Pánico antes del amanecer

22 years or so before the original Wrong Turn film was this rather well acted yarn of campers being stalked by inbred killer hillbillies.

A 'cut' above other similar films of the time, thanks to the casting of able players giving it a more believable atmosphere which helps to make it much more gripping than it could have been. This film features possibly the niftiest resolution to a 'slasher' film in cinema history.

As a jaded fan of 80's horror, I'm shocked that this movie actually lived up to the hype. Most "hidden gems" leave me disappointed when finally seen, but this one actually delivered. The movie is relatively light on gore, but the stalking and killing scenes are surprisingly suspenseful because you actually care about most of these characters. The acting is probably the best your going to get from any slasher movie, and cliched/obnoxious character traits are mostly avoided. The directing and cinematography are also above the standard slasher, and make great use of the forest location and lighting.

I see many of the negative reviews of this movie are based on an old dvd viewing. The fact that I watched a new uncut blu-ray version in 2018, might give me a different perspective.

Liebermans' entry in the original slasher craze is definitely more well made and intelligent than some. In fact, in making it he wasn't so much inspired by "Friday the 13th" as he was "Deliverance". He and his crew make this a powerfully atmospheric outing, utilizing the real Oregon woods to great effect, and turn it into a fun survival-of-the-fittest yarn, even developing the two main characters in interesting ways.

Five young adults venture into the Oregonian mountains to do some camping and check out the local land that one of them has supposedly inherited. Before long they begin to be victimized by a stealthy, heavyset psychopath.

Slasher movie fanatics who watch this sort of thing for gore and/or nudity will be quite disappointed with Liebermans' film, as it's clear he has a different agenda going on. That's not to say, of course, that the women aren't attractive, or that there isn't some effective nastiness to be enjoyed. But what the director really wants to convey is the need to have a respect for nature - because it CAN kick your ass if you're not prepared. He begins with an intense opening set piece and generates some truly unnerving suspense; this is the kind of film that can have a viewer literally on the edge of their seat. It's also stylishly done; take note of one scene transition in particular. Brad Fiedel, who a few years later gained his fame with his theme for "The Terminator", supplies a music score that is chilling in its subtlety. (The whistling is a really nice touch.)

The better than usual cast features some very familiar actors: Gregg Henry, Ralph Seymour, Jamie Rose, Mike Kellin, Chris Lemmon (Jacks' son), and George Kennedy as the veteran forest ranger who's aware that the area is fraught with danger. The gorgeous Deborah Benson, who really should have been able to enjoy a much more visible career, is a standout as the female lead who starts out as a rather tentative character, starts to cut loose, and ultimately finds her inner strength. John Hunsaker is extremely creepy as the killer.

There's one well executed plot twist along the way, and at the end an innovative and memorable way of dispatching our villain. The pacing is deliberate, the camera-work and cinematography excellent, and the scenery beautiful, in what has to be one of the more unheralded horror films of its time. It comes highly recommended.

Eight out of 10.

JBD has something that a lot of other horror films lack. I knew that the first time I saw it. It stands above many others. It's funny to think this when it's scenario here is nothing knew. The film even has better actors for this type of flick, none better than Gregg Henry, and it's great to see him play a good guy. The actress playing his girlfriend, looks like a female version of him. Are they related? Again, despite the warning of an old buzzard (horror icon, George Kennedy, who else) not to venture into these dangerous woods, of course they pay no heed. Henry and co proceed in their R.V. into this elevated terrain, below quite a drop, (kind of has you thinking of RV with Robin Williams). The killer family (cliched) are of course deformed, some of them giants, very much Wrong Turnish 1. As they trek out into the mountains, the movie takes it time to pick off it's victims (I like movies that work this way) they are picked off gradually. JBD, an unhurried frightener flick, maintains much suspense, throughout, which it never loses, some of it truly claustrophobic. This horror is one of those few, I've actually found truly and effectively scary. Some moments, truly jangle the senses. Violence is restrained here too. Although JBD with a lot of instances and happenings which are cliché'd, what it has great suspense, which a lot of other films lack this much in volume, it's story structured with a master disciplined touch. It has a less is more thing going for it. The unrelated ten minute opening too is one of grand suspense, in a movie that pushes all the right buttons. There is a warning, on the cover that the last ten minutes of the movie may be intense or disturbing. What an over exaggeration, you'll see what I'm talking about, when you see that image.

The kids-in-the-woods genre isn't a hard one to rise to the top in, yet this film succeeds on its own. A genuinely well-made horror movie with several truly original, creepy images (the man coming out the waterfall!) and an excellent hand-to-hand combat finale. Shot on a genuine shoestring, this film betters by miles any of the studio-financed atrocities that came in the wake of the first Friday. I found the acting and dialogue convincing, at least for horror movie standards. And the photography is grainy and low-fi in an ominous way, without looking unprofessional. This is one of the best horror films of the 1980's, seriously underrated.