Enredos de familia

I love this hilarious sitcom and catch it on re runs whenever I chance upon it. I think it is one of the funniest family comedy series ever, with some entertaining and unusual character portrayals.

The series revolves around the Keaton family, with liberal parents Steven (a TV station manager) and Elyse (an architect). The couple have three children...a financially savvy, politically conservative son Alex, his shopaholic teenage sister Mallory, and a younger tomboy sister, Jennifer. Later Elyse gives birth to a fourth child, baby Andrew. Along the way, Alex develops love interests, first in the form of Ellen (played by the actor's future wife, Tracy Pollan) and later, Lauren, a psychology major. Mallory acquires a boyfriend herself, the motorcycle riding high school drop out, Nick, who incurs the disapproval of her parents and of course especially brother Alex.

The acting is stellar with Meredith Baxter and Michael Gross portraying the parents and Tina Yothers the kid sister, Jennifer. However, it is really Michael J. Fox's show with his hilarious depiction of Alex P. Keaton, who has a tendency to wear shirt & tie everyday around the house and introduces little brother Andrew to the Wall Street Journal while he's still in diapers! My personal favourite is Mallory (charmingly played by Justine Bateman); she is so amusing and endearing as his dim witted, academically slack, clothes obsessed sister who cannot get enough of the mall and talking about cute boys. Of course her contrast with the smart, serious, & focused Alex could hardly be greater.

It's a reverse generational tale to the expected. Normally the parents are the conservative ones, with the teenage offspring liberal rebels and rabble rousers. However, the Keaton parents are the left wing family members, former political activists back in their college heyday. Son Alex, on the other hand, is a die-hard and very vocal card carrying Republican who eventually finds his niche on Wall Street. The sparring between Alex and his parents (as well as with Mallory) makes for some wonderful comedy in this warm hearted family sitcom.

Two former 1960s left-wing hippies (Michael Gross and Meredith Baxter) try to rear their children (Michael J. Fox, Justine Bateman and Tina Yothers) in the 1980s and naturally have problem after problem in "Family Ties", one of the more memorable television successes of that impressive boob-tube decade. The show ran from 1982 to 1989 and even added another child (youngster Brian Bonsall) by the middle of its run. When the show premiered in 1982 it just could not generate any substantial interest ("Cheers" had the same problem during its initial year). After that though it was all peaches and cream as the series dominated on Sunday evenings and was consistently a top 5 or 10 show each week until they exited quietly (of its own free will after eight years). Fox and Bateman were definitely the two who dominated the show. Fox was a Republican-styled teen who seemed to only care about money and social status while Bateman was a polar opposite. She was a ditsy teen who seemed to care more about makeup, clothes, boys and being popular (in other words she was a normal youngster). Every cast member had their moments, but the series was not all fun and games. It consistently had "special" episodes where life crept into the family's crazed television world. Another of those NBC products from the 1980s that survives due to its performers and its intelligence. 4 stars out of 5.

Family Ties was one of the best shows in the 80's. The show that made Michael J. Fox popular. The show was funny and also a little bit dramatic. The actors were great. I wonder what some of the actors are doing nowadays.

I never really watched this series on its first run in the 80s so I decided to give it a look. It became apparent that Fox was the breakout actor. He just had that charisma that translated to movies. Michael Gross was the surprise for me. He is absolutely and completely a comedic genius. Baxter's comedic timing and dramatic skills were deftly used. Bateman and Yother both held their own up against a couple of seasoned actors.

The series explored several social issues without creating division and animosity. It showed that families can have differing philosophies without breaking them apart. From suicide to teen angst to moral dilemmas to financial theory to freedom of speech etc., the writers kept the topics current and timely, issues we still have today. That's why it translates so well into the 21st century.

It's sad that current family sitcoms have descended into one-sided lectures on political and social issues. I can't watch them today because they no longer promote dialogue. It's all "in your face and accept it!" these days.

I will watch this series again. It's funny, sweet, balanced and classic tv.

One technical issue I have is the episodes are played out of order in some instances. For example, an episode when Andy is an infant is played in season 6. I have to ask why. Just curious.

"Family Ties" creator Gary Goldberg didn't like Michael J. Fox on his first audition, thought he played Alex a little too smart-assish. But on his second try, Fox approached it a different way and won the part that shot him to stardom. He quickly became the focal point of the show as the money obsessed teenager Alex P. Keaton. You could understand Meredith Baxter-Birney's disappointment, as the show was to be geared toward her character as the mother. But she and the rest of the cast pretty much faded into the background behind Fox. Not that he wasn't supported by a great group of performers. Michael Gross as the easy going father, Justine Bateman as the typical phone hogging, boy troubled teenage daughter, and Tina Yothers as the tomboyish younger sister. In later years some nice additions were Scott Valentine as Bateman's weirdo boyfriend, and making numerous appearances over the years was Marc Price as the nerdy next door neighbor, Skippy. High point episodes over the years were the Alex turns 18 one, the Alex rents out the rooms of the house one, and also the 4(!) part heartattack episode with the focus being on Michael Gross' father character, Steven. Shows major misstep occured during their final year when they tried to become too socially concious. Episodes dealing with book banning, oil spills, toxic fumes from household products, and racism seemed a bit out of place and more importantly, took away from the comedy. The last hurrah was a decent episode that saw Alex move to New York to be an investment banker. But most recommended from the series would be the shows middle years, where the writing was at its best. Show also must of set some sort of record with at least 6 or 7(!) of those flashback type episodes featuring clips of the past stories. But no harm done.