Ladrón

Thief(1981) contains the best performance of James Caan as a professional thief in a rare leading role. He is complex and three deminsional as the protagonist, Frank. Thief(1981) is similar in many ideas to the Dustin Hoffman film, Straight Time(1977). One of the best directorial debut as Michael Mann gives a realistic portrayal of the hardships in being a professional thief. The movie does a good job in showing the corruption that Frank has to go against.

Its much better than Heat(1995) because it focuses on one person instead of trying to interweave in confusing detail the lives of two people who are opposite in job but the same in spirit. Willie Nelson is terrific in the small of of Frank's mentor, Okla. Robert Prosky is impressive as the father like crime boss, Leo. The heist scenes are the highlight of the film. Thief(1981) has to be one of the best movies to come out during the 1980s and is definitely the director's top film.

Frank (James Caan) runs a car lot, and also cracks safes. He likes Jessie (Tuesday Weld) at the diner who doesn't know what he does. His friend Okla (Willie Nelson) is dying in prison. A gangster Leo (Robert Prosky) wants to hire him to do scores. Jessie has a past with a dead drug dealer in Columbia and she likes the straight life now. He has a picture of his perfect straight life if he could get enough money together. So he decides to do a couple of big jobs taking along his partner Barry (James Belushi).

This is an early Michael Mann theatrical movie. It already has his crime realism style. James Caan is in solid form in one of his best performance. It has the intensity, and detailed crime drama. The production is not slick yet and has a gritty quality to it. The use of advisers really pay off for this movie.

I've always been impressed by Micheal Mann's films. Starting with The Insider, I was intrigued by his camera-work and the use of music to compliment a scene.

With Thief, his directorial debut, he shows what movie fans will be in store for over the 30 years. Of course some of the techniques to steal are dated, but I loved the glossy, yet gritty atmosphere of the film. Tuesday Weld, was also quite good as Caan's love interest. It has an amazing ending as well.

The film is Waaaaaaay ahead of its time. And I was genuinely impressed with James Caans performance. This film is an underrated gem and should be viewed by Mann fans who liked Heat and Collateral.

8/10

Saw this in the theater at it's release. Went back the next weekend and scenes were cut. They remain cut in every version I've seen since. Frank snaps chalk lines off traces of blueprints onto the safe face in the opening heist. Guess the crime commission didn't dig that, 'cause that 5 seconds is history in every cut I've seen since. How do the boys and their gear get up on the roof of the bank building? Rocket assisted grappling hook mortars firing mountain lines and Jumar ascenders from the parking lot. You won't see that scene anymore, either. Man, I miss the Corned Beefs at the Belden Deli on Clark where Frank hands the stones to Gags. Long gone. But if you are in Chicago, stop in early at the Green Mill and you might be able to have a drink in that big, round wood booth - still there. Great gun & car flick. Frank's .45 looks like a Bomar Svenson custom combat, tremendous. Watch for the High Standard 12 guage stakeout special at the end - very rare. Take a drive up north on Western Avenue to check out all the used car lots - still there. Great locations. Yup, the creme was ALWAYS cottage cheese at the old Oasis restuarants. Yuch! You know - Tuesday Weld actually even ACTS a little in this movie, amazing. Man that was a gorgeous house in my old neighborhood and yes they blew it up. Notice when they are snuggling on the outdoor patio - it had a two-sided fireplace - indoor and outdoor. Probably the best Chicago movie ever. The phone book and trash can - time honored tools of the early 80's. When I saw it opening night the theater was filled with every crook and detective on the north side with their wives. And everybody just nodded to each other on the way out. Those days are gone but not forgotten. Great, great flick. Cool TD soundtrack album, too. Also probably the best metallurgical movie ever. I want Frank's coat.

This is one of the few Michael Mann films I can stand to watch. Caan is at his absolute peak here, with his intensity just blazing off the screen. The supporting cast is excellent, the edits are perfect, everything just clicks.

As has been noted by other reviewers, the technical aspects of this film are right on the money. All the locations are really there (or were at one time) and the settings didn't have to be faked up. Yes, Chicago and surrounding Chicagoland is really like this, folks.

I try to watch this thing every few years. Should buy a DVD, I guess, and insert it into my permanent circular film buffer.

Highly, highly recommended.