El multimillonario Arthur Bach debe casarse con una mujer a la que no ama, o se verá privado de su fortuna de 750 millones de dólares. Pero cuando Arthur se enamora de una pobre camarera, de... Leer todoEl multimillonario Arthur Bach debe casarse con una mujer a la que no ama, o se verá privado de su fortuna de 750 millones de dólares. Pero cuando Arthur se enamora de una pobre camarera, debe decidir si quiere elegir el amor o el dinero.El multimillonario Arthur Bach debe casarse con una mujer a la que no ama, o se verá privado de su fortuna de 750 millones de dólares. Pero cuando Arthur se enamora de una pobre camarera, debe decidir si quiere elegir el amor o el dinero.
- Ganó 2 premios Óscar
- 12 premios y 7 nominaciones en total
- Gloria
- (as Anne De Salvo)
Reseñas destacadas
All the best lines belong to Gielgud, and the Academy Award was hardly adequate for such a legendary performance. Moore's lovable drunk would wear thin in later years, but here it is a fresh and delightful tour de force in the most politically incorrect way. Liza is flawless, but one hates to see her in a non-musical role, for fear of squandering such an immense talent. But the chemistry, the synergy between these legends is palpable.
The laughs never get old. It is, however, a tragedy that the DVD is not available in cinematic aspect.
Arthur is a film with a lot of heart. Its storyline is sincere and its characters are believable. You'll instantly fall in love with the wild and exuberant Arthur, but more so his sarcastic and witty servant Hobson, played by John Gielgud in a magnificent Oscar winning performance. Liza Minnelli plays Linda, Arthur's love interest and she does just as excellent job and delivers a heartwarmingly funny performance with the rest of the cast.
Arthur also reminds us of a time when comedies didn't have to be so crude to be funny. Laughs are always about shock value these days, but Arthur manages to be clever and it's comedy comes from an intelligent script and great actors. Arthur isn't hilarious but it's sufficiently entertaining and is good for plenty of sincere laughs. Obviously the film as a whole is no masterpiece, but as far as romantic comedies go it's better than anything we might see today. It's a little sappy, very predictable, and it's characters are pretty easy to dissect on the base level. But Arthur isn't striving to be much. It's aim is to make us laugh and give us a heartwarming story. It does both of these things, so I would say it is a very successful film.
Dudley Moore stars as 'Arthur', A drunken millionaire playboy from New York City who is on the brink of an arranged marriage to a wealthy heiress, but ends up falling for a common working-class girl from Queens, played by Liza Minnelli.
Steve Gordon's Writing is solid, at most places and offers some really entertaining & interesting moments. But, the pacing is a bit slow. Especially, in the first hour. Gordon's direction is as good as his writing. Cinematography & Editing are fine. Music by Burt Bacharach, is lovely.
Performance-Wise: Late Dudley Moore has a blast playing 'Arthur'. Liza Minnell is convincing. The Late Great, John Gielgud, is amazing, in an Oscar-Winning performance. He is the real scene stealer here! Jill Eikenberry is efficient. Others lend good support.
On the whole, If your looking for some Neat and Clean Humor, pinched with some Romance, then 'Arthur' is meant for you.
The sequel was so and so.
I'm no Dudley Moore fan, but this grew on me and I found him not only hilarious but, as intended, touching. He is supported by two very different kinds of actors—John Gielgud and Liza Minnelli—but they form a wonderful trio.
The story is a timeless one—the rich man who is out of touch with what really matters in life. This isn't pushed very far, and the end is pretty inevitable, but the journey is great fun mostly because Moore is relentlessly funny. Minnelli plays a great strong woman foil to him, and is obviously what he needs in life. The "romance" between them is never very convincing because it remains a bit practical—they don't have that great scene where we expect them to truly "fall in love," and that's just fine. (The closest is the scene in the horse barn, which has one of the funnies lines in the movie, which almost feels like a Moore ad lib, you'll see.)
The aging butler played by Gielgud is more nuanced and funny than the cliché of the English butler in so many movies. It's weird to see him play this kind of role when his repertoire ranges more to Shakespeare (he's one of England's great 20th Century stage actors).
So love this not for the story, which is lovable but plain, but for the three actors and their ongoing wit and verve. A fun fun movie.
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- CuriosidadesDudley Moore was said to have based his performance partly on Peter Cook, whose excessive drinking had soured his and Moore's comedic partnership in the 1970s.
- PifiasLinda steals the tie from Bergdorf-Goodman's by itself, yet when Arthur helps her into the Rolls-Royce, he hands her a box that contains the tie; she still has the box with her when Bitterman helps her out of the car. When Arthur and Hobson walk up to Linda during her confrontation with the security guard, Hobson is carrying a bag with a large box in it. That's the box Linda was given. Since it contains the tie she stole, presumably the tie was put in that box off-camera.
- Citas
Arthur: Hobson?
Hobson: Yes.
Arthur: Do you know what I'm going to do?
Hobson: No, I don't.
Arthur: I'm going to take a bath.
Hobson: I'll alert the media.
Arthur: [rises] Do you want to run my bath for me?
Hobson: That's what I live for.
[Arthur exits]
Hobson: Perhaps you would like me to come in there and wash your dick for you, you little shit.
- ConexionesFeatured in 39th Annual Golden Globe Awards (1982)
- Banda sonoraArthur's Theme (Best That You Can Do)
Written by Burt Bacharach, Carole Bayer Sager, Christopher Cross, and Peter Allen
Performed by Christopher Cross
Produced by Michael Omartian
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Arthur, el solter d'or
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 7.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 95.461.682 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.719.534 US$
- 19 jul 1981
- Recaudación en todo el mundo
- 95.461.682 US$
- Duración
- 1h 37min(97 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1