Golpe por golpe

This was chuck's 2nd best film, Lone Wolf McQuade being his 1st. Chuck just walks through this movie without jumping into any form of acting ability, an ability which he has never had. but what you see a Norris movie for is his Martial Arts, and he delivers here!!! Some great fights (Lots in slow mo) and a great soundtrack. It also boasts one of the worst WAKING UP FROM A NIGHTMARE pieces of acting in the history of film. Mako is great, Christopher Lee doesn't do a lot and Chuck has NO BEARD, which makes him look about 4 (Although that would make him the hairiest 4 year old ever!!!) All in all a great early 80s actioner which is never dull. Chuck Norris should have made all his movies with Steve Carver.

Following the success of the classic martial arts crime film, The Octagon, Chuck Norris stars in An Eye for An Eye. This film has Norris as an ex-cop seeking to avenge the death of his partner and his partner's girlfriend. The film has a common anti-drug theme that runs through Chuck's 80's films and the involvement of the Far East underworld. The film is low budget but the action and fighting are good. Norris, by this point, had settled into being a film star and the discomfort sensed when watching older films of his dissipated. The film aged better than Norris's bight red Members Only Jacket. Better than some of the ones to follow.

Avemb's "An Eye for an Eye" is an effective martial arts actioner vehicle for the current champ of the genre, Chuck Norris. Helmer Steve Carver mixes a realistic approach with comic strip elements effectively and though results are routine. Pic should please fans of chop-socky.

Norris toplines as a San Francisco cop who quits the force and goes after revenge when his partner and partner's girlfriend are killed by drug traffickers. Aided by his former police boss Capt. Stevens (Richard Roundtree), Norris evens the accounts and takes care of the drug ring.

Making solid atmospheric use of S. F. locations, Carver segues from realistic violence and tension to comic strip hokum in the form of a huge oriental villain (Toru Tanaka), whose menacing antics tip the audience that the film is all in fun. Format has Norris, in traditional Western genre fashion, helped and heckled by an old pro "master" James Chan (Mako), whose wisecracks provide comic relief.

Norris's acting is improving and his balletic fighting and kicking skills remain tops in the field. Chris Lee is fine as an urbane villain, while Maggie Cooper is cute as romantic interest for Norris. Tech credits are good, My review was written in August 1981 after a Midtown Manhattan screening.

Chuck Norris has gotten a bit of a bad rap over the years, but watching some of his earlier films, it's hard to understand why. No, he's not the best actor of all time, but his fighting skills are pretty impressive. This movie gives him a lot of room to do what he does best, and it's great fun to watch him take out bad guy after bad guy with his amazing kung fu kicks. There are also good performances by Mako and Christopher Lee, both of whom make any movie worth watching, and the director has some cool camera shots throughout.

That said, I have to admit it has plenty of unintentionally hilarious parts, and I'm not just talking about the cheesy 80's soundtrack and polyester suits. For one thing, it seems like something is a little wrong with ol' Chuck. He does some genuinely odd things throughout the movie that make you wonder if he's OK in the head. The most shocking example is when a guy asks him, "Kane, do you know what is permeating this room?", and he sniffs the guy's face, rubs his cheek, and says, "Is it your cologne?" Then there's the scene where he knocks a man out, then places a pillow behind his head and pats his hair. He also spends a lot of time talking to his dog, Mort... and not just in a friendly way, but in a maybe-he's-hearing-the-dog-talking-back sort of way.

The character of the Professor is funny too (funny-odd, not funny-haha). The scene where he gets hit by a car and responds by beating the car up is not easy to forget.

These things are a bit unsettling, but where the film really loses it is at the end, when everything goes unexpectedly and completely bonkers. I am referring to the surreal scene where dozens of businessmen who all look like Ron Burgundy have a full-scale war with the police. It's like watching "Die Hard" with the terrorists being played by the entire cast of "Dallas." Cheesiness aside, however, this is an enjoyable, action-packed film that any fan of Norris is sure to love.

7/10 stars.

'Chuck Norris doesn't need a weapon... he is a weapon!' Oh, yeah. Don't you know it! This is what I like to see. Where can you get a Norris film which has him in a red sports car, flaunting a blinding fashion sense, glowing golden hair, a sensitive pet dog called Mort, Mako as his comical martial arts mentor, an unstoppable henchman, Richard Roundtree, Christopher Lee, haunting flashbacks, plenty of fodder for some ass-whooping and of course that fuzzy mo. Hey wait on. What, there's no mo on show?! I don't know, but I guess I have to deal with it. Even though it has dynamism of its own. More so than the man! Anyhow all of this can be found in director Steve Carver's "An Eye For An Eye", who was also responsible for the highly amusing and surprisingly stylish Norris' outing "Lone Wolf McQuade (1983)".

Carver knows his stuff, by keeping it at a cracking pace, competent flair and plastering it with brilliantly stylised and choreographed action set-pieces. Some lively suspense, and jolting thrills are randomly worked in along the way. The premise is routine, and the twists foreseeable. Vengeance, vengeance. I think Norris has got vengeance on mind, and flashy slow motion is the weapon of choice. Of course nothing is going to get in his way. This makes it quite exciting, over-the-top and at times comical. Yes there's some intentional humour too, even in the wonky script. The San Francisco backdrop is well-used (from the gritty to the attractive) as its spaciously photographed and William Goldstien's moodily appealing score is pitch-perfect. The wooden plank that's Norris does what's needed of him, and strangely holds your attention in an adequate turn. A tip-top supporting cast give it a little more credit. Mako brings a wilful personality that suitably feeds off Norris. Richard Roundtree's cynical, frown-beating Capt. Stevens and Christopher Lee's smooth presence features largely as Morgan Canfield. Rosalind Chao, Maggie Cooper and Matt Clarke are solid too. In a role that's hard to forget is Professor Toru Tanaka as the formidable, stone-engraved opponent that Norris must encounter. A swiftly executed and undoubtedly engaging actioner.