Xanadú

I was amazed to discover that the director of this legendary fiasco is the same Robert Greenwald who would go on to make several shrewdly observed documentaries nearly a quarter century later - "Outfoxed: Rupert Murdoch's War on Journalism", "Uncovered: The War on Iraq", "Unconstitutional: The War on Our Civil Liberties". What surprises me even more is how in its sheer, misguided exuberance one can just giggle at the studio mindset that came up with the hilariously awful concept and resulting production. On one hand, "Xanadu" is like passing by a car accident...you can't help but stare. On the other, you have to celebrate the fact that it is indeed unique and that we will never see a musical fantasy extravaganza as bizarrely conceived again...hopefully.

A mishmash of surreal, forehead-slapping elements that never really congeal, the 1980 movie's fanciful storyline centers on Sonny Malone, a struggling LA commercial artist tired of recreating album covers on canvas for a record company. He is visited by Kira, one of nine muses from ancient Greece, who come to life from a Venice Beach wall mural (set amusingly to ELO's "I'm Alive"). She inspires Sonny to partner with Danny McGuire, a wealthy eccentric whom she may have inspired when he was a big band clarinetist with his own supper club in New York 35 years earlier. Together, they decide to take the dilapidated, art-deco Pan Pacific Auditorium and turn it into a roller disco club called Xanadu. If that doesn't sound preposterous enough, the cardboard dialogue, overdone Vegas-style sets and cheesy special effects compound the absurdities exponentially.

At her virginally pretty peak, the florescent-lighted Olivia Newton-John plays Kira in the same wide-eyed manner she displayed as Sandy in "Grease". That she is able to sing, dance and skate with some ease is a pleasant albeit limited surprise. Looking like the lost Bee Gee, a wooden Michael Beck is a blank slate as Sonny, delivering lines as if playing a romantic lead amounts to an alien encounter. As Danny, the 68-year old Gene Kelly is simultaneously celebrated and humiliated as his character is ridiculously drawn in very broad strokes. He provides the film's one unequivocally lovely moment as he shows his still-fluid movements dancing with a uniformed Newton-John on the evocative big-band number, "Whenever You're Away From Me". Between her smooth singing and Kelly's soft-shoe dexterity, it's quite magical. Unfortunately, later on, Kelly goes through a series of color-challenged pimp outfits in the silly costume number set to ELO's toe-tapping "All Over the World".

But Kelly is not the only victim here as silly moments abound - a hilariously overdone 1945-meets-1980 musical fantasy extravaganza, "Dancin'", featuring 80's rock band, the Tubes, and outlandish, Solid Gold-type choreography; and there are a couple of gooey pas de deux numbers between Newton-John and Beck - one amid rising palm trees and other props set to "Suddenly" and the other set to ELO's "Don't Walk Away" with the pair wackily transformed into fish and lovebirds in a Don Bluth cartoon sequence. The most spectacularly inane moments are saved for last - the tacky final production number with a split-screen Kelly skating and Newton-John singing the title tune as she goes through a gamut of irrelevant musical genres and variety revue costumes.

The pacing of this movie feels very off and the editing choppy, as the 93-minute movie alternately skitters and drags along coming to a dead halt with Newton-John's overlong number in Tron-like heaven on "Suspended in Time". By the time the movie mercifully ends, one feels the same way an audience member felt watching "Springtime for Hitler" in "The Producers" - utter disbelief yet an unexplainable giddiness about how ludicrously it was all presented. I have to admit some of the music is damnably catchy, for example, "Magic". By the way, I saw this movie not on DVD but on the big screen in a pristine print at the fully packed Castro Theater in San Francisco as part of a roller-disco midnight madness program, and the crowd went wild at every absurdity. I have no doubt that this is the optimal way to see this movie.

I saw Xanadu back in the day, a few months after its original theatrical release my parents rented it on videotape. Back then and even now, Xanadu makes very little sense. It tried to be a grand musical trying to tie up two different musical eras. Under a more skilled director, Xanadu would've had a longer lasting impact. Suffice to say, the one thing that's a towering achievement is the epic soundtrack, more than half of it performed by Electric Light Orchestra. So epic that the songs are still being played on the radio as well as Olivia Newton-John's spectacular singing. The movie itself plays like a back up video for the impressive soundtrack, like 80 minute long MTV video.

Despite my low rating, I DO have a soft spot for Xanadu. My eldest daughter grew up adoring the movie and the songs, but I have to put my feet on the ground and admit that it is not a great movie by any stretch of the word.

If it weren't for the soundtrack, Xanadu would probably have faded into oblivion, but thankfully the collaboration between Olivia and ELO was pure magic. Too bad that magic wasn't truly captured in the movie.

I was 12 when I saw this movie and loved it. I would dream of being a magically glowing roller skating being from another realm for a couple years after the movie. And that's the point of this comment. There is magic there for the taking if you're looking for some. But if you'd rather sit there with your pencil and steno pad, notating every intellectual criticism you can brainstorm; I'm sure you can come up with a lot.

You get to see Olivia skate and sing with Gene Kelly. There are some great songs by legendary pop band Electric Light Orchestra. There is some great music and a fun parallel universe available any time you want to put your pencil down.

Although some might call this "Xanadon't" it has redeeming qualities. The music is the most redeeming. I've always liked ELO and their music carries this film.

Several movies of this type were made about the same time: "Roller Boogie", "Skatetown U.S.A.", etc. If you liked any of these you'll most likely like Xanadu.

This is one of those films you just have to watch and decide for yourself. As you can see just by what's been written here, opinions vary tremendously. And all are valid.

I gave this movie a 6 of 10 because I liked the music and sets.

Just try it. You may like it.

I originally saw "Xanadu" when it was released in 1980. Gene Kelly was in it, so I had to see it. It didn't hurt that Michael Beck was in it as well. Wow - was I disappointed! I love musicals, especially Kelly's, and "Xanadu" really did not appeal to me - at all.

It really isn't a very good movie. It has almost no plot at all and no real antagonist. What little plot there is, I always felt was just lifted from "Down to Earth" (1947) with Rita Hayworth, and "Cover Girl" (1944) with Hayworth, and Gene Kelly (in which he also plays a character named Danny McGuire, which was a nice homage). The soundtrack is great though, and it is nice to see that Kelly can still dance.

Fast forward to 2006. I got a chance to see "Xanadu" again, on a big screen. Specifically, the wonderful Castro Theatre in San Francisco. The print was gorgeous, and the crowd, which filled the theatre almost to capacity, was incredible.

IT WAS SO MUCH FUN!!! The crowd really got into the movie and I just had a blast! What a great experience! The music is still great, and it was a really, really fun movie.

Anyway - "Xanadu" still isn't a "good" movie, but if you can see it under the right circumstances (ie., on a big screen with an audience) it is a great deal of fun.