El cantor de Jazz

Okay... all these submissions below? Ignore them. Here's the real scoop.

The biggest problem most folks have with this film is that they're comparing the two male leads' acting ability. BIG MISTAKE.

One is Neil Diamond-- one of the greatest singers of all time. The other is Sir Laurence Olivier-- one of the greatest ACTORS of all time. Think of it this way: if Sir Larry accompanied Neil in a recording of "Cherry, Cherry"-- people would rave about Neil's performance, but then spend an hour going on about how much Olivier sucks.

The fact is this: neither of them suck. Everything is great! Neil Diamond is a fine actor. (Not an AMAZING actor, mind you... but a fine actor.) He'd even beaten out Dustin Hoffman for the role of Lenny Bruce in "Lenny", but turned it down... leaving the door open for Hoffman.

I made the mistake of reading all of the below jeers and whines about Neil Diamond's "terrible acting performance" in this movie. I then watched it over at my girlfriend's house with very low expectations. But I was very impressed, and greatly enjoyed the film. Granted, there are some times when Neil's performance isn't exactly as dramatic as it should be... (i.e., when his father shrieks "I HAVE NO SON!!", Neil doesn't exactly seem to be heartbroken.) But then, there are times when he manifests a great deal of emotional power... especially in the scenes where he gets angry.

Okay, so I'm a huge Neil Diamond fan, yes. I love his music, and I think it's cool that he's had a lead in a major motion picture. BUT-- from an acting perspective, he has my respect. From one actor to another. (YES, I consider him an "actor" too... and so does the IMDb.)

I only have two complaints: one is that this is the only movie he's been in until Saving Silverman-- where he had just a cameo. That sucks. I want to see Neil in more movies.

The other complaint is what everyone else doesn't like: "The Jazz Singer". AL JOLSON sung Jazz. NEIL DIAMOND sings Pop. Soooooo... couldn't it have been called "The Pop Singer", and had an addition in the credits that read, "Based on 'The Jazz Singer' by Al Jolson" or something?

Anyway... the music is great, (even "Love on the Rocks"-- and I'm not a big ballad fan... as they depress me. But I can't dislike a Neil song.) the movie is a great story, and the acting is FINE. Watch it. If you're a fan of Neil's, or even just a fan of 20+ year old movies that have good stories.... check out "The Jazz Singer".



--and by the way.... neil diamond rules. thank you.

Critics are too hard on this film. Yes, for a remake of a classic, this is nothing terrific. Still, the 1980 remake of the Jazz Singer has as many moments as the original did. The opening montage alone is worth renting this movie. A 2 minute music video / opening shows the real streets of New York City and the people that live there. Opening with the statue of liberty, the camera showcases all the different colors, faces and cultures that New York City is made of. Yes Neil Diamond is not a terrific actor....HE'S A SINGER! The amazing talent of Laurence Olivier helps cancel out the bad acting from Neil Diamond. Still, for a singer, Diamond does a good job in this role. For fans of Neil Diamond, this is worth watching for the music alone. Still, I was hoping, out of respect for the original Jazz Singer, have some of the remake made into a silent film. All in all, a nice little movie with good music, even for 1980.

I try to go into a movie uncolored with opinions, and thankfully hadn't heard any negative reviews on this one prior to seeing it for the first time in 1980. That allowed me to view it with an open mind.

The score is superb. It's what makes the movie what it is. The songs fit the mood in every scene, and are all well-placed. The acting, while not the best I've ever seen, isn't nearly as bad as made out to be by critics. Let's face it. Neil Diamond is not an actor. He is a singer, a performer. In this movie he does that very well. And yet, he manages to pull off his character, Yussel Rabinovich, without a hitch. His scenes with Sir Lawrence Olivier are touching and believable. They are indeed a good match as father and son cantors. But for Yussel, his heritage isn't enough. His music roots drive him, and that's what he sets out to discover. Against the will of his father, and over the protest of his wife Rivka, he leaves his home in New York for L.A. and seeks his destiny.

Lucie Arnaz turns in a good performance as Molly Bell, a "retired" music promoter who sees potential in Yussel and takes him under her wing. What follows is a tug-of-war, a battle of values---old and new---as Neil's character, now Jess Robin, climbs the charts professionally, yet never really forgets where he came from.

Watching Neil perform in this movie is like seeing one of his concerts. He's all-show, and not a bit shy. When he picks up a guitar, you know you're in for a treat, and he does music as only he can. It's a great story, well-told and, on the whole, well-acted. Neil gives emotions where called for. But in this movie, the music's the star. That's where Neil really delivers.

Between his duties and responsibilities, and his dreams and love. For those who want to pick the movie apart, without looking inside the story it tells, skip this comment.

Given the choice between one's responsibility to family, parents, religion, tradition, and duty, or choosing love, dreams, goals, and the pursuit of happiness through following our heart, which choice would we make?

The movie tells a story of strength through failure, of living versus wasting away in a life spent pleasing others, and of giving our heart and our dreams sway over the path we take in life.

Wonderful version of a cantor's son in conflict over his orthodox Jewish beliefs and his desire to be a singing star.

The only major flaw that I had with this film is that by the orthodox Jewish people, there is no accommodation made whatsoever in the field of intermarriage. If it occurs, the person intermarrying is regarded as dead as depicted in the film.

Caitlin Adams, who portrayed Jesse's wife Rivka, is true to life since she chose to break with her husband due to her orthodox beliefs. Others might argue that their marriage was headed towards a downward spiral anyway.

Laurence Olivier is absolutely mesmerizing as Diamond's father. His authentic Jewish accent and tearing his clothes are memorable.

Diamond's voice is superb and is acting is on par for the role. "Love on the Rocks," as well as "Acapulco," and "Coming to America" are wonderfully staged.

In the world of today, we need understanding and accommodation and that's exactly what we get in this fine film.