Forjador de ídolos

This was such an engaging film, the more so because of it's basis in fact. I saw this first around 1981 or 82 on cable tv, which I recorded, but had stolen by a guest. I still have the audiocassette recording I made from the vinyl record and listen to it often. Recently, I obtained the DVD through Barnes and Noble (request services). All of the stage performances are riveting and they culminate in that spellbinding finale down in Tennessee. I too cannot fathom why it never hit the bigtime. If it were to be re-released in theaters today it could still be a minor hit.

Tragically, released at a time when United Artists was busy going bankrupt making "Heaven's Gate" (see book FINAL CUT), this film was lost among a number of gems (Rich Kids; Pope of Greenwich Village; TrueRomance), "Idolmaker" is truly in a class by itself. Its acting is uniformly impeccable, direction, cinematography and both writing and song score--by the legendary Jeff Barry--of Barry and Cynthia Weil fame, the film is refreshingly bereft of dead spots,contrived moments and false notes (and I'm not just talking about the music).Ray Sharkey is at his volcanic best. JOE PANTOLIANO is cast against character as (no kidding) Sharkey's milquetoast songwriting partner--and acquits himself magnificently. Olympia Dukakis gives a FINE performance as Sharkey's mother--and Peter Gallagher does his own singing--while delivering the performance of a lifetime as the naive-turned-meglomaniacal Avalon character.Due to his heroin addiction, Sharkey's career floundered in years following this star-making role... lowering him to parts in the likes of "Hellhole" with Marjoe Gortner. He ended up flat broke, living with his mother in NYC.What followed was bittersweet and merits extra attention to a wonderful First Act scene: While watching the movie on TV, he was struck by scene where his mother urges him to swallow his pride and ask his estranged father to finance his start in show business.Seeing That one scene years later restored his self-esteem and inspired him to get clean and sober and get back into the game. He was barely out of rehab when he landed the role of Atlantic City mobster Sonny Steelgrave in TV's"Wiseguy"'s very first story arc. Those episodes remain cult classics,and are available on DVD. Loosely based on the career of Bob Marcucci, and his protégés Fabianand Frankie Avalon, this movie truly has it all: pathos, humor, an unflinching look at the free-for-all pre-Beatles Teen Idol gap that resulted from Elvis' stint in the Army.

I first saw this movie on HBO in 1981. At that time HBO only showed box office flops. The supposedly really good ones would not get on HBO for 3 or 4 years.

I just saw it again tonight, after 23 years, and I still enjoyed it. The music is great, the acting is great, and the plot is great.

What is there not to like about it? I tried watching Chicago in 2002, the academy award winner, and it was a piece of crap. It was a combination Alfred Hitchcock/Showboat/Singing in the Rain movie, that was a total flop in my opinion. I much more enjoyed this movie.

There are a few slow points in the movie, but they don't last for long. There is such energy and vivacity in this movie that it holds your attention as it builds up continually to the next "Idol."

The songs stick in your mind (at least in mine), but they are always "in the wings" of the Ray Sharkey character. For example, the first idol he made, Sharkey is shown off stage mimicking the singer's moves.

Anyway, it is a fun movie to watch, and one of a kind for its time, so I highly recommend it!

This movie is the ultimate sleeper for me. What kept this movie from exploding into the theaters ? It has great direction, outstanding music, and career-defining performances !

"The Idolmaker" truly has everything. It is set during the time when Elvis was in the Army and everyone was looking for the Next Big Thing (Fabian, Frankie Avalon etc.). It shows how a man who is a great songwriter can turn guys who "have the look" into superstars.

This is the role that Ray Sharkey was born to play. It is almost as though he was the person who wrote the script, and had himself in mind for the role all along. You can just see the way he delivers his lines, dances to the music, and sings, that he truly is Vincent Vacarri.

Besides the fact that the acting is great, the musical performances are flawless. The songs just explode from the screen with catchy tunes. It gets especially interesting towards the end when Caesare (Peter Gallagher) gives his giant production live number.

Folks, if you haven't seen this movie (and I highly doubt that you have) - do yourself a favor and see it ! Like I said, it is a hard to find movie - but it is worth the time to track it down.

This is what happens if all the elements are clicking properly for a film with musical numbers.

Like I said, it's the biggest secret in film. Now that you know the secret, do yourself a favor and rent it. You'll thank me afterwards !

This movie is one of my all time favorites. Ray Sharkey and Peter Gallagher were amazing. The songs were great, in fact I use to own the sound track. To this day I know the words to every song. It was clear from the first time I saw the movie that Peter would go on to have longevity. I wish I knew what happened to Paul Land. He made a really good Tommy Dee. I saw the movie the other day and I still find myself having as much fun as I did when I saw it on Cable in 1981. Oh yeah Joe Pantiliano (Bad Boys, Sopranos) made a lasting impression as well. Great acting, fun for all. It is a must see for anyone with a dream. ( smile)