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While I didn't quite know how to take the film the first time I saw it, after viewing it three different times, and letting a lot of time pass, my ripening sense of humor absolutely adored the hilarious jabs at religion - primarily Christianity - in all its contemporary marketing in the U.S. The bumbling monk from the monastery who just isn't in touch with the real world but must learn how to deal with it; the itinerant preacher in a modified flivver with a steeple and amplified speaker driving around "enticing" money from the crowds he can gather on the street; and the glowing puffery of the TV evangelist - who has more evil behind him than the good he portrays to his public. GREAT HUMOR. Well acted by Marty Feldman, Peter Boyle and Andy Kaufman. Contains a very interesting twist.

The late Marty Feldman's most notable directorial effort. The movie features an exceptional portrayal by Andy Kauffman of the Reverend Armageddon...who sports his blond pompador with great authority.

Most notable thing about the movie is the VERY clever writing. Much of the plot action is over the top slapstick, but sometimes the movie gets very sly and smart...especially when Andy is in the spotlight.

Fine funny performances from Peter Boyle and Louise Lasser.

"The meek shall inherit the earth" "Yeah, but only when the strong are through with it."

Marty Feldman plays a meek monk who emerges from the monastery he's lived in all his life to get the money needed to save it. He travels to the big city and meets a number of characters who are obsessed with religion, money, or both. This movie manages to show devotion, delusion and hypocrisy with clarity and, yes, grace, while providing plenty of laughs. Blessed are the meek, for they get off easy in this one; the greedy and vicious are not so lucky. Andy Kaufman's performance as Armageddon T. Thunderbird is brilliant, chilling, and not to be missed.

-May contain spoilers.

Many people only know Marty Feldman as Igor in 1974's "Young Frankenstein". And, I'll admit, unless one does some research, that's all one can really ever know. It's a shame that his other stuff, such as this film, has gone more unnoticed. Anyway...

"In God We Tru$t", from what I've heard and read really did horribly at the box office, and the critics just seemed to rip it to shreds! It's as if they couldn't find anything good about it. Well, I can. I really enjoyed this film. Maybe it wasn't well received because to me, in this movie, Feldman doesn't play his usual silly, comic relief based roles. I mean yes, he's funny in this film, but he has a much more straight role than in his other films, and yeah...he actually acts and emotes. Also, maybe romantic comedies weren't as big then, who knows? Or maybe the press just didn't think Marty Feldman had the right to play a serious, or semi-romantic role. Regardless, I feel that in this film, Feldman gets to showcase his real acting ability, and he's really great in this movie. And there's great support from the likes of Peter Boyle, Andy Kaufman, Richard Pryor, etc...

Looks-wise, Feldman was not the "conventional leading man", but in this film, I feel he makes it work. His "By the way, I think I love you...do you mind?" is delivered in an absolutely convincing and adorable way...

So yes, maybe this film is more a cute, sweet, sort of movie...but why did all of Marty Feldman's films have to be silly, manic, or zany? I think if anything the fact that he did different things shows his versatility. The concept of this film, a monk who really doesn't belong in the monastery, having to go out into the imperfect and corrupt world, falling in love with a prostitute, etc...I mean, it's great. All I can really see that is wrong with it, is simply the fact that unlike most Feldman movies that make one go, "HA HA!" this may make one go..."Awww".

Some deep lines too, such as "It may not be the best of all possible worlds but it's the only one we've got" and "Doubts are about the only certainties I have right now." Maybe I'm not with the popular opinion, but I enjoyed it and give it 8/10.

This Feldman production is not the greatest comedy ever made, but Feldman co-wrote, directed, and starred in this Feldman-at-the-Helm vehicle. It truly showcases his talents as no other movie before it had.

While it does attempt to do too much, the attempt is not a waste. Feldman merely aimed his sights at Blazing Saddles and made the attempt. It pokes fun at Christians and all organized religion, the pop-culture of the time, contemporary ideologies, the action-driven cop shows of the age, and itself. This is one of those wonderful movies which knows it's a movie and never takes itself too seriously.

Feldman is Father Ambrose is the outcast of the monastery. When the archdiocese decides they must have more money from the outside world, or shut its doors, Father Ambrose is chosen to leave the familiar world of hard benches and stone floors, and venture out in search of their salvation. Ironic in that "salvation" is supposed to be their specialty.

There are some wonderful cameos by Richard Pryor as God, Andy Kauffman, and Peter Boyle.

Along the way, Ambrose discovers what he's been missing out on all those years cloistered in a hermetic order, and processes new information which enables him to rethink his choice from an informed perspective. He finds laughter; he finds that while men are corrupt, MAN is decent at heart; and he finds himself. All in all a very endearing, if dated, work.

It rates a 6.6/10 from...

the Fiend :.