lovers of music and Shaayari. I pay my tribute to him through review of this movie which was considered quite bold at the time of its release.

Arth (meaning) is the story of extra-marital relationship of Inder (Kulbhushan Kharbanda) and Kavita (Smita Patil). Inder is married to Pooja (Shabaana Azmi). Inder leaves Pooja for the sake of mentally insecure and unstable Kavita but finally Kavita also discards him. Pooja is heartbroken whom Raj (Raj Kiran) tries to console through his love for her. However Pooja decides to search an identity for herself in the world, independent of the support of any male.

Mahesh Bhatt used to direct average movies prior to Arth (Manzilen Aur Bhi Hain, Lahu Ke Do Rang, Vishwasghaat etc.). Arth was a milestone in his directorial career after which he never looked back. He always blew the trumpet that Arth was inspired by his own life-story (Parveen Babi being the abnormal other woman in his life). Whether it has anything to do with his life or not, Arth is an admirable movie. A good story was taken and the climax made the announcement of the true woman-lib, i.e., liberation from the shackles of dependence on men.

Arth boasts of power-packed performances of all the three principal actors - Shabaana Aazmi, Smita Patil and Kulbhushan Kharbanda. I won't try to show lamp to the sun by saying anything about the leading ladies who were the pillars of the parallel cinema movement of the seventies and the eighties. However I say about Kulbhushan Kharbanda that it is definitely one of the best ever performances of this underrated actor.

But the trouble lies in the fact that Mahesh Bhatt painted all these three characters with very thick colours. So thick that they lost their naturalness and turned from flesh and blood human-beings to lifeless portraits on the canvas. Mahesh Bhatt could not restrain himself in certain matters and went for exaggeration. And his over-enthusiasm did not allow the movie to become a classic or a masterpiece. What Kavita realized later (that when Inder could leave Pooja for her, he could leave her too for someone else), could have been (and should have been) realized by her earlier too. Inder returns back to Pooja (after he has been discarded by Kavita) like a beggar. It does not match his basic Character.

Raj Kiran as the Ghazal singer has performed even better than the main threesome and he has impressed the most because his character has not lost its natural flavour like the other three. His performance in the song - Tum Itna Jo Muskura Rahe Ho is simply lovable. That's why Shabaana's refusing his love in the end does not appeal to the audience because independence from men does not mean a life devoid of love.

Other than Raj Kiran, the other supporting characters also performed very well. And it's the performance of the supporting cast which elevated the movie by a few notches. The performance of Rohini Hattangadi as the maid of Pooja deserves special mention.

Ultimately, it's the music composed by Jagjit Singh, using the Shaayari of Shabaana's father and the great Shaayar - Janaab Kaifi Aazmi which makes this movie an unforgettable one. You can forget the movie, not its songs. Whether it's the Ghazals - Tum Itna Jo Muskura Rahe Ho and Jhuki Jhuki Si Nazar Beqaraar Hai Ki Nahin (both sung by Jagjit Singh himself) and Tu Nahi To Zindagi Mein Aur Kya Reh Jaayega (sung by Chitra Singh) or it's the heart-piercing Nazms - Koi Ye Kaise Bataaye and Tere Khushboo Mein Base Khat Main Jalaata Kaise, every piece is enchanting for the listener. Jagjit himself sung the songs because no other voice could do justice to the lyric and the composition. Ghazal word has been derived from Ghazala (female deer) and the painful sound coming from its throat is known as Ghazal. And that's why the true Ghazal singer is one who is able to convey the Soz (pain) inherent in the words. Jagjit Singh with his God-given voice perfectly suiting Ghazals and Nazms, only could do it as far as the songs of Arth are concerned. The music of this movie is an invaluable jewel in the treasure of Bollywood music.

I recommend this sentimental movie with a strong message to the people interested in watching meaningful cinema.