PUNTUACIÓN EN IMDb
6,9/10
50 mil
TU PUNTUACIÓN
Perseo debe luchar contra Medusa y el Kraken para salvar a la princesa Andrómeda.Perseo debe luchar contra Medusa y el Kraken para salvar a la princesa Andrómeda.Perseo debe luchar contra Medusa y el Kraken para salvar a la princesa Andrómeda.
- Premios
- 2 premios y 6 nominaciones en total
Reseñas destacadas
This movie is a wonderful showcase for stop-motion modeling mixed with live-action. By 2005 CGI standards things look a little jerky and unfinished, but this does not distract from drawing the viewer into the world of Greek mythology (commercialized).
The Greek gods are butting their jealous heads together and it is up to the pawn in their game, Perseus, to save the day. This is not a movie that will evoke any sort of overwhelming emotional reactions, but it is a competent damsel-in-distress action flick with handsome heroes and ugly bad guys. The lines between good and evil are distinct and predictable.
The Greek gods are butting their jealous heads together and it is up to the pawn in their game, Perseus, to save the day. This is not a movie that will evoke any sort of overwhelming emotional reactions, but it is a competent damsel-in-distress action flick with handsome heroes and ugly bad guys. The lines between good and evil are distinct and predictable.
This movie has been a favorite of mine since i was a kid--i was very into Greek mythology during grade school, so i loved this film, even though i've seen it about two dozen times (it continues to be a Sunday-afternoon staple on TV). There are a number of mythological inaccuracies in this film (the Kraken wasn't a mythological monster; Perseus didn't have Pegasus, but actually borrowed Hermes' winged sandals, etc.), but it's still a good kids' introduction to ancient mythology. While the actors playing the "mortals" are definitely inferior to those playing the Gods, i suppose it works in the sense of their being the Olympians' puppets and, well, a little limpness in the thespian department is somewhat de rigeur (as is the wise/comic sidekick of Burgess Meredith and the 'little and cute' factor of the mechanical owl) for the kind of classic matinee swashbuckler that "Clash of the Titans" is.
But all these complaints that the Harryhausen effects are crap and it would be so much better done with CGI... well, that's pure craziness. Sure, the monsters don't look convincing, but they look a hell of a lot more convincing then they would as cheap computer animation--can you honestly imagine the Medusa sequence being done any better with some cartoon computer program? (Why? So it could look like the crap in "Phantom Menace"?) I've always felt that Harryhausen's stop-motion technique and the resultant odd way in which the monsters moved added to the sense of their mythic status, their unreality, the sense that these are creatures from another world, another plane. (The recent Asian fantasy/action film "Onmyoji" paid tribute to the master by having a CGI demon army move in Harryhausen stop-motion style and damn me if they didn't look scarier, more unearthly for it.) In my opinion, CGI looks even less "real," more like a painted-on cartoon. There's a depth and detail to creatures that have actually been created in the three-dimensional real world that those who have only existed on a computer screen don't have. Also, no matter how good an actor is, there's a difference between someone who's in the same room with the monster he's fighting, or who at least knows what it looks like, and someone who's just trying to "act scared" in the general direction where something will be inserted later. (Imagine the "Alien" movies made with a hyped-up animated creature: you know that even motionless and plastic squeezed between light stands, that giant H.R. Geiger monster gave everyone on set the creeps.) Maybe people like CGI because they feel safer with obviously fake monsters, things that never even existed as a three-foot high model next to the ham sandwich in someone's shop.
But all these complaints that the Harryhausen effects are crap and it would be so much better done with CGI... well, that's pure craziness. Sure, the monsters don't look convincing, but they look a hell of a lot more convincing then they would as cheap computer animation--can you honestly imagine the Medusa sequence being done any better with some cartoon computer program? (Why? So it could look like the crap in "Phantom Menace"?) I've always felt that Harryhausen's stop-motion technique and the resultant odd way in which the monsters moved added to the sense of their mythic status, their unreality, the sense that these are creatures from another world, another plane. (The recent Asian fantasy/action film "Onmyoji" paid tribute to the master by having a CGI demon army move in Harryhausen stop-motion style and damn me if they didn't look scarier, more unearthly for it.) In my opinion, CGI looks even less "real," more like a painted-on cartoon. There's a depth and detail to creatures that have actually been created in the three-dimensional real world that those who have only existed on a computer screen don't have. Also, no matter how good an actor is, there's a difference between someone who's in the same room with the monster he's fighting, or who at least knows what it looks like, and someone who's just trying to "act scared" in the general direction where something will be inserted later. (Imagine the "Alien" movies made with a hyped-up animated creature: you know that even motionless and plastic squeezed between light stands, that giant H.R. Geiger monster gave everyone on set the creeps.) Maybe people like CGI because they feel safer with obviously fake monsters, things that never even existed as a three-foot high model next to the ham sandwich in someone's shop.
This film is one of the reasons for my being a student of the classical world! After being spoiled by the talents of Harryhausen, I just do not get excited about today's CGI effects... Not quite accurate portrayal of Perseus, but that just doesn't affect the enjoyment of this film. Fantastic film, fantastic cast!
10badact
I ignored this film when it first came out in 1981. There were just too many cool films to see that year. Friends who saw it told me it was a laughable hoot. Despite it's august cast and attempt to cash in on the mythic quest themes of Star Wars, it rapidly sunk from sight. In 1995, looking for a film appropriate for my 7 year old daughter, I pulled this film out of the 'family' section of my local library. The critics are right. The F/X are clunky, even by 1981 standards.Harry Hamlin is wooden. Judy Bowker is forgettable, and Laurence Olivier hams it up shamelessly...and yet...IT ALL WORKS! The sets and lighting perfectly capture our deepest feellings of mythic Greece. There isn't a drop of contemporary forays into irony & cynicism. It is unalloyed GOOD vs EVIL lovingly given to us by the effects wizard Harryhausen. His monsters have a childlike beauty that makes them 'scary' without trying to gross you out. It's the myth, the quest, and finally the theme that love does conquer all. No need for smart-alecky, eye-winking protaganists. Just a good old fashioned story told straight and true. My now 14yr. old daughter, wife and I just saw it again last night. See it with the child in your life, or the child in you.
Thank you Mr. Harryhausen, for this and all your wonderful films.
Thank you Mr. Harryhausen, for this and all your wonderful films.
This movie used to be on tv all the time. I can't tell you how many times I've seen the battles with Medusa, Calibos, and the Kraken. However, it was only recently that I went back and watched it start to finish. The first act is a little slower, as it turns out. However, once the quest begins, it's non stop fantasy action. Of course, the animation is legendary, with some great character designs. Overall, I have no real criticisms other than the slow start. And be sure not to let the deviations from traditional mythology spoil the fun. That would just be wrong.
¿Sabías que...?
- CuriosidadesDespite being listed on posters and having main title billing, Ursula Andress only has one line in the entire film.
- PifiasAs the destruction of Argos begins, heavy winds blow the tunic of a man pulling a donkey on a rope to reveal a pair of modern-day gym shorts underneath.
- Créditos adicionalesIn the closing credits, the cast is divided into three categories: The Immortals (for the gods of Olympus), The Mortals (humans, etc.), and The Mythologicals (As Themselves) (In Alphabetical Order) Bubo, Charon, Dioskilos, Kraken, Medusa, Pegasus, Scorpions, Vulture. Those 8 are the non-human animated characters supplied by special effects.
- Versiones alternativasThe UK cinema release was cut by the BBFC to secure an 'A' rating and removed the closeup shot of Calibos' trident-hand piercing a man's back, as well as shortening the prolonged shots of Calibos on his knees writhing in agony after a sword has been thrown into his stomach. The cuts were restored in all video/DVD releases and the certificate upgraded to a 15 (12 for the DVD).
- ConexionesEdited into Malcolm (2000)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Lluita de titans
- Localizaciones del rodaje
- Azure Window, Gozo Island, Malta(final scene with the Kraken)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 41.092.328 US$
- Recaudación en todo el mundo
- 41.092.328 US$
- Duración1 hora 58 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was Furia de titanes (1981) officially released in India in Hindi?
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