Flash mortal

Richard Crenna and Paul Williams are excellent, a few supporting actors are also outstanding. The photography is occasionally too gimmicky, but is mostly good to exceptional. The music is great, even when it's not music I love it fits. It establishes a mood, time and place (It's Very, Very Toronto, not NYC or LA...) nicely. There's some lovely editing, lighting and the sound design and recording is vastly above par for the era, and pretty good for today's technology and sensibility.

A lot of it is filmed in real locations, and it's a lovely slice of 70's TO. Sets stick out like a sore thumb, and the occasional covering of a brand with gaffer tape is too obvious also. The snowstorm seems like a mistake as well they had to go with for budget/schedule, and there are a few radio VOs to explain things that are just very oddly/badly done. Some key supporting actors are just awful and similarly stick out, which is all too bad.

But most disappointingly, for much of the film there's no plot to speak of, and the story rambles for no good reason.

The serial killer plot is poorly done, unlikely, and while the ending is somewhat interestingly done, in the final analysis I think unnecessary and too clever by half. I feel instead that this film would have worked much better with Richard Crenna going after a single murder in the same awful place full of crime and the immorality that eats at him, and trying to pin it on Paul Williams much as he does already.

Stone Cold Dead (1979)

** (out of 4)

Richard Crenna plays Sgt. Boyd who is out trying to solve a group of bizarre killings where a sniper is taking out women involved in the sex business. As he grows closer to the killer it's very possible that someone he has a connection with might end up on the hit list.

If you're a fan of 70s cinema then you probably know about 42nd Street and the various types of sleazy movies that would play there. Snipers, pimps, dirty cops, hookers and drug use were just some of the subjects that would be covered in those types of films and all of those elements are on display in STONE COLD DEAD but sadly the film tries to be too mainstream and it just doesn't work.

STONE COLD DEAD has a lot flaws including the fact that it's just never brave enough to cross the line into a darker territory. The film plays around with various dark elements but it never crosses the line to where the film would be more memorable. It really comes across as a watered down version of something you'd see on 42nd Street and it's anyone's guess why they didn't try to push the envelope further.

What really kills the film though is the fact that there's really not any suspense and none of the characters are all that detailed or interesting. Crenna gives a good performance as he always does and he certainly helps carry the film. Both Paul Williams and Linda Sorensen are good in their supporting parts as well. I will also say that the reveal of the killer is another plus as I certainly didn't see it coming.

STONE COLD DEAD certainly isn't a bad movie but at the same time there's just nothing here to separate it from the dozens of other films out there like it.

This movie actually had some money behind it. It had name stars and could pay for the music rights to "Fire Down Below" by the Silver Bullet Band. It's too bad they didn't spend more money on scriptwriters, because the plot is truly muddled.

Richard Crenna plays a cop driven to clean up the city's drug and prostitution rackets, facing off against Paul Williams as the least intimidating pimp in the world. The movie is supposed to be about a sniper who is picking off prostitutes, but that character disappears for about 40 minutes of the film, shows up again briefly, and then disappears again until the climax.

The film goes for maximum gritty with ample violence and nudity, but they could have focused it into a more coherent plot.

Richard Crenna is once again solid as a rock, playing a dedicated police sergeant named Boyd. Working the mean streets of Toronto, he has a distaste for the way the world has gone to seed. He also has a vendetta against slimy, diminutive pimp Julius Kurtz (an oddly, but amusingly cast Paul Williams), and would love nothing more than to pin SOMETHING on him. When a rooftop sniper begins methodically taking out hookers, it's up to Boyd to solve the case. Giving him assistance are veteran prostitute Monica Page (Linda Sorensen) and sassy undercover detective Sandy MacAuley (Belinda J. Montgomery).

"Stone Cold Dead" is based on the novel "The Sin Sniper" by Hugh Garner, and written for the screen by George Mendeluk, making his filmmaking debut. It's particularly interesting for a Canadian audience, to see the sleazier sights and sounds of late 70s Toronto. In general, it doesn't tell a *great* story, necessarily (some people will likely figure out the identity of the sniper ahead of time), but it *is* entertaining, offering a fair amount of grit. It combines elements of the Italian murder mysteries known as "Gialli", crime dramas, and exploitation cinema, and viewers will delight in the abundant nudity and sordid (ultimately sad) aspect to the tale being told. It's greatly enhanced by a fine score by under rated Canadian composer Paul Zaza. There are even some nice little touches here and there, such as the ice skating sequence, and Boyds' method of feeding his fish at scheduled times by phoning his own number.

Crenna is well matched against Williams, who gets to play his slimy role with a bit of nuance and humour. Sorensen is well cast as the potential love interest for Boyd, and Montgomery is a real ball of fire as the female cop. She even gets to belt out two numbers. There are various other familiar faces present to any veteran viewer of Canadian cinema: Chuck Shamata, Alberta Watson, Monique Mercure, Jennifer Dale, Frank Moore, George Touliatos. Legendary Canadian boxer George Chuvalo has a brief cameo; also look fast for a young Michael Ironside at around the 82 minute mark (he's not seen clearly, but that voice is unmistakable).

Trashy, and pretty violent, "Stone Cold Dead" is very fine entertainment for people eager to check out some Canuxploitation.

Seven out of 10.

First of all, I want to say that Paul Williams is an excellent, talented composer. He was a great behind-the-scenes professional in the late 20th century in television and film. I didn't even mind seeing his funny face on the Muppet Show. However, chubby late 70s flat-faced Paul playing an elegant, delusional pimp is almost laugh out loud funny.

There's literally a drawn out scene of a much younger and beautiful young woman being tossed out of his limo into the snow, before returning to perform explicit adult activities a la soft porn. If that wasn't bad enough, the melodramatic strains of Children of the Night playing in the background irresistibly pushed my hand to hit the stop button.