Excalibur

it is not easy to say why.and the explanation is the last detail for look for. maybe because it remains the most inspired adaptation of a story to well known.but the cause remains always a must define. and it could be, maybe , the mix of Wagner, kitsch and late romanticism. for acting. and for tension. for the great poetry of image. or , only, for the memories about a fresco about a time as fruit of myths. Excalibur remains unique. and this is the only important thing for define it. as a seductive show. maybe, as an experience. about fascination for an ambiguous past. and refuge in a world who seems out of each form of illusion. or reality.

I am an Arthurian buff and a film fan (aspiring to be a novelist and a screenwriter). EXCALIBUR is a great, great film that holds up very well after more than 20 years. It is an expert distillation of the essential Arthurian legend (this from someone who has read and re-read Malory's original work, Le Morte D'Arthur, on which the movie was based, as well as Tennyson, White, Steinbeck, and many of the other modern fictional treatments, as well as a lot of the secondary literature on the history and meaning of the Arthur myth). The film is wonderful on many, many levels, from Boorman's masterful direction and writing (along with Pallenberg, his screenwriter), to the cinematography, the armor and costumes, the sets and production design, and the acting (with a great cast too numerous to mention). The film has violence, sex, myth, drama, intrigue, heroics, pathos, and aspirations to art, all in the best senses of those terms. The film probably works best if you already have some sort of sense of the Arthur legends, but I would recommend it to anyone. Also, listen to Boorman's director's commentary on the DVD. Perhaps the best and most lucid DVD commentary that I have heard on video; interesting and sharp comments throughout the entire film, and well worth replaying if you aspire to filmmaking in any way, or just want to hear a smart filmmaker talk about his work. I have tried to write Arthurian stories and an Arthurian script, but all have so far paled in comparison to Boorman and Pallenberg's work. Long live Boorman and long live EXCALIBUR!

Movie that succeeds to be at the same time bad movie and the best adaptation of legend of King Arthur and Knights of the Round Table. For 1981. it's visually fascinating and deserves Best Cinematography Oscar it's nominated for. But however magical and hypnotizing it may be, it's also full of flaws. It's poorly written, story is undeveloped, things just happen without explanation and movie makes rough time jumps without transition. Characters are two-dimensional and occasional attempts to add them some depth are tragicomic. With few exceptions, acting is better left uncommented. When I was a child I was stunned with this movie, but from current perspective, changed by few decades of movie experience, this movie is so hollow that I simply can not turn the blind eye to all its flaws, but still so beautiful that I can not rate it low either.

7/10

This movie is absolutely tremendous. Held my attention the entire time. I have seen the others, from the 1950s Knights of the Round Table, to First Knight, even the recent Mists of Avalon, and this is the best of the bunch. Brutal at times, then again, the story takes place during the Dark Ages. Anthropologists don't know too much about the historical Arthur, except from early English and Welsh texts based on oral legends of a Celtic chieftain named Arthur, who lived around 600 AD, and who fought a famous battle.

This story delivers great performances, sets and battle scenes. In the scene in the beginning where Uther becomes king, as witnessed by Merlin, we can see the look of disgust and pity on his face as knights get their arms chopped off! Merlin has worked for years to arrange peace in the kingdom and the moment is at hand, the dawn of a new Golden Age...although it will be Arthur, not Uther, who ushers this in, and it lasts all too briefly. Merlin is played by Nicol Williamson in an outstanding performance! He is comic, wise, and very, very, deadly if you cross his path. The best on-screen Merlin I have ever seen. Arthur is the true hero whose all too human capacity for love gets the best of him and threatens to leave the kingdom in the clutches of the vile Mordred. Morgana, as played by Helen Mirren, is a stunning combination of beauty and evil. The other cast members round out this great film: Patrick Stewart, Liam Neeson, Gabriel Byrne. The sets are astounding, dark foreboding man-made castles contrasted against lush green forests reflecting a lost time when the forces of nature, not man, dominated the earth. See this film! Easily John Boorman's best picture to date.

I first saw this film back when it came out and I was an usher at a local theatre (I was in high school). I have seen many films based on King Arthur, and for some reason this one always causes a stronger reaction in me. I think it is because it is so dark as well as intense. Merlin is borderline looney yet powerful; Arthur starts off as a good-hearted child and then before your eyes self-destructs under his self-imposed weight of leadership; Modred is mocking and disgusting. The fight scenes and the costumes/armor are disturbing; this is no desensitized movie! I own the VHS and sometimes I like to watch up to the point where Guin's deceit with Lancelot takes place, and then stop. After that point, until the very end, the movie is about the fall of a legend, and I like my legends on their pedestals.